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Nicolas Poussin est incontestablement le grand peintre français du XVIIe siècle. Décrit successivement comme "peintre philosophe" ou "peintre libertin", il est surtout un artiste d'une grande spiritualité. La dimension chrétienne de son art a pourtant été longtemps négligée, voire contestée, alors que ses compositions sacrées comptent parmi ses productions les plus émouvantes et témoignent d'une méditation sur Dieu très personnelle. L'oeuvre de Nicolas Poussin, génie classique, constitue un corpus à part dans la Rome baroque du XVIIe siècle. Singulier par le style, mais aussi par la signification de ses tableaux, Poussin est le seul artiste qui ait su concilier d'une manière poétique les traditions sacrée et profane, insérant des symboles et des allégories antiques dans ses sujets bibliques, enrichissant ses compositions profanes d'une consonnance chrétienne. Son art constitue une synthèse nouvelle d'une originalité et d'une puissance d'inspiration exceptionnelles.

Poussin, Nicolas --- Christian art and symbolism --- Painting, French --- Painters --- Art et symbolisme chrétiens --- Peinture française --- Peintres --- Exhibitions --- Expositions --- Poussin, Nicolas, --- klassieke oudheid --- christelijke iconografie --- profane iconografie --- Richelieu (Kardinaal van Frankrijk) --- 75 POUSSIN, NICOLAS --- Schilderkunst--POUSSIN, NICOLAS --- 75 POUSSIN, NICOLAS Schilderkunst--POUSSIN, NICOLAS --- Art et symbolisme chrétiens --- Peinture française --- Exhibitions. --- klassieke oudheid (historisch tijdvak) --- klassieke oudheid (historisch tijdvak). --- christelijke iconografie. --- profane iconografie. --- Poussin, Nicolas. --- Richelieu (Kardinaal van Frankrijk).

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Against the background of the wide-spread 'love' spirituality of the late Middle Ages, the book takes as its central theme the 'taste' metaphor which appears in paintings featuring the Virgin and Child, belonging to the genre of the Andachtsbild. The first chapter describes the use of fruit and flowers as sensory presentations to the Christ Child. The author traces the origin of this motif and explains how the consumption of fruit and the smelling of flowers point to symbolic connotations of love, virtuousness and the suffering of Christ. While the second chapter focuses on 'taste' metaphors in late medieval devotional tracts about spiritual Gardens of Love, the third chapter deals with the role of gustative imagery in late medieval religious experience in general. Special attention is paid to meditational prayers in Books of Hours and song texts.In the final chapter the author gives an iconological interpretation of the 'taste' metaphor in a whole range of contemporary Virgin and Child Andachtsbilder, explaining that the fragrance and flavour imagery is intended to induce the viewer, through meditation on the image, to identify emphatically with Christ.

Painting --- De liefdestuin --- mysticism --- symbolism [artistic concept] --- Iconography --- liefdestuin --- History of civilization --- Christian spirituality --- Mary [s.] --- anno 1400-1499 --- anno 1500-1599 --- Flanders --- christelijke iconografie --- mystiek --- Liefde --- fruit --- profane iconografie --- Maria (Maagd) --- Christus --- 1450 - 1550 --- 15de eeuw --- 16de eeuw --- Zuidelijke Nederlanden --- 75.046.3 --- 75.033.5 --- 248.159.4 <493> --- 75 <493> --- Religie in de schilderkunst. Heiligenbeelden --- Schilderkunst van de gotiek. Schilderkunst van de late-Middeleeuwen --- Mariale devotie. Verering van O. L. Vrouw. Mariamaand--België --- Schilderkunst--België --- 248.159.4 <493> Mariale devotie. Verering van O. L. Vrouw. Mariamaand--België --- 75.033.5 Schilderkunst van de gotiek. Schilderkunst van de late-Middeleeuwen --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- 75 <493> Schilderkunst--België --- Early Netherlandish --- gardens of love --- liefde --- christelijke iconografie. --- mystiek. --- liefde. --- fruit. --- profane iconografie. --- Maria (Maagd). --- Christus. --- 1450 - 1550. --- 15de eeuw. --- 16de eeuw. --- Zuidelijke Nederlanden. --- Vierge à l'enfant --- Flowers in art --- Fruit in art --- Mysticism and art --- Mysticism in art --- Panel painting, Flemish --- Panel painting --- Jesus Christ --- Mary - Blessed Virgin, Saint --- Musée du Petit Palais (Genève). --- museumcollecties. --- moderne kunst. --- 20ste eeuw.

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agriculture --- Art --- farmers [people in agriculture] --- months --- animal husbandry --- genre [visual works] --- shepherds --- landscapes [representations] --- space [composition concept] --- Iconography --- Agriculture. Animal husbandry. Hunting. Fishery --- Europe --- profane iconografie --- landschappen --- boeren --- landelijke taferelen --- Europa --- Art, European --- Farm life in art --- Peasantry in art --- Histoire de l'art --- --XIVe-XXe s., --- --Paysan --- --Iconographie --- --Exposition --- --Art, European. --- Farm life in art. --- Peasants in art. --- Exhibitions --- Art, European. --- Exposition --- --Histoire de l'art --- --agriculture --- Peasants in art --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Peasantry --- Art [European ] --- CDL --- 7.041 --- --Peasantry --- Paysan --- XIVe-XXe s., 1301-2000 --- Iconographie --- Europa. --- agriculture [discipline] --- genre pictures --- animal husbandry [discipline] --- Paysans dans la litterature --- Paysans dans la peinture

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mythology [literary genre] --- Rembrandt --- Art and mythology --- Art et mythologie --- Kunst en mythologie --- Mythologie dans l'art --- Mythologie in de kunst --- Mythology in art --- Art and mythology. --- Painting, Dutch --- Peinture hollandaise --- Themes, motives --- Thèmes, motifs --- Rembrandt Harmenszoon van Rijn, --- profane iconografie --- mythologie --- historiestukken --- Rembrandt van Rijn --- Rubens, Peter Paul --- Van Mander, Carel --- 17de eeuw --- Nederlanden --- Mythology and art --- Mythology --- Rembrandt Harmenszoon van Rijn --- -Themes, motives --- Thèmes, motifs --- Themes, motives. --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Rembrandt. --- Rubens, Peter Paul. --- van Mander, Karel I. --- 17de eeuw. --- Nederlanden. --- van Mander, Karel I

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Human figure in art --- Corps humain dans l'art --- Art et science --- Anatomie artistique --- Médecine et art --- profane iconografie --- kunsttechnieken --- Anatomy in art. --- Physiognomy in art. --- Dreams in art. --- Illustrations. --- catalogue réalisé sous la direction de Jean Clair --- kunst --- achttiende eeuw --- negentiende eeuw --- twintigste eeuw --- wetenschappen --- anatomie --- evolutieleer --- psychologie --- lichamelijkheid --- 7.03 --- Human anatomy --- Art --- anatomy --- 19de eeuw --- 20ste eeuw --- Human figure in art. --- Scientific literature --- Art and science --- Anatomy, Artistic --- Medicine and art --- Médecine et art --- Exhibitions --- Expositions --- Body [Human ] in art --- Corps humain --- Sciences --- Sciences et arts --- Esprit et corps --- Philosophie et sciences --- Psychanalyse et sciences --- Dans l'art --- Histoire --- Thèmes, motifs --- CDL --- Médecine et art. --- Thèmes, motifs. --- anatomie (niet medisch) --- Scientific literature - Illustrations. --- 19de eeuw. --- 20ste eeuw. --- sculptuur --- Minnebo, Hubert. --- Poetou, Emiel. --- Reinhoud (pseud.). --- Strebelle, Olivier. --- Van Sumere, Hilde.