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kunst --- literatuur --- film --- Frankrijk --- Debord Guy --- situationisme --- kunst en politiek --- lettrisme --- twintigste eeuw --- 7.071 DEBORD

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Solidarity has re-entered the global zeitgeist with resounding force in the last decades and is especially urgent to consider today. Yet this concept – both a potent ideal and a slippery notion – is one of the least analysed within the arts. Why? It is perhaps because colonialism, Neoliberalism, hyper-individualism and Western-centred concepts of art have eroded visions of a care-based society. Creating a fair and vital social fabric inspired by mutual dependencies between living beings and all entities including fauna, flora, air, land and water, is fundamental for our collective existence. A critical toolbox with intersectional perspectives is needed to examine this minefield and reveal meaningful and inspiring narratives that can guide our future. Working with these complexities, this Reader considers the agency that artists, collectives and art institutions have generated from the 1970s to today to build the radical imaginaries of care and solidarity needed to transform the conditions of our collective existence in the face of local and global crises. Presenting new and historical material, the Reader narrates a series of stories of solidarity across geographies in relation to emergencies connected to ecocide, femicide, genocide, migration, neocolonialism, inter-religious conflicts, class divisions and heteronormativity, amongst others. It also gives a central place to Indigenous perspectives rarely considered when discussing solidarity in the arts.

Art --- art [fine art] --- sociology --- environments [object groupings] --- colonization --- migration [function] --- environmental art --- social classes --- political art --- cooperation --- Beschaving; Cultuur; Vooruitgang --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunsttheorie ; postkolonialisme --- Kunsttheorie : over artistieke samenwerking ; werking --- Kunst en politiek ; solidariteit Palestijnse kwestie --- Kunst en politiek ; 21ste eeuw --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Développement social des quartiers --- Rapports sociaux --- Communauté --- Mouvement social --- kunst --- kunst en politiek --- twintigste eeuw --- eenentwintigste eeuw --- sociologie --- activisme --- postkolonialisme --- 7.038/039 --- politiek --- kunsttheorie --- art [discipline]

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Published to accompany the first large-scale retrospective of Alighiero Boetti's work outside Italy in over a decade, this volume presents the most comprehensive overview of the artist's career to date. Covering all periods of Boetti's broad oeuvre--including early sculptural experiments associated with the Arte Povera movement, conceptual and ephemeral projects of the 1970s and the monumental embroideries and tapestries he fabricated up to his death--this richly illustrated catalogue is structured as a typology of the artist's body of work rather than a chronological progression. Essays by curators from the Reina Sofia, Madrid, the Tate Modern, London and The Museum of Modern Art, New York, address recurrent themes in Boetti's work such as travel and geography, time, order and disorder and singularity and multitude, while contributions by scholars examine his early influences and his relationship to the cultural, political, and social spheres of Italy and Afghanistan in the 1970s and 1980s. This volume celebrates the material diversity, conceptual complexity and visual beauty of Boetti's work, proving that he is one of the most important and influential artists of his generation.

kunst --- twintigste eeuw --- Italië --- installaties --- arte povera --- Afghanistan --- kunst en politiek --- Alighiero e Boetti --- Boetti Alighiero --- 7.071 BOETTI --- Exhibitions --- Boetti, Alighiero, --- Boetti, Alighiero --- Boetti, Alighiero, - 1940-1994

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Intégralement conçue par l'artiste pour l'exposition éponyme au MAXXI, Rome, cette monographie documente les recherches menées par Thomas Hirschhorn pour la série Pixel-Collage, produite entre 2015 et 2017 (avec plusieurs essaus et une anthologie des écrits d'Hirschhorn). Le contrôle des images, leur authentification en tant que faits, la possibilité de rendre visibles des portions de réalité soustraites à notre regard par la pixellisation – une technique par laquelle l'image devient méconnaissable – sont les thèmes centraux des recherches de Thomas Hirschhorn.Le cycle Pixel-Collage, créé en recombinant des photos publicitaires et des images de corps mutilés, vise à stimuler une réflexion culturelle et politique sur l'imagerie visuelle de notre monde contemporain, sur ce qui est rendu public et ce qui est dissimulé ou censuré. Hirschhorn renverse la logique sélective avec laquelle les images sont normalement montrées : il pixellise le capitalisme, le consumérisme auquel la culture visuelle est constamment soumise, et dépixellise la réalité la plus dramatique ; il rend visible ce qui arrive à nos yeux sans médiation, et invisible ou seulement partiellement visible ce qui arrive artificiel ou filtré.

kunst --- kunst en politiek --- Hirschhorn Thomas --- installaties --- collage --- collages --- pixels --- Zwitserland --- eenentwintigste eeuw --- Exhibitions --- Hirschhorn, Thomas --- Art --- collages [visual works] --- violence --- injury [medical condition] --- corpses [bodies] --- corpses

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New Narrative for Europe is an initiative designed to connect the general public with the European integration project via the arts and sciences. Central to the project is the need to provide a new narrative for European integration - one that goes beyond the principle of ensuring peace through economic and political integration - by mobilising a 'European' spirit formed of shared values and experiences, ready for the 21st Century. In doing so, it aims to demonstrate the ways in which the European Union can empower its citizens, while identifying the common cultural values that unite them across its borders. New Narrative for Europe provides a platform in which cultural practitioners in the broadest sense shared their views on and for the development of a European social imaginary and public space for debate, both of which are essential for fostering solidarity and the democratic process. They are enshrined as such in the document that emerged from this initiative, the Declaration The Mind and Body of Europe, a document reproduced and much discussed in this publication.

Arts --- Science --- Sciences --- European Union --- Integration --- European Union countries --- Pays de l'Union européenne --- History --- Histoire --- Membership --- Social aspects --- Social aspects. --- 7.01 --- Kunsttheorie ; Europa ; integratieprojecten via kunst en cultuur --- Kunst en politiek ; 21ste eeuw --- Kunst ; theorie, filosofie, esthetica --- Europese Unie. --- Pays de l'Union européenne --- kunst --- eenentwintigste eeuw --- kunst en politiek --- 130.2 --- 7.039 --- kunsttheorie --- cultuurfilosofie --- Europa --- European federation --- Culture. --- History.