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God --- Image of God
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Trinity --- Pastoral theology --- Image of God
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Image of God --- Theological anthropology --- Evolution (Biology) --- Image of God --- Religion and science
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"Given the human propensity for making and using various kinds of images, it is little surprise that religious-philosophical authors from various ancient cultures used the concept of an »image« when speaking of the divine. What does the author of Colossians mean to convey by calling Jesus Christ the 'image of the invisible God'? Through an examination of various image discourses and a detailed exegetical study of Colossians 1:15-20, T.R. Niles situates the image concept of Colossians within the image discourse of the first century A.D. and elucidates its specific contours."
Image of God --- Image of God --- Image (Philosophy) --- Eikōn (The Greek word) --- Biblical teaching --- History of doctrines --- History --- Bible --- Criticism, interpretation, etc.
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Image of God --- Biblical teaching. --- 222.2 --- -God --- God, Image of --- God --- Image (Theology) --- Theological anthropology --- Genesis --- Biblical teaching --- Image --- -Genesis --- Bible. --- Criticism, interpretation, etc. --- History. --- Image of God - Biblical teaching.
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"Expanding the state of research to include an analysis of the cultural background that led to the depiction of God, Bergmeier argues that Late Antiquity struggled with how to negotiate the Old Testament ban on images of God alongside the desire ("Visionserwartung") to have direct contact with the deity. Late Antiquity solved this paradox by depicting ephemeral visions of God, which made possible the close contact so desired. Bergmeier's research corrects a lacuna in art history, which has largely ignored the immense influence of visions in the history of the production of images. Until now the discipline has failed to recognize the full array of visionary motives and their complex, interrelated nature. The publication explores the various strategies used by late antique image-makers to visualize God, demonstrating how, on the one hand, antique visual formats were adapted for this new purpose and how, on the other, new visual solutions emerged to meet the needs of depicting the Christian God (Part Two). In contrast to the majority of early Christian images, which relied heavily on pagan models, these theophanic motives often represented new visual innovations. Finally, Bergmeier explores the phenomenological impact of images--how they created an experience of real visions. Late antique concepts of encounters with the holy are placed into dialogue with early Christian understanding of sacred spaces to demonstrate how these images produced meaning for their viewers (Part Three). Expanding upon the phenomenological research on late antique images of God, Bergmeier comes to an important and revolutionary thesis: while scholarship has assumed that these holy visions of God were depictions of a future moment, close analysis of Late Antique texts reveals that these visionary images were understood by contemporaries as images of the present moment. More than an iconographic study of theophanic images in Late Antiquity, Bergmeier's research explores for the first time the cultural history of the emergence of images of God from c. 300-750, drawing on detailed study of texts and images in equal measure (Part One). Bergmeier mobilizes theological, historical, and religious studies scholarship, connecting textual research on antique images of the gods with scholarship on Christian culture in Late Antiquity. By not only highlighting the importance of images of God in late antique culture, but demonstrating their fundamental significance as modes of direct engagement in the present moment with the otherwise invisible God, Bergmeier's scholarship radically reshapes the field of late antique art history. And through its interdisciplinary mode of inquiry, the book promises to transform our understanding of Late Antique culture."
Visions --- Christian art and symbolism --- Christian art and symbolism --- Image of God --- Art and religion --- Visions in art.
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Anthropologie --- Antropologie --- Eglise catholique --- Katholieke Kerk --- Image of God --- Theological anthropology --- History of doctrines --- Christianity --- -Man (Christian theology) --- -#GGSB: Patrologie (alg.) --- #GGSB: Kerkgeschiedenis (oudheid) --- #GBIB:SMM --- #GGSB: Antropologie --- #GROL:MEDO-276:233 --- Man (Christian theology) --- God --- God, Image of --- Image (Theology) --- -History of doctrines --- -Image --- -Image of God --- #GGSB: Patrologie (alg.) --- Image --- Kerkgeschiedenis (oudheid) --- Patrologie (alg.) --- Image of God - History of doctrines - Early church, ca. 30-600 --- Theological anthropology - Christianity - History of doctrines - Early church, ca 30-600
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Image of God --- Sex --- Women --- Biblical teaching. --- History of doctrines. --- Religious aspects. --- -Image of God --- -Sex --- -Women --- -#GOSA:II.P.AU.3 --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Gender (Sex) --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Sexology --- God --- God, Image of --- Image (Theology) --- Theological anthropology --- Biblical teaching --- History of doctrines --- Religious aspects --- Image --- #GOSA:II.P.AU.3 --- Woman (Theology) --- Sex (in religion, folklore, etc.) --- Sex and religion --- Phallicism --- Image of God - Biblical teaching. --- Image of God - History of doctrines. --- Sex - Religious aspects. --- Women - Religious aspects.
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