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sculpting --- drawing [image-making] --- Art --- Moore, Henry
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watercolors [paintings] --- drawing [image-making] --- Art --- Turner, Joseph Mallord William --- Tate Gallery [London] --- Exhibitions --- Tate Gallery
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Différents outils de dessin décrits avec leur utilité depuis 1580 à 1980
Drawing --- History --- scientific instruments --- drawing [image-making] --- Dessin --- Dessin, materiel --- Dessin, technique --- geometrie (onderliggende)
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Drawing --- Sculpture --- sculpting --- drawing [image-making] --- rust --- Art --- Ronkholz, Ingo --- anno 1900-1999 --- Germany
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Drawing, European --- Drawing --- Exhibitions --- Art --- drawing [image-making] --- Canada --- Drawing, European - Exhibitions --- Drawing - Canada - Exhibitions
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Drawing --- History --- drawing [image-making] --- anno 1600-1699 --- Drawing [Spanish ] --- Catalogs --- Madrid, school van --- Spaanse school
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Ragnar Kjartansson's work is a cross-over between performance and cinema, sculpture and opera, plein air painting and music. He often produces large-scale multidisciplinary projects and the production of his works often requires the collaboration of several participants – actors, musicians, friends, and family members. Experimenting with the mechanisms of theatre and the dramatic impulses of tragedy, Kjartansson succeeds in bringing emotions out of melodramatic actions and revealing the reality on which relies every interpretation. Published on the occasion of Ragnar Kjartansson's solo exhibition at the Palais de Tokyo, “Seul celui qui connaît le désir.”
performance art --- video art --- drawing [image-making] --- painting [image-making] --- Kjartansson, Ragnar --- Art contemporain --- Performance --- Cinéma
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Drawing Acts is about drawing, both as art and act. Taking the study of drawings beyond the traditional agenda of connoisseurship, David Rosand explores the significance of the making of drawings, the meaning in the line of the draftsman, and the recreative dimension of critical response. The book focuses on drawings by artists such as Leonardo da Vinci, Raphael, Michelangelo, Rembrandt, Piranesi, Tiepolo and Picasso, as well as on the history and theory of the medium itself. It seeks to establish new foundations for the criticism and appreciation of drawing, which is often considered the most revealing record of artistic creativity, offering the most direct expression of the artistic self. --
Drawing --- Drawing. --- Expertising. --- History --- drawing [image-making] --- Rembrandt --- Raphael --- Michelangelo --- Leonardo da Vinci --- Buonarroti, Michelangelo
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Monographie parcourant quarante ans de dessins et d'œuvres sur papier tirés des carnets et feuillets de l'artiste, formant une documentation jubilatoire aux accents autobiographiques qui nous mène dans les coulisses d'une pratique féconde.
Art --- collages [visual works] --- drawing [image-making] --- Moulène, Jean-Luc --- Dessin --- MoulÈne, Jean-Luc
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Since the late 1970s, American artist Matt Mullican has developed a practice of performing under hypnosis that extends from his investigations into representation and subjective projection. The evolution of this body of work offers perspectives on repetition and renewal in performance practice. This book is the outcome of an extensive research project into Mullicans hypnosis performances and a shared exploration of character construction, undertaken as part of the If I Cant Dance project together with invited researcher Vanessa Desclaux. In her essay, Desclaux addresses the question of personification in light of her analysis of Mullicans creative process.
Art --- drawing [image-making] --- performance art --- texts [documents] --- hypnose (kunst) --- Mullican, Matt --- Performance-art
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