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A Sculptor's World is the long-awaited reprint of Isamu Noguchi's 1968 autobiography, which Steidl last printed in 2004. It remains Noguchi's most comprehensive statement about the art that brought him international acclaim. Told in words and images, A Sculptor's World is essential reading for anyone with an interest in the life and work of this seminal artist or a general interest in sculpture. Reissued in 2004 and since out of print, A Sculptor's World is now in its third edition, reprinted by Steidl. This volume includes the original foreword by R. Buckminster Fuller as well as a new timeline of major events in Noguchi's life between 1968, when he created his seminal autobiography, and his death in 1988.

Sculpture --- architecture [discipline] --- landscape architecture [discipline] --- scenography [discipline] --- sculpting --- commissions [orders for works] --- Noguchi, Isamu --- Art --- Design --- Théâtre

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This is a unique volume that explores the ways in which the aesthetics of public art were affected by the social, political, and cultural changes of the Enlightenment. This pioneering book chronicles the transformation of public art in eighteenth-century France. As royal and ecclesiastical authority waned under the rule of Louis XV, there emerged nascent democratic institutions, a new metaphysics, and a radical political consciousness - a paradigm shift that profoundly affected the forms that commemorative sculpture and architecture took. Analysing an extraordinary range of artistic projects - from unrealized plans for a Bourbon memorial to the sculptural program for the Pantheon - Sculpture and Enlightenment appraises how public art intersected with the historical forces, social movements, and continental philosophies that brought Western Europe to the cusp of modernity.

sculpting --- History --- Architecture --- art history --- art theory --- Sculpture --- commissions [orders for works] --- Art --- monuments --- anno 1700-1799 --- anno 1800-1899 --- Europe --- Public sculpture --- Sculpture, European --- Symbolism in art --- Monuments --- Memorials --- Public sculpture - Europe --- Sculpture, European - 18th century --- Architecture - Europe - History - 18th century --- Symbolism in art - Europe --- Monuments - Europe --- Memorials - Europe

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scripts [writing] --- furniture making --- architectural elements --- installations [visual works] --- Iconography --- commissions [orders for works] --- Art --- light art --- Architecture --- architecture [discipline] --- Nauman, Bruce --- Becher, Bernd und Hilla --- Meier, Richard --- Rousse, Georges --- Christo --- Langlands & Bell --- Hollein, Hans --- Buren, Daniel --- Mucha, Reinhard --- Starck, Philippe --- Holzer, Jenny --- Merz, Mario --- Bustamante, Jean-Marc --- Theodoros --- Klingelhöller, Harold --- Schütte, Thomas --- Vercruysse, Jan --- De Portzamparc, Christian --- Wright, Frank Lloyd --- Goldsworthy, Andy --- Jean Nouvel, Emmanuel Cattani & Associés --- Studio Libeskind --- anno 1900-1999 --- Portzamparc, de, Christian

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Né en 1942 aux États-Unis, Dan Graham vit et travaille à New York. Son œuvre commence en 1966 par une réflexion sur l'architecture et son usage social. Alliant photographies et commentaires écrits, parodiant le ton neutre de la sociologie, il se tient, en les critiquant, à la rencontre des courants du pop art et de l'art minimal. Depuis Homes for America, l'œuvre de Dan Graham a exploré des formes hybrides d'expression situées entre architecture, installation et photographie. Bien que l'architecture ne soit pas l'unique sujet du travail de Dan Graham, elle en est cependant le thème central, tant dans ses photographies, que dans ses objets, ses installations ou ses écrits. Son travail fait régulièrement l'objet d'expositions en Europe et aux États-Unis et fait référence dans les débats actuels sur l'art et l'architecture. (http://www.disvoir.com/fr/fo/b/22.html) Résumé du livre de Dan Graham Bien que l'architecture n'est manifestement pas le seul objet de travaux de Dan Graham, il est l'un de ses thèmes de prédilection, aussi bien dans la photographie que dans la photographie que dans ses installations et ses écrits. Comment ne Dan Graham utiliser des concepts architecturaux et les fonctions, et, en retour, comment la pensée architecturale réagir à ses accusations et des justifications? Ce volume tente de comprendre et d'évaluer son travail du point de vue de l'architecture moderne et contemporaine, la réunion nécessaire points pour les questions de base, il développe: la vie urbanisme, espace public / privé, socio-politique, la critique idéologique, le rôle du langage dans la perception visuelle-cinétique de l'immeuble (avec les idées de la formalistes russes, Bakhtine, Mevdev, Shlovsky), ou les effets sur la constitution et la transformation de l'ego depuis l'apparition du verre comme matériau de construction. Cette approche promet de jeter une lumière plus claire sur les questions qui appartiennent non seulement aux domaines distincts de l'art et l'architecture. http://www.flipkart.com/book/dan-graham-alain-charre-marie/2906571423

architectural elements --- sculpting --- Sculpture --- public art --- art [fine art] --- glassworking --- outdoor sculpture --- commissions [orders for works] --- Architecture --- Iconography --- architecture [discipline] --- Art --- Graham, Dan --- anno 1900-1999 --- United States --- Contextualité --- Espace public --- Idéologie --- Verre --- Architecture in art --- Installations (Art) --- Architecture, Modern --- Glass construction --- Graham, Dan, --- Criticism and interpretation --- Architecture in art. --- Glass construction. --- Criticism and interpretation. --- Installations (Art). --- Architecture, Modern - 20th century --- Graham, Dan, - 1942- - Criticism and interpretation --- Graham, Dan, - 1942 --- -Iconography --- art [discipline] --- United States of America --- -Architecture in art.

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Connu pour sa réalisation du campus universitaire du Sart-Tilman de l'Université de Liège, C. Vandenhove a démontré la coexistence possible entre les idées fonctionnalistes modernes et le tissu historique des villes anciennes. Avec vingt projets de l'architecte, réalisés ou non, pour mieux cerner sa vision novatrice.

sculpting --- commissions [orders for works] --- Architecture --- architecture [discipline] --- Art --- Vandenhove, Charles --- History --- Histoire --- Vandenhove, Charles, --- 72.07 --- Architectuur ; 20ste en 21ste eeuw ; Ch. Vandenhove --- Vandenhove, Charles °1927 (°Teuven, België) --- Belgische architecten --- Architecten. Stedenbouwkundigen A - Z --- Liège (Belgium) --- Buildings, structures, etc. --- Belgium --- 20th century --- 21st century --- architectuur --- Architecture - Belgium - History - 20th century - Catalogs --- Architecture - Belgium - History - 21st century - Catalogs --- Vandenhove, Charles - Catalogs --- architects --- architectuur. --- Vandenhove, Charles.