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This handbook is a sequel to an earlier volume entitled "A Theory of Supercritical Wing Sections, with Computer Programs and Examples." Since the completion of the first volume, which we shall refer to as Volume I (cf. [ll), some effort has been made to improve our airfoil design program. A number of more desirable air­ foils have been designed. In addition several of our wing sections have been tested in wind tunnels. We should like to make this material available here, since it is more convenient to use the design program in conjunction with data for a fairly broad range of examples. Moreover, we have developed new analysis programs that supersede our previous work. Chapter I is devoted to a brief discussion of the mathematics involved in our additions and modifications. There is only a mini­ mum emphasis on theory, since the representation of important physical phenomena such as boundary layer shock wave interaction and separation is partly empirical. It is our contention, however, that the computer programs provide a better simulation than might have been expected. Chapter II presents numerical results found by our new methods, as well as comparisons with experimental data. Chapter III contains a discussion of the use of the program together with Fortran listings.

Aerodynamics, Supersonic --- Airplanes --- Boundary layer --- Computer programs --- Wings --- Business & Economics --- Economic Theory --- 62 --- Ingenieurswetenschappen. Technologie in het algemeen --- Fluides, Mécanique des --- Fluid mechanics --- Fluides, Mécanique des. --- Mécanique des fluides. --- Aerodynamics, Supersonic - Computer programs --- Airplanes - Wings --- Mécanique des fluides.

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Much recent philosophical work proposes to illuminate dilemmas of human existence with reference to the arts and culture, often to the point of submitting particular works to preconceived formulations. In this examination of three texts that respond to loss, Robert Mugerauer responds with close, detailed readings that seek to clarify the particularity of the intense force such works bring forth. Mugerauer shows how, in the face of what is irrevocably taken away as well as of what continues to be given, the unavoidable task of interpretation is ours alone. Mugerauer examines works in three different forms that powerfully call on us to respond to loss: Cormac McCarthy's The Crossing, Daniel Libeskind's Jewish Museum Berlin, and Wim Wenders's film Wings of Desire. Explicating these difficult but rich works with reference to the thought of Martin Heidegger, Jean-Luc Marion, Hannah Arendt, and Emmanuel Levinas, the author helps us to experience the multiple and diverse ways in which all of us are opened to the saturated phenomena of loss, violence, witnessing, and responsibility.

Arts, Modern --- Themes, motives --- McCarthy, Cormac, --- Heidegger, Martin, --- Jüdisches Museum Berlin (1999- ) --- Himmel über Berlin (Motion picture) --- Themes, motives. --- Khaĭdegger, Martin, --- Haĭdegger, Martin, --- Hīdajar, Mārtin, --- Hai-te-ko, --- Haidegŏ, --- Chaitenger, Martinos, --- Chaitenker, Martinos, --- Chaintenger, Martin, --- Khaĭdeger, Martin, --- Hai-te-ko-erh, --- Haideger, Marṭinn, --- Heidegger, M. --- Haideger, Martin, --- Hajdeger, Martin, --- הייגדר, מרתין --- היידגר, מרטין --- היידגר, מרטין, --- 海德格尔, --- Chaintenker, Martin, --- Jüdisches Museum Berlin (1999- ) --- Jewish Museum Berlin (1999- ) --- Stiftung Jüdisches Museum Berlin (1999- ) --- Jüdisches Museum im Berlin Museum --- Himmel über Berlin (Motion picture) --- Wings of desire (Motion picture) --- Sky over Berlin (Motion picture) --- Heidegger, Martin --- Sky above Berlin (Motion picture) --- In weiter Ferne, so nah! (Motion picture) --- Hāydigir, Mārtīn, --- Hīdigir, Mārtīn, --- هاىدگر, مارتين, --- هىدگر, مارتين, --- Arts, Modern - 20th century - Themes, motives --- McCarthy, Cormac, - 1933- - Crossing --- Heidegger, Martin, - 1889-1976