Listing 1 - 10 of 16 | << page >> |
Sort by
|
Choose an application
"Clouds are the spark plugs in the heat engine of the tropical atmosphere, and heat from the tropics drives the planet's general circulation. Atmospheric scientists did not know this in the 1950s, but Joanne Simpson, the first American woman to earn a Ph.D. in meteorology, did. Most histories of meteorology focus on polar and temperate regions and the accomplishments of male scientists. They marginalize or erase completely the contributions of female researchers. Joanne's work on the tropical atmosphere did not fit this pattern. Joanne had a lifelong passion for clouds and severe storms. She flew into and above them, photographed them, modelled them, attempted to modify them, and studied them from all angles. She held two university professorships, married three times, had two lovers (one secret), mentored a generation of meteorologists, and blazed a trail for other women to follow. First Woman: Joanne Simpson and the Tropical Atmosphere is about Joanne's personal and professional life, her career prospects as a woman in science, and her relationship to the tropical atmosphere. These multifaceted and interacting textual streams constitute a braided narrative and form a complex dynamic system that displays surprising emergent properties. Is Joanne Simpson best remembered as a pioneer woman scientist or the best tropical scientist of her generation? She was both, with the emphasis on best scientist"-- Provided by publisher
Choose an application
This comprehensive catalogue of Lorna Simpson's critically-acclaimed 30-year body of work highlights her photo-text pieces as well as film and video installations to reveal how the artist explores identity, memory, gender, history, fantasy, and reality.
Simpson, Lorna, --- Simpson, Lorna --- Monographie --- Photographie --- Women photographers --- Biography --- Attitudes. --- Interviews. --- Simpson, Lorna, 1960 --- -Simpson, Lorna --- -Monographie --- Simpson, Lorna, 1960-
Choose an application
"Lorna Simpson is a multimedia artist known for her pioneering approach to conceptual photography. In 1993 Simpson was the first African-American woman ever to show in the Venice Biennale and to have a solo exhibition at the Museum of Modern Art, New York. This landmark book documents Simpson's career in its entirety, up to her most recent work. In doing so, it sheds light on the remarkable path that Simpson paved to global critical acclaim and art-world stardom"--Publisher's description
7.07 --- Simpson, Lorna °13 augustus 1960, Brooklyn, New York City, New York, Verenigde Staten --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Simpson, Lorna, --- Criticism and interpretation. --- Simpson, Lorna, - 1960 --- -Simpson, Lorna, - 1960 --- -7.07 --- -Photographie --- -Simpson, Lorna, --- Photographie --- -Simpson, Lorna, - 1960-
Choose an application
F. Scott Fitzgerald once said: »Show me a hero, and I'll write you a tragedy.« In the 1990s, nobody fell deeper than O.J. Simpson. Once considered a national treasure, the athlete was accused of brutally slaying his ex-wife Nicole Brown and her friend Ronald Goldman on June 12, 1994. Within days, the media and public developed an unprecedented obsession with the story, turning a murder investigation and trial into a sensationalized reality show. Tatjana Neubauer examines the mediatization, deliberate manipulation, and the simplification of popular criminal trials for profit on television. She shows that TV conflated legal proceedings into entertainment programming by commodifying events, people, and places.
Trials (Murder) --- Murder trials --- Murder --- Mass media and crime --- Simpson, O. J., 1947-
Choose an application
Lord Acton (1834-1902) and Richard Simpson (1820-76) were the principal figures in the Liberal Catholic movement of nineteenth-century England, an ultimately unsuccessful effort to reconcile the Roman Catholic Church with the leading secular thought of the day. They collaborated in editing the Rambler (1858-62) and the Home and Foreign Review (1862-4), two of the most distinguished Catholic periodicals of the period. The correspondence is the record of this collaboration and sheds light on the religious, political and intellectual history of mid-nineteenth-century England. Though heaviest for the years of their joint work on the Rambler and the Home and Foreign Review, the correspondence continued up to 1875, a year before Simpson's death.
Choose an application
Politics, Practical --- Character --- Success --- Conduct of life --- Dewey, George, - 1837-1917 --- Grant, Ulysses Simpson, - 1822-1885 --- United States
Choose an application
Evolution (Biology) --- Mammals, Fossil --- Paleontology --- Fossilogy --- Fossilology --- Palaeontology --- Paleontology, Zoological --- Paleozoology --- Historical geology --- Zoology --- Fossils --- Prehistoric animals in motion pictures --- Amniotes, Fossil --- Vertebrates, Fossil --- Animal evolution --- Animals --- Biological evolution --- Darwinism --- Evolutionary biology --- Evolutionary science --- Origin of species --- Biology --- Evolution --- Biological fitness --- Homoplasy --- Natural selection --- Phylogeny --- Simpson, George Gaylord, --- Sīmpsūn, Jūrj Gaylūrd, --- سيمپسون، جورج گيلورد --- Simpson, George Gaylord --- PHILOSOPHIE --- SCIENCES DE LA TERRE --- PALEONTOLOGIE GENERALE --- PROBLEMES DE PALEONTOLOGIE --- EVOLUTION --- PALEONTOLOGIE ANIMALE --- VERTEBRES
Choose an application
A series of conversations on topics concerning the global contemporary art scene. Conversations offers a platform for dynamic dialogues between prominent members of the international artworld, each offering their unique perspective on producing, collecting, and exhibiting art. The series include artist talks, panels, and discussions with a range of speakers including artists, gallerists, curators, collectors, architects, art lawyers, critics, and many other cultural players.
Manifestation artistique --- Marché de l'art --- Galerie d'art --- Ethique --- Rapport existentiel à l'art --- Collection --- Bell, Larry --- Bradford, Mark --- Cuoghi, Roberto --- Gaines, Charles --- Holzer, Jenny --- Horn, Roni, 1955 --- -Day Jackson, Matthew --- Johnson, Rachid --- Leibovitz, Annie, 1949 --- -Leonard, Zoe --- Maiolino, Anna Maria --- Matsutani, Takesada --- Mccarthy, Paul --- Rottenberg, Mika --- Sherald, Amy --- Simpson, Lorna, 1960 --- -Fanzhi, Zeng --- Nauman, Bruce
Choose an application
Marina Abramovic; Joseph Beuys; Tacita Dean; Walter De Maria; AK Dolven; Olafur Eliasson; Jitka Hanzlova; Gary Hill; Susan Hiller; Shirazeh Houshiary; Anish Kapoor; Mike Kelley; Yves Klein; Richard Long; Gusav Metzger; Henri Michaux; Barnett Newman; Tony Oursler; Cornelia Parker; Gerhard Richter; Doris Salcedo; Lorna Simpson; Stelarc; Hiroshi Sugimoto; Fred Tomaselli; James Turell; Luc Tuymans; Bill Viola; Zhang Huan
political art --- philosophy of art --- anxiety --- Sublime, the --- hedendaagse kunst --- supernatural --- Art --- Contemporary [style of art] --- kunstfilosofie --- art [fine art] --- Nature --- technology --- Auto-destructive art --- Metzger, Gustav --- Maria, de, Walter --- Sugimoto, Hiroshi --- Parker, Cornelia --- Long, Richard --- Kelley, Mike --- Zhang Huan --- Simpson, Lorna --- Hiller, Susan --- Hanzlová, Jitka --- Viola, Bill --- Beuys, Joseph --- Kapoor, Anish --- Salcedo, Doris --- Tuymans, Luc --- Hill, Gary --- Klein, Yves --- Abramovic, Marina --- Michaux, Henri --- Houshiary, Shirazeh --- Dolven, Anne Katrine --- Eliasson, Olafur --- Oursler, Tony --- Stelarc --- Richter, Gerhard --- Tomaselli, Fred --- Newman, Barnett --- Dean, Tacita --- Turrell, James --- Sublime, The, in art --- Art, Modern --- Art and society --- Sublime, The, in art. --- History --- kunst --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- Abramovic Marina --- Beuys Joseph --- Dean Tacita --- De Maria Walter --- Dolven A K --- Eliasson Olafur --- Hanzlova Jitka --- Hill Gary --- Hiller Susan --- Houshiary Shirazeh --- Kapoor Anish --- Kelley Mike --- Klein Yves --- Long Richard --- Metzger Gustav --- Michaux Henri --- Newman Barnett --- Oursler Tony --- Parker Cornelia --- Richter Gerhard --- Salcedo Doris --- Simpson Lorna --- Sugimoto Hiroshi --- Tomaselli Fred --- Turrell James --- Tuymans Luc --- Viola Bill --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.049 --- Kunsttheorie ; over het sublieme ; in de kunst van de 21ste eeuw --- Kunst en maatschappij ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Dolven, A.K. --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Kunst --- bezorgdheid --- het Verhevene --- bovennatuurlijk --- technologie --- Destructieve kunst --- natuur --- politieke kunst --- technology [general associated concept] --- Art, Modern - 20th century --- Art, Modern - 21st century --- art [discipline]
Choose an application
Marina Abramovic; Eija-Liisa Ahtila; Kutlug Ataman; Uta Barth; Tom Burr; Sophie Calle; Paul Chan; Desire Machine Collective; Stan Douglas; Cherryl Dunye; Kota Ezawa; Jef Geys; Liam Gillick; Shumona Goel; Felix Gonzalez-Torres; Sharon Hayes; Susan Hiller; Roni Horn; Craigy Horsfeld; Pierre Huyghe; Amar Kanwar; William Kentridge; Idreis Kahn; Zoe leonard; Ilan Lieberman; Glen Ligon; Elisabeth Manchester; Kabir Mohanty; Robert Morris; RabihMroué; Jun Nguyen-Hatsushiba; Uriel Orlow; Philippe Parreno; Walid Raad; Anri Sala; Fazal Sheikh; Lorna Simson; Vivan Sundaram. Luc Tuymans
hedendaagse kunst --- art theory --- Art --- thema's in de kunst --- art [fine art] --- memory --- psychology --- Contemporary [style of art] --- Khan, Idris --- Parreno, Philippe --- Horn, Roni --- Gonzalez-Torres, Felix --- Ataman, Kutlug --- Sala, Anri --- Burr, Tom --- Sundaram, Vivan --- Hayes, Sharon --- Geys, Jef --- Kanwar, Amar --- Ahtila, Eija-Liisa --- Simpson, Lorna --- Leonard, Zoe --- Hiller, Susan --- Ezawa, Kota --- Walker, Kara --- Douglas, Stan --- Orlow, Uriel --- Ligon, Glenn --- Tuymans, Luc --- Gillick, Liam --- Abramovic, Marina --- Morris, Robert --- Barth, Uta --- Nguyen-Hatsushiba, Jun --- Kentridge, William --- Dunye, Cheryl --- Chan, Paul --- Raad, Walid --- Mroué, Rabih --- Sheikh, Fazal --- Huyghe, Pierre --- Horsfield, Craigie --- Calle, Sophie --- anno 1900-1999 --- anno 2000-2099 --- Memory in art. --- Arts, Modern --- Mémoire dans l'art --- Arts --- Memory in art --- kunst --- twintigste eeuw --- geheugen --- archieven --- archivering --- tijd --- tijdelijkheid --- Abramovic Marina --- Ahtila Eija-Liisa --- Ataman Kutlug --- Barth Uta --- Burr Tom --- Calle Sophie --- Chan Paul --- Desire machine collective --- Douglas Stan --- Dunye Cheryl --- Ezawa Kota --- Geys Jef --- Gillick Liam --- Goel Shumona --- Gonzalez-Torres Felix --- Hayes Sharon --- Hiller Susan --- Horn Roni --- Horsfield Craigie --- Huyghe Pierre --- Kanwar Amar --- Kentridge William --- Khan Idris --- Leonard Zoe --- Lieberman Ilan --- Ligon Glenn --- Manchester Elizabeth --- Mohanty Kabir --- Morris Robert --- Mroué Rabih --- Nguyen-Hatsushiba Jun --- Orlow Uriel --- Parreno Philippe --- Raad Walid --- Sala Anri --- Sheikh Fazal --- Simpson Lorna --- Sundaram Vivan --- Tuymans Luc --- Walker Kara --- 7.038/039 --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; geheugen ; herinnering in de kunst --- Adaptatie ; assimilatie in de kunst ; 20ste en 21ste eeuw --- Mémoire dans l'art --- Kunst --- psychologie --- kunsttheorie --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- art [discipline] --- memory [psychological concept]
Listing 1 - 10 of 16 | << page >> |
Sort by
|