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Born in London in 1963, Rachel Whiteread is one of Britain's most exciting contemporary artists. Her work is characterised by its use of industrial materials such as plaster, concrete, resin, rubber and metal. With these she casts the surfaces and volume in and around everyday objects and architectural space, creating evocative sculptures that range from the intimate to the monumental. Whiteread came to prominence in 1990 with her work House 1993-4, a life-sized cast of the interior of a condemned terraced house in London's East End, which existed for a few months before it was controversially demolished. She subsequently won the Turner Prize in 1993, the first woman to do so, and has gone on to create major public projects ever since, notably the Holocaust Memorial 1995 in Vienna, and Cabin 2015 in New York. A major mid-career retrospective at Tate Britain (Whiteread's first) will bring together her iconic works and series (including Untitled (Staircase) 2001), along with new work made especially for the exhibition. New texts will explore a range of themes in Whiteread's practice, from Ghost and the domestic, to public commissions, to housing and the wider social context of her work. An extended biography and bibliography will update available information on the artist.

Whiteread, Rachel --- WHITEREAD R --- sculptors --- MAD-faculty 18 --- hedendaagse kunstenaars --- sculpturen --- architectuurelementen

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Les Études préparatoires à la seconde partie des "Recherches philosophiques" disent assez, par leur titre, ce qu'elles sont: le chantier de l'oeuvre ma­jeure, ou du moins d'une partie de celle-ci. A peu près ce que les Grundrisse, chez Marx, sont à Das Kapital.Que gagne-t-on à se promener sur le chantier? Parmi beaucoup de répétitions, soudain une variante, presque toujours précieuse pour vérifier (ou infirmer) qu'on avait compris; et des morceaux entiers qui n'ont pas été retenus pour la composition de la seconde partie des Philosophische Untersuchungen, dont on sait qu'elle est ramassée à l'extrême, et énigmatique en plus d'un passage. Les Études préparatoires font bien sou­vent la lumière.

Philosophy --- Language and languages --- Philosophie --- Langage et langues --- filosofie --- Wittgenstein, Ludwig --- filosofie. --- Wittgenstein, Ludwig. --- sculpturen. --- Laurens, Henri. --- Wotruba, Fritz.

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Art, Gothic --- Sculpture, Gothic --- Goldwork --- History of gothic Art --- Normandy --- 13th-15th centuries --- beeldhouwwerken --- kathedralen --- edelsmeedkunst --- gotiek --- muurschilderkunst --- glasschilderkunst --- 13de eeuw --- 14de eeuw --- 15de eeuw --- Normandië --- sculpturen --- exterieur van een kerk --- sculpturen. --- exterieur van een kerk. --- edelsmeedkunst. --- gotiek. --- muurschilderkunst. --- glasschilderkunst. --- 13de eeuw. --- 14de eeuw. --- 15de eeuw. --- Normandië.

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Art --- anno 500-1499 --- Cologne --- middeleeuwen --- miniaturen --- beeldhouwwerken --- goudsmeedkunst --- gotiek --- grafiek --- glaskunst --- tapijtkunst --- incunabelen --- 12de eeuw --- 13de eeuw --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Keulen --- Christian art and symbolism --- Painting --- Sculpture --- History --- Schnütgen-Museum --- Art médiéval --- Exhibitions --- Art médiéval. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- sculpturen --- Christian art and symbolism - Germany - Cologne - Medieval, 500-1500 - Catalogs --- Painting - Germany - Cologne - History - Catalogs --- Sculpture - Germany - Cologne - History - Catalogs --- Moyen Age --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- miniaturen. --- sculpturen. --- goudsmeedkunst. --- gotiek. --- glaskunst. --- tapijtkunst. --- incunabelen. --- 12de eeuw. --- 13de eeuw. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Keulen. --- Devos, Léon.

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Hommage de l'auteur

Roy, le [Family] --- Bayar, Denis-Georges --- architectuur --- geschiedenis --- kunsthandel --- mecenaat --- schilderkunst --- beeldhouwwerken --- Le Roy (familie) --- Le Roy, Etienne --- Bavière, Maximilien-Emmanuel de --- Jehotte, Léonard --- Baurscheit, Jan Peter van (de oude) --- Baurscheit, Jan Peter van (de jonge) --- Jacob, Jean-Gilles --- Hemsterhuis, Frans --- Geeraerts, Marten --- 18de eeuw --- Namen --- Nederlanden --- Pruisen --- 027.71 <493 LEUVEN> --- 378.4 <493 LEUVEN> --- 72.034 <493> --- Universiteitsbibliotheken--België--LEUVEN --- Universiteiten--België--LEUVEN --- Architectuur van de renaissance; barok; rococo en koloniale stijl--België --- Conferences - Meetings --- 72.034 <493> Architectuur van de renaissance; barok; rococo en koloniale stijl--België --- 378.4 <493 LEUVEN> Universiteiten--België--LEUVEN --- 027.71 <493 LEUVEN> Universiteitsbibliotheken--België--LEUVEN --- 378.4 <493 LEUVEN> Universities--Belgium--LEUVEN --- Universities--Belgium--LEUVEN --- sculpturen --- architectuur. --- geschiedenis. --- kunsthandel. --- mecenaat. --- schilderkunst. --- sculpturen. --- Bayar, Denis-Georges. --- Le Roy (familie). --- Le Roy, Etienne. --- Bavière, Maximilien-Emmanuel de. --- Jehotte, Léonard. --- Baurscheit, Jan Peter van (de oude). --- Baurscheit, Jan Peter van (de jonge). --- Jacob, Jean-Gilles. --- Hemsterhuis, Frans. --- Geeraerts, Marten. --- 18de eeuw. --- Namen. --- Nederlanden. --- Pruisen. --- Ensor, James.