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Christian church history --- Christian spirituality --- Spencer, George --- Eglise catholique --- Grande-Bretagne --- Groot-Brittannië --- Histoire ecclésiastique --- Katholieke Kerk --- Kerkgeschiedenis --- Spencer, I. --- Spencer, George, --- Passionists --- Biography --- 271.61 --- Academic collection --- religieuze instituten --- Congregatie van de Paters Passionisten (1741-heden) --- bekering --- Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland [land in werelddeel Europa] (x) --- #GGSB: Kerkelijke biografieen --- #GGSB: Oecumene --- Passionisten --- -Passionisti --- Congregatio Sanctissimae Crucis et Passionis Domini Nostri Jesu Christi --- Congregation of Discalced Clerks of the Most Holy Cross and Passion of Our Lord Jesus Christ --- Congregation of the Passion --- Chierici Scalzi della Santissima Croce e Passione di Nostro Signore Gesù Cristo --- Congregatio Clericorum Excalceatorum Sanctissimae Crucis et Passionis Domini Nostri Jesu Christi --- C.P. (Passionists) --- CP (Passionists) --- Congregatio SS. Crucis et Passionis D.N.J.C. --- -Biography --- 271.61 Passionisten --- Passionisti --- Biography. --- Catholic Church --- England --- History --- 19th century --- Christian union --- Kerkelijke biografieen --- Oecumene --- Spencer, George, - 1799-1864 --- Pasionistas --- Congregation of the Passion of Jesus Christ --- Congregatio Passionis Iesu Christi --- Catholic Church.
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"In Touching the Passion — Seeing Late Medieval Altarpieces through the Eyes of Faith, Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ’s suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer’s absorption in the narrative. As in the Imitatio Christi, the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion."
altarpieces --- Christian religion --- religious art --- Late Medieval --- Art --- anno 1200-1499 --- Altarpieces, Medieval --- Public worship --- Church history --- Faith --- Religious belief --- Theological belief --- Belief and doubt --- Religion --- Salvation --- Theological virtues --- Trust in God --- Christianity --- Worship --- Church attendance --- Medieval altarpieces --- History --- Middle Ages, 600-1500 --- Jesus Christ --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Passion --- Passion of Jesus Christ --- Middle Ages --- Jesus Christ. --- 600-1500 --- Passion of Christ --- Biography --- Lent --- Suffering of God --- Passion narratives (Gospels) --- Passion Week --- Ges --- Ježí --- Masī --- -Nabi Isa --- Altarpieces, Medieval. --- Faith. --- History. --- Art.
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