Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- Musique --- Periodicals --- Periodicals. --- Périodiques --- Music. --- Musik. --- Musikwissenschaft. --- Spain. --- Spanien. --- Arts and Humanities --- General and Others --- Performing Arts, Travel and Leisure --- musicology --- ethnomusicology --- Spanish music --- history of music --- classical and popular music --- Ancient music --- Music, Ancient --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Espanja --- Spanien --- Hiszpania --- Spanish State --- España --- Estado Español --- Espagne --- Hispania --- Sefarad --- Sepharad --- Shpanye --- Shpanie --- Reino de España --- Kingdom of Spain --- Espainiako Erresuma --- Espanha --- Espanya --- Isupania --- Regne d'Espanya --- Reiaume d'Espanha --- Reino d'Espanya --- Reinu d'España --- Supein --- Musik --- Musikwissenschaft --- Musikgeschichte --- Isbāniyā --- Spain --- Spanier --- Iberische Halbinsel --- spanish music --- Música --- Musicologia

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Die graphische Programmierumgebung für Musik und Multimedia »Max« findet heute, nach über zwei Jahrzehnten Entwicklungs- und Wirkungsgeschichte, als eine Art lingua franca an praxisorientierten Musik-, Kunst- oder Medieninstitutionen weltweit Verwendung. Erstmals wird in diesem Buch ein kulturhistorischer Gesamtüberblick geliefert, innerhalb welchem die Software als Produkt eines spezifischen Handlungsraums der ästhetischen Praxis erscheint, welches rückwirkend neuartige Produktionsstrukturen evoziert. Damit rücken die tiefgreifenden Wechselwirkungen zwischen technologischer und künstlerischer Produktion ins Zentrum der Analyse. »Es ist [...] die Konzeption des Buches, die überzeugt: der Versuch, die Genese und Nutzung und deren Beeinflussung beziehungsweise Konstitution von Musikinstrumenten im weiteren Sinn zu beschreiben und dabei die spezifischen räumlichen Konstellationen der ästhetischen Arbeiten in den Blick zu nehmen.« Testcard, 24 (2014) Besprochen in: GMK-Newsletter, 2 (2014)

Musical instruments --- Instruments, Musical --- Organology (Music) --- Instrumental music --- Construction. --- Construction --- History. --- History and criticism --- Music --- Composition (Music) --- Computer sound processing --- Music and technology --- Space and time in music --- Software --- History --- Interactive multimedia --- Max (Computer file : Cycling '74) --- Pure Data (Computer file) --- Musik; Medien; Raum; Musiksoftware; Max/MSP; Jitter; Pure Data; Kunst; Technik; Musikwissenschaft; Music; Media; Space; Arts; Technology; Musicology --- Music - Software - History --- Composition (Music) - Interactive multimedia --- Computer sound processing - History --- Music and technology - History --- Arts. --- Media. --- Musicology. --- Space. --- Technology.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book presents a collection of essays on the life and works of Gaspar van Weerbeke, one of the most successful Franco-Flemish musicians of the second half of the fifteenth century, revisiting his biography, reception, and compositional output.00Gaspar van Weerbeke was one of the most successful Franco-Flemish musicians of the second half of the fifteenth century, holding prestigious positions in the Sforza court in Milan, the Burgundian court chapel, and the papal chapel in Rome. His compositions were widely transmitted in manuscript and print sources throughout Europe, and he was one of the best represented composers in the early Italian music prints of Ottaviano Petrucci. Despite the high esteem of his contemporaries, Gaspar has up to now played only a peripheral role in Renaissance music historiography. This book is the first collection of research articles dedicated exclusively to the life and works of Gaspar. While the basic facts of Gaspar?s life have long been known, the book fleshes out the details, presenting a more differentiated and complex picture of his biography. Analysis of a wide range of Gaspar?s compositional output leads to new interpretations of his approach to different genres: masses, motets, and motet cycles. His relatively small quantity of songs is revisited in light of the confusion - both then and now - over the meaning and validity of their attributions. This book seeks to promote further research on this composer and place him in his appropriate place in music history

Weerbeke, Gaspar van, --- Composers --- Sacred vocal music --- Music --- Biography --- Analysis, appreciation --- History and criticism --- Weerbeke, van, Gaspar --- Musique --- Medieval & Renaissance music (c 1000 to c 1600) --- Sacred & religious music --- Individual composers & musicians, specific bands & groups --- Musical scores, lyrics & libretti --- Biography: historical, political & military --- Renaissance, Gaspar van Weerbeke, Messe, Motette --- ÖFOS 2012, Ethnologie --- ÖFOS 2012, Musikgeschichte --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Ethnology --- ÖFOS 2012, Music history --- ÖFOS 2012, Musicology --- Renaissance, Gaspar van Weerbeke, Mass, Motet --- Criticism and interpretation. --- Netherlands. --- Van Weerbeke, Gaspar, --- Weerbecke, Gaspar van, --- Werbeck, Gaspar van, --- Werbeke, Gaspar van, --- Austrian Netherlands --- Aynacha Jach'a Markanaka --- Batavia --- Belanda --- Beulanda --- Çheer Injil --- Çheer y Vagheragh --- Eben Eyong --- Háland --- Herbehereak --- Herbehereetako Erresumaren --- Hò-làn --- Holand --- Holanda --- Holandija --- Holandska --- Hōlani --- Holenda --- Holland --- Holland Királyság --- Hollandi --- Hollandia --- Hōrana --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Huland --- Hulanda --- Iseldiroedd --- Iseldiryow --- Ísiltír --- Izelvroio --- Karaleŭstva Nidėrlandy --- Katō Chōres --- Kē-tē-kok --- Keninkryk fan 'e Nederlannen --- Kerajaan Landa --- Kéyah Wóyahgo Siʼánígí --- Keyatiya Nederlandan --- Kingdom of the Netherlands --- Koninkrijk der Nederlanden --- Konungsríkið Holland --- Kraljevina Holandija --- Kralojstwo Nederlandow --- Kralstvo Holandija --- Kralstvo Niderlandii͡ --- Landa --- Madalmaad --- Mamlakat Hūland --- Mamlekhet Artsot ha-Shefelah --- Nederilande --- Nederlaand --- Nederlân --- Nederland --- Nederlande --- Nederlandene --- Nederlandia --- Nederlando --- Nederlands --- Néderlandzk --- Nederlatt --- Nederlendin Nutg --- Nedŏlland --- Neerlande --- Nethiland --- Niadaland --- Niderland --- Niderland Krallığı --- Niderlanddar --- Niderlande --- Nīderlandeja --- Nīderlandes Karaliste --- Niderlandʺi͡as --- Niderlandʺi͡as Korolʹuv --- Niderlandii͡ --- Niderlandla --- Niderlandlany Korolevstvosu --- Niderlandsem --- Niderlandsen Patshalăkh --- Niderlandtæ --- Niderlandtar --- Niderlandtar Korollege --- Niderlandty Kʺarolad --- Niderlandy --- Niderlandyn Vant Uls --- Niðurlond --- Niederlande --- Nirlan --- Nižozemska --- Nizozemsko --- Nyderlandai --- Nyderlandų Karalyst --- Olanda --- Ollandia --- Oostenrijkse Nederlanden --- Oranda --- Oranda Ōkoku --- Ot͡si͡azorksshi Nederlatt --- Paes Bass --- Paesi Bassi --- Paîs Bas --- Pais Basse --- Países Baixos --- Países Bajos --- Países Baxos --- Paisis Bajus --- Països Baixos --- Paixi Basci --- Pajjiżi l-Baxxi --- Payis-Bâs --- Payises Bashos --- Pays-Bas --- Pays-Bas autrichiens --- Pays-Bas espagnols --- Pays-Bas méridionaux --- Peyiba --- Reeriaght ny Çheer Injil --- Reĝlando Nederlando --- Regni Nederlandiarum --- Regno del Paises Basse --- Regnu di i Paesi Bassi --- Reino di Hulanda --- Reino dos Países Baixos --- Ríocht na hÍsiltíre --- Royaume des Pays-Bas --- Southern Netherlands --- Spanish Netherlands --- The Netherlands --- Tìrean Ìsle --- Tlanitlālpan --- Ubuholandi --- Ubuhorandi --- Ufalme wa Nchi za Chini --- Uholanzi --- Ulanda --- Ulanna --- Vasileio tōn Katō Chōrōn --- Walanda --- Zuidelijke Nederlanden