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Book
Robert Morris : Object sculpture
Authors: --- ---
ISBN: 9780300196672 0300196679 Year: 2013 Publisher: New Haven Yale

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"This is a systematic catalogue of work by Robert Morris from the crucial early period of his career. It concerns some one-hundred "object sculptures" that dating between 1960 and 1965: plaques, containers, and assisted or simulated readymades of wood, Sculpmetal, and lead. These objects were produced concurrently with a series of large, blank constructed forms in gray-painted plywood - canonical works of Minimal art. Here, the smaller sculptures are addressed for the first time as an overall body of work. The present study departs from past literature, where scholarly attention is repeatedly paid to the same handful of selected objects. The catalogue and text seek to map the internal logic of the object sculptures: to acknowledge that they represent part of a complex, integral practice. Without displacing the foundational significance of certain sculptures to the emergence of Conceptualism, this treatment directs new attention to the material fabrication of the works. By extension, it examines the significance of "process" as it pertains both to the making of the sculptures themselves and, through iconography, to the body. The factor of process is one with which the artist specifically identified the significance of the object sculptures - which he referred to as "process type objects". Fabrication and medium thus join more established elements, such as language, systems of measurement, and time, as the work's chief concerns. The key significance to Morris of the work of Marcel Duchamp is also recast in this context. Produced with the cooperation of the artist, this catalogue contains much new information, and includes a substantial interview in which Morris reflects on the circumstances and significance of the work from the vantage of the present"-


Book
Robert Morris
Authors: ---
ISBN: 9780262519618 9780262019408 026201940X 0262519615 9781461937135 1461937132 0262316501 9780262316507 1299773265 9781299773264 Year: 2013 Volume: 15 Publisher: Cambridge, Mass.: MIT Press,


Book
Art minimal I : de la ligne au parallélépipède
Author:
Year: 1985 Publisher: Bordeaux: CAPC,

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Book
Minimal art : Carl Andre, Dan Flavin, Danald Judd, Sol LeWitt, Robert Morris
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Year: 1998 Publisher: Bruxelles: Banque Bruxelles Lambert,

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Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt et Robert Morris sont réunis dans les locaux de la Banque Bruxelles Lambert (BBL) pour témoigner de la richesse et du dynamisme des collections privées belges dans un domaine que l’on croyait déserté : le Minimalisme. Un parcours didactique et monumental qui fait la part belle aux œuvres et aux idées.


Book
Minimal art
ISBN: 8479071842 9788479071844 Publisher: San Sebastian: Dip.Foral de Gipuzkoa,

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Book
Investigations : the expanded field of writing in the works of Robert Morris
Authors: ---
ISSN: 12551015 ISBN: 9782847884937 2847884939 2847887024 Year: 2015 Publisher: Lyon : ENS Editions,

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Des historiens d'art, des chercheurs en littérature, des philosophes, des cinéastes et des écrivains évoquent l'oeuvre du plasticien et écrivain Robert Morris. Sa pratique artistique, associée au minimalisme, au conceptualisme ou au land art, intègre une pratique de la langue (critique d'art, autobiographie, insertion de texte dans ses estampes, ses sculptures, ses installations, etc.). ©Electre 2015


Book
Robert Morris : the perceiving body

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This book accompanies a new exhibition of the work of Robert Morris (1931-2018), a foundational figure in the history of Minimalism, Postminimalism, and Conceptual art. The exhibition focuses on the role of installation and the phenomenology of direct encounter in Morris's work of the 1960s and 1970s, foregrounding the relation between the sculptural object and the beholder - the "perceiving body" - in the space of the room. This volume contains texts composed from three vantage points: art-historical essays by Jeffrey Weiss, Caroline A. Jones, and Courtney Fiske consider chief works and themes; personal accounts by dancer Simone Forti and curator and critic Bernard Ceysson reflect on the authors' working relationships with Morris during his early period; and three essays by the artist himself - here translated into French for the first time - address certain fundamental preoccupations of sculpture after 1960: medium, form, space, and time.00Exhibition: MUDAM, Luxembourg (07.02.- 01.06.2020).


Book
La théorie à l’œuvre : l’art conceptuel américain
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ISBN: 9782930667157 293066715X Year: 2017 Publisher: Bruxelles : SIC,

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Cet ouvrage porte sur les rapports qui se tissent entre pratique et théorie artistiques dans le contexte de l'art conceptuel américain (1965-1975), et envisage l'influence exercée sur ces créateurs par divers textes produits en Europe (et en France particulièrement) dans le champ des sciences humaines au cours des années 1960 et 1970. À côté des noms de Norwood Russell Hanson ou de Ludwig Wittgenstein, sont ainsi évoquées des figures telles que Roland Barthes, Michel Foucault, Claude Lévi-Strauss ou Jean Piaget. Parmi les artistes envisagés, citons entre autres Mel Bochner, Douglas Huebler, Robert Morris et Lawrence Weiner.


Book
Soft is fast : Simone Forti in the 1960s and after
Author:
ISBN: 0262334666 9780262334662 9780262033978 0262033976 0262334674 Year: 2016 Publisher: Cambridge, MA : MIT Press,

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An innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s ""dance constructions"" as negotiating the aesthetic strategies of John Cage and Anna Halprin.


Book
Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol Lewitt, Robert Morris, Lawrence Weiner.
Authors: --- --- --- --- --- et al.
ISBN: 9789491843525 9491843524 Year: 2015 Volume: 260 Publisher: Amsterdam Roma Publications

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This exhibition in book form was originally published by American curator and art dealer Seth Siegelaub in 1968. Organised to show work outside of the gallery setting, the book presents several artists associated with Siegelaub's curatorial practice, and applies unconventional modes for the exhibition and distribution of art. Siegelaub asked each participating artist to create 25 pages of work that responded to the photocopy format, which was new at the time. A pivotal exhibition for conceptual art in the 1960s, it has now been republished in a second edition through a collaboration by Roma Publications, Stedelijk Museum Amsterdam, De Appel arts centre, and Egress Foundation.

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