Listing 1 - 10 of 59 | << page >> |
Sort by
|
Choose an application
"This is a systematic catalogue of work by Robert Morris from the crucial early period of his career. It concerns some one-hundred "object sculptures" that dating between 1960 and 1965: plaques, containers, and assisted or simulated readymades of wood, Sculpmetal, and lead. These objects were produced concurrently with a series of large, blank constructed forms in gray-painted plywood - canonical works of Minimal art. Here, the smaller sculptures are addressed for the first time as an overall body of work. The present study departs from past literature, where scholarly attention is repeatedly paid to the same handful of selected objects. The catalogue and text seek to map the internal logic of the object sculptures: to acknowledge that they represent part of a complex, integral practice. Without displacing the foundational significance of certain sculptures to the emergence of Conceptualism, this treatment directs new attention to the material fabrication of the works. By extension, it examines the significance of "process" as it pertains both to the making of the sculptures themselves and, through iconography, to the body. The factor of process is one with which the artist specifically identified the significance of the object sculptures - which he referred to as "process type objects". Fabrication and medium thus join more established elements, such as language, systems of measurement, and time, as the work's chief concerns. The key significance to Morris of the work of Marcel Duchamp is also recast in this context. Produced with the cooperation of the artist, this catalogue contains much new information, and includes a substantial interview in which Morris reflects on the circumstances and significance of the work from the vantage of the present"-
sculpting --- Sculpture --- assemblages [sculpture] --- Morris, Robert --- Artiste --- Morris, Robert, --- Morris, Robert, - 1931- - Catalogues raisonnés. --- Morris, Robert, - 1931 --- -Sculpture
Choose an application
Essays, an interview, and a roundtable discussion on the work of one of the most influential American artists of the postwar period.
sculpting --- performance art --- Art --- Minimal --- Morris, Robert --- Morris, Robert, --- Criticism and interpretation --- Criticism and interpretation. --- 7.07 --- 7.01 --- Kunsttheorie ; teksten en essays ; October Files --- Minimal Art --- Conceptuele kunst --- SLUCG --- Morris, Robert °1931 (°Kansas City, Missouri, Verenigde Staten) --- Beeldende kunst ; installaties ; performances ; 20ste eeuw ; R. Morris --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Iconografie ; verschillende onderwerpen --- Interview --- Kunst ; theorie, filosofie, esthetica --- Morris, Robert, - 1931- - Criticism and interpretation --- Morris, Robert, - 1931 --- -Interview --- -Morris, Robert, --- -Art --- Morris, Robert, - 1931-
Choose an application
Art conceptuel --- Art minimal --- Morris, Robert --- Mangold, Robert --- Lewitt, Sol --- Flavin, Dan --- Andre, Carl --- Judd, Donald
Choose an application
Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt et Robert Morris sont réunis dans les locaux de la Banque Bruxelles Lambert (BBL) pour témoigner de la richesse et du dynamisme des collections privées belges dans un domaine que l’on croyait déserté : le Minimalisme. Un parcours didactique et monumental qui fait la part belle aux œuvres et aux idées.
Art minimal --- Minimalisme --- Flavin, Dan --- Andre, Carl --- Judd, Donald --- Morris, Robert --- Lewitt, Sol
Choose an application
Artiste --- Art conceptuel --- Art minimal --- Halley, Peter --- Morris, Robert --- Lewitt, Sol --- Judd, Donald --- Andre, Carl --- Flavin, Dan
Choose an application
Des historiens d'art, des chercheurs en littérature, des philosophes, des cinéastes et des écrivains évoquent l'oeuvre du plasticien et écrivain Robert Morris. Sa pratique artistique, associée au minimalisme, au conceptualisme ou au land art, intègre une pratique de la langue (critique d'art, autobiographie, insertion de texte dans ses estampes, ses sculptures, ses installations, etc.). ©Electre 2015
Semiotics and art --- Writing and art --- Morris, Robert, --- Criticism and interpretation --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Criticism and interpretation. --- Art and semiotics --- Art --- Sculptors --- Sémiotique et art --- Sculpteurs --- Morris, Robert, - 1931- - Criticism and interpretation --- Morris, Robert, - 1931 --- -Semiotics and art
Choose an application
This book accompanies a new exhibition of the work of Robert Morris (1931-2018), a foundational figure in the history of Minimalism, Postminimalism, and Conceptual art. The exhibition focuses on the role of installation and the phenomenology of direct encounter in Morris's work of the 1960s and 1970s, foregrounding the relation between the sculptural object and the beholder - the "perceiving body" - in the space of the room. This volume contains texts composed from three vantage points: art-historical essays by Jeffrey Weiss, Caroline A. Jones, and Courtney Fiske consider chief works and themes; personal accounts by dancer Simone Forti and curator and critic Bernard Ceysson reflect on the authors' working relationships with Morris during his early period; and three essays by the artist himself - here translated into French for the first time - address certain fundamental preoccupations of sculpture after 1960: medium, form, space, and time.00Exhibition: MUDAM, Luxembourg (07.02.- 01.06.2020).
Art --- mirrors --- felt work --- sculpture [visual works] --- installations [visual works] --- Minimal --- Conceptual --- beams [structural elements] --- Morris, Robert --- anno 1960-1969 --- anno 1970-1979 --- Art conceptuel --- Minimalisme
Choose an application
Cet ouvrage porte sur les rapports qui se tissent entre pratique et théorie artistiques dans le contexte de l'art conceptuel américain (1965-1975), et envisage l'influence exercée sur ces créateurs par divers textes produits en Europe (et en France particulièrement) dans le champ des sciences humaines au cours des années 1960 et 1970. À côté des noms de Norwood Russell Hanson ou de Ludwig Wittgenstein, sont ainsi évoquées des figures telles que Roland Barthes, Michel Foucault, Claude Lévi-Strauss ou Jean Piaget. Parmi les artistes envisagés, citons entre autres Mel Bochner, Douglas Huebler, Robert Morris et Lawrence Weiner.
Conceptual art --- Art --- History --- Philosophy --- Bochner, Mel, --- Huebler, Douglas --- Morris, Robert, --- Weiner, Lawrence --- History. --- Conceptual art. --- Huebler, Douglas. --- Weiner, Lawrence. --- Conceptual art - United States --- Conceptual art - History --- Art - Philosophy - 20th century --- Bochner, Mel, - 1940 --- -Huebler, Douglas --- Morris, Robert, - 1931 --- -Weiner, Lawrence
Choose an application
An innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s ""dance constructions"" as negotiating the aesthetic strategies of John Cage and Anna Halprin.
Choreographers --- Dancers --- Forti, Simone. --- Morris, Simone --- Whitman, Simone --- ARTS/Art History/General --- ARTS/General --- Danse --- Chorégraphie --- Années 1960 --- Forti, Simone --- Morris, Robert --- Choreographers. --- Dancers. --- Koreografer. --- United States. --- Ballet --- History
Choose an application
This exhibition in book form was originally published by American curator and art dealer Seth Siegelaub in 1968. Organised to show work outside of the gallery setting, the book presents several artists associated with Siegelaub's curatorial practice, and applies unconventional modes for the exhibition and distribution of art. Siegelaub asked each participating artist to create 25 pages of work that responded to the photocopy format, which was new at the time. A pivotal exhibition for conceptual art in the 1960s, it has now been republished in a second edition through a collaboration by Roma Publications, Stedelijk Museum Amsterdam, De Appel arts centre, and Egress Foundation.
Art --- Conceptual --- artists' books [books] --- Kosuth, Joseph --- Morris, Robert --- LeWitt, Sol --- Andre, Carl --- Barry, Robert --- Weiner, Lawrence --- Huebler, Douglas --- Conceptual art. --- Beeldende kunst ; 2de helft 20ste eeuw --- Concept Art --- Conceptuele kunst --- André, Carl --- Huebler, Dougles --- Lewitt, Sol --- Weiner, Laurence --- Artists' books --- Livres d'artistes --- Kunstenaarsboeken ; 20ste eeuw --- Boeken ; als vervanging van tentoonstellingen --- Galerijen ; New York; Paula Cooper Gallery --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Andre, Carl, --- Barry, Robert, --- Huebler, Douglas. --- Kosuth, Joseph. --- LeWitt, Sol, --- Morris, Robert, --- Weiner, Lawrence. --- Weiner, Lawrence, --- Le Witt, Sol, --- Witt, Sol Le, --- Art conceptuel --- Conceptual art
Listing 1 - 10 of 59 | << page >> |
Sort by
|