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McCarthy, Paul, - 1945 --- -McCarthy, Paul, - 1945 --- -McCarthy, Paul, - 1945-
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From Library JournalIf we are to see art as a mirror of society, the work of Paul McCarthy reflects all that is perverted, violent, and deranged in this world. Characterized by crawling around on hands and knees in specially built environments (e.g., Santa's workshop) and dousing his body in ketchup and mayonnaise, his performances repulse, but he remains one of the most talked-about artists today. Published in conjunction with a retrospective exhibition at New York's New Museum of Contemporary Art, this catalog documents over 30 years of McCarthy's art, including performance, installation, video, and photographic work. One of the strengths of this publication is the critical analysis provided by three highly regarded scholars. In comparison, the 1996 monograph from Phaidon Press's "Contemporary Artist" series of the same title offers performance scripts, interviews with the artist, and samples of his own writing. Both publications offer a plethora of color and black-and-white reproductions. (http://www.amazon.com/gp)2/2/06
McCarthy, Paul --- Art contemporain --- Corps humain, thème --- Mccarthy, Paul --- McCarthy, Paul, --- McCarthy, Paul, - 1945 --- -Art contemporain --- -McCarthy, Paul --- McCarthy, Paul, - 1945-
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Los-Angeles-based artist Paul McCarthy (b.1945) creates Disneyesque installations, sculptures of animal/vegetable/human hybrids and slapstick performances in a purge of a national subconscious. The psycho-sexual desires and anxieties induced by the media and the built environment of contemporary America emerge in his collisions of plastic prosthetic limbs and condiments that stand in for bodily fluids. These works have been variously deployed: through live actions, often documented on video, and more recently in outsized figures and artificial rural environments, combined in overtly sexual ways. McCarthy's work echoes that of European artists such as Joseph Beuys or the Viennese Aktionistes, but gives 'action art' a postmodern twist. This is the first comprehensive survey of over twenty years of work by a profoundly influential artist whose work is in the collections of the world's most important museums.
kunst --- performances --- beeldhouwkunst --- 7.071 MCCARTHY --- videokunst --- video --- seksualiteit --- lichamelijkheid --- installaties --- McCarthy Paul --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Sculpture, American --- Performance art --- McCarthy, Paul, --- Criticism and interpretation --- United States --- 7.07 --- McCarthy, Paul --- Kunst; Verenigde Staten; Paul McCarthy --- Kunst en (consumptie)maatschappij --- Videokunst performances tekeningen P. McCarthy --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- McCarthy, Paul °1945 (°Salt Lake City, Utah, Verenigde Staten) --- Sculpture, American - 20th century --- McCarthy, Paul, - 1945- - Criticism and interpretation --- McCarthy, Paul, - 1945 --- -United States --- -McCarthy, Paul, - 1945
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Much recent philosophical work proposes to illuminate dilemmas of human existence with reference to the arts and culture, often to the point of submitting particular works to preconceived formulations. In this examination of three texts that respond to loss, Robert Mugerauer responds with close, detailed readings that seek to clarify the particularity of the intense force such works bring forth. Mugerauer shows how, in the face of what is irrevocably taken away as well as of what continues to be given, the unavoidable task of interpretation is ours alone. Mugerauer examines works in three different forms that powerfully call on us to respond to loss: Cormac McCarthy's The Crossing, Daniel Libeskind's Jewish Museum Berlin, and Wim Wenders's film Wings of Desire. Explicating these difficult but rich works with reference to the thought of Martin Heidegger, Jean-Luc Marion, Hannah Arendt, and Emmanuel Levinas, the author helps us to experience the multiple and diverse ways in which all of us are opened to the saturated phenomena of loss, violence, witnessing, and responsibility.
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Catholics --- History --- McCarthy, Joseph, --- United States --- Biography --- Politics and government --- #GBIB: jesuitica --- 1945-1953 --- 1953-1961 --- Legislators --- United States. Congress. Senate --- McCarthy, Joseph Raymond, --- McCarthy, Joe, --- Makkarti, Dzhozef, --- United States. --- Mei-kuo tsʻan i yüan --- Biography. --- Catholics - United States - History --- McCarthy, Joseph, - 1908-1957 --- United States - Politics and government - 1945-1953 --- United States - Politics and government - 1953-1961
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The essays in this volume reflect on and expand Frankfurt School critical theory as reformulated after World War II by Karl-Otto Apel, Jürgen Habermas, and others. Frankfurt School critical theory since the pragmatic turn has become a richer source of critical analysis that is at the same time socially and politically more effective. The essays are dedicated to Thomas McCarthy, who has done perhaps more than any other scholar to introduce English-speaking audiences to contemporary German critical theory.The book is organized into three parts. Part one deals with social theory and the rational basis of communication, including basic issues raised by the pragmatic turn. Part two examines conceptions of autonomy and the self. Part three deals with political theory, focusing on problems stemming from sociocultural pluralism. Together, the essays provide an overview of the latest developments in Frankfurt School critical theory as it responds to the challenges of pragmatism and social pluralism.
Frankfurt school of sociology --- Critical theory --- Cultural pluralism --- Pragmatism --- McCarthy, Thomas A., --- Frankfurt school of sociology. --- Critical theory. --- Cultural pluralism. --- Pragmatism. --- Sociology & Social History --- Social Sciences --- Social Change --- McCarthy, Thomas A. --- McCarthy, Thomas A., - 1940 --- -Frankfurt school of sociology --- McCarthy, Thomas A., - 1940-
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Qui vit dans le décalage, ne se laisse pas découvrir là où on l'attend, ne se contente jamais de décliner une idée, ni de la répéter.
Art contemporain --- Pastor, Jennifer --- Hatoum, Mona --- Irwin, Robert --- Feldmann, Hans-Peter --- Mccarthy, Paul --- Durham, Jimmie
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Aliment (thème) --- Art populaire --- Littérature --- Performance --- Abramovic, Marina --- Mccarthy, Paul --- Pascali, Pino --- Rosler, Martha
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"The legacies of Joseph McCarthy, J. Edgar Hoover, Roy Cohn seem like they might be with us forever. Yet Christopher Elias finds in them startling new connections between gender, sexuality, and national security in 20th-century US politics--a paradigm he christens "security state masculinity." Elias integrates biographies of the trio with a history of gossip magazines and their tactics--such as insinuation, guilt by association, hyperbole, and alarmism, not to mention cynicism, slang, and photographic manipulation--which all three used to consolidate their power. The story of security state masculinity reached its climax in the Army-McCarthy hearings, which were rife with insinuations and coded threats. Using gossip as a lens, Elias shifts our understanding of the development of American political culture"--
Politics and culture --- Gossip --- Masculinity --- Hoover, John Edgar, - 1895-1972 --- McCarthy, Joseph, - 1908-1957 --- Cohn, Roy M. --- United States
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