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In a world where nearly everyone has a cellphone camera capable of zapping countless instant photos, it can be a challenge to remember just how special and transformative Polaroid photography was in its day. And yet, there’s still something magical for those of us who recall waiting for a Polaroid picture to develop. Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, "the camera does the rest." Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
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Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn't immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a reality--within an hour. Land's creation was a groundbreaking scientific accomplishment that also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation's own artist support program, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century. Published to accompany a major traveling exhibition, The Polaroid Project is a creative exploration of the relationship between Polaroid's many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this beautiful volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artfacts that speak of the sheer ingenuity that lay behind the art. With essays by the exhibition's curators and leading photographic writers and historians, The Polaroid Project provides a unique perspective on the Polaroid phenomenon--a technology, an art form, a convergence of both--and its enduring cultural legacy. La photographie instantanée de Polaroid a révolutionné la prise et la fabrication d'images, et l'histoire de ses débuts est simple. En 1943, après avoir été interrogée par sa fille, pourquoi ne pouvait-elle pas voir immédiatement la photo qu'il venait de prendre, l'inventeur et scientifique américain Edwin H. Land a conçu la technologie requise pour transformer cette réalité impossible en réalité - dans l'intervalle d'une heure. La création de Land a été une réussite scientifique révolutionnaire qui a également annoncé un nouveau chapitre passionnant de l'expression artistique. Grâce aux efforts de milliers de photographes du monde ainsi que par le programme de soutien artistique de la société, qui fournissait beaucoup de documents, Polaroid aiderait à façonner le paysage artistique de la fin du XXe siècle. Publiée pour accompagner une importante exposition itinérante, "The Polaroid Project" est une exploration créative de la relation entre les nombreuses innovations technologiques de Polaroid et l'art qui a été créé avec leur aide. Richement conçu avec plus de 300 illustrations, ce beau volume présente non seulement les myriades d'approches souvent idiosyncratiques adoptées par des photographes comme Ansel Adams, Robert Mapplethorpe, Ellen Carey et Chuck Close, mais aussi une sélection fascinante des objets techniques et des objets d'art évoquant la pure ingéniosité reposant derrière l'art. Avec les essais des conservateurs de l'exposition et des principaux écrivains et historiens photographiques, "The Polaroid Project" offre une perspective unique sur le phénomène Polaroid - une technologie, une forme d'art, une convergence des deux - et son héritage culturel durable.
Instant photography --- Art and technology --- polaroïd --- 767.9 --- 760.5 --- Photography, Instant --- fotografie, bijzondere technieken in de fotografie - overige bijzondere techieken --- fotografie, verzamelen - musea - tentoonstellingen --- Polaroid Corporation --- Polaroid Corporation, Cambridge, Mass. --- Exhibitions --- Land-Wheelwright Laboratories --- Photographie
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