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Bauhaus --- Constructivisme --- De stijl --- Halley, Peter --- Psychologie de la forme
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Maquette --- Motif décoratif --- Peinture --- Halley, Peter --- Stella, Frank --- Vasarely, Victor
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Le catalogue raisonné des peintures réalisées par Peter Halley de 1980 à 1989. Cette monographie de référence rassemble et documente une série de 186 œuvres, analysant l'évolution du travail géométrique et chromatique de Peter Halley. Inspiré par les théories structuralistes, le peintre questionne les ressorts de la vie moderne (design urbain, médias, technologies numériques), mobilisant des motifs tels que la cellule, la prison, le conduit et la brique. Un vocabulaire pictural qui remet en question les idées reçues à propos de la peinture abstraite et fait de Peter Halley une des figures importantes de l'art contemporain américain. Présentée par l'historienne de l'art Cara Jordan, cette vaste étude inclut également une biographie illustrée, un essai du critique et curateur Paul Pieroni ainsi qu'une anthologie de textes écrits par l'artiste dans les années 1980.Peter Halley (né en 1953 à New York, où il vit et travaille) est un peintre minimaliste américain, figure du mouvement Néo-géo. Ses peintures, faites de « cellules » et de « prisons », reflètent la géométrisation rampante de l'espace social. De 1984 à 1987 il fonde et gère avec Ashley Bickerton, Jeff Koons et Meyer Vaisman la galerie International With Monument. Entre 1996 et 2006, il publie la revue Index Magazine. Il a notamment exposé au CAPC musée d'art contemporain de Bordeaux (1991), au Museo Nacional Centro de Arte Reina Sofia, Madrid (1992), au Stedelijk Museum, Amsterdam (1992), au Des Moines Art Center (1992), au Dallas Museum of Art (1995), au Museum of Modern Art, New York (1997), au Kitakyushu Municipal Museum of Art (1998), au Museum Folkwang, Essen (1998), ainsi qu'au Butler Institute of American Art (1999). New York based Peter Halley (born 1953) is a prominent figure in contemporary art. A protagonist of the dynamic New York art scene of the 1980s, and founder of the seminal Index magazine, he gained recognition as one of the main champions of the neo-geo movement with his geometric paintings rendered in intense fluorescent Day-Glo acrylic paint and Roll-a-Tex texture additive. Since the mid-1990s his site-specific installations and permanent public works have extended his practice to a larger scale. A landmark publication for all those interested in contemporary painting, this catalogue raisonné of Peter Halley's paintings from the 1980s gathers together the complete body of 186 works realized between 1980 and 1989 and fully documents them for the first time. Showing the evolution of his work, it makes clear how Halley built his own geometric and chromatic vocabulary to challenge the then prevailing ideas about the nature and history of abstract painting, and how motifs such as the cell, the prison, the conduit and the brick wall came into existence, in parallel with his own thinking inspired in part by French Structuralist theory about modern life (urban design, media, new mass digital technologies) and the increasing geometrization of social space.
Psychologie de la forme --- Constructivisme --- Couleur --- Halley, Peter
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Artiste --- Art conceptuel --- Art minimal --- Halley, Peter --- Morris, Robert --- Lewitt, Sol --- Judd, Donald --- Andre, Carl --- Flavin, Dan
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Ces tableaux représentent ici des prisons, des cellules et des murs./Ici, le carré idéal devient prison. La géométrie est relevée comme enfermement./La cellule rappelle l'appartement, le lit d'hôpital, le bureau d'école - les points de chute isolés de la structure industrielle./Les tableaux constituent une critique du modernisme idéaliste. On trouve une prison dans le Color-field. L'espace vaporeux de Rothko est emmuré./Des conduits souterrains relient les éléments entre eux. Les "fluides vitaux" y entrent et y sortent./Le stucage est une réminiscence des plafonds de motels./La peinture Day-Glo désigne le "mysticisme bon marché". C'est la lueur résiduelle de la radiation.
Art contemporain --- Analyse de l'art --- Ecrit d'artiste --- Minimalisme --- Colorfield --- Artiste --- Abstraction géométrique --- Stella, Frank --- Smithson, Robert, 1938-1973 --- Newman, Barnett --- Halley, Peter
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Painting
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photography [process]
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Photography
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Sculpture
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painting [image-making]
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sculpting
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private collections
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Zao Wou-Ki
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Manessier, Alfred
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Goldin, Nan
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Halley, Peter
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Bertemes, Roger
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Kirkeby, Per
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Bertemes, Fernand
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Kosuth, Joseph
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Junius, Jean-Pierre
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Weiwers-Probst, Annette
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Biwer, Jean-Marie
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Josephine-Charlotte [Grand duchess of Luxemburg]
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Lüpertz, Markus
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Stoffel, Michel
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Lindström, Bengt
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Cragg, Tony
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Pistoletto, Michelangelo
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Nash, David
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Estève, Maurice
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Hoffmann, Mett
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Baselitz, Georg
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Bijl, Guillaume
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Horn, Rebecca
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Probst, Joseph
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Gudmundsson, Sigurdur
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Hélion, Jean
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Mapplethorpe, Robert
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Wercollier, Lucien
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Kirscht, Emile
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Pignon, Edouard
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Gillen, Tina
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de la Fontaine, Jean
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Roef, Sonja
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anno 1900-1999
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#BIBC:ruil
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Anselmo, Giovanni ; Armajani, Siah ; Artschwager, Richard ; Baselitz, Georg ; Baumgarten, Lothar ; Beuys, Joseph ; Bleckner, Ross ; Blume, Anna & Bernard ; Clemente, Francesco ; Fabro, Luciano ; Fischli & Weiss ; Förg, Günther ; Fritsch, Katharina ; Halley, Peter ; Horn, Rebecca ; Kapoor, anish ; Kiefer, Anselm ; Kirkeby, Per ; Koons, Jeff ; Kounellis, Jannis ; Laib, Wolfgang ; Levine, Sherrie ; Marden, Brice ; Martin, Agnes ; Murray, Elizabeth ; Nauman, Bruce ; Polke, Sigmar ; Richter, Gerhard ; Rothenberg, Susan ; Ryman, Robert ; Schnabel, Julian ; Shapiro, Joel ; Solano, Susana ; Trockel, Rosemarie ; Twombly, Cy ; Vaisman, Meyer ; Viola, Bill ; Wall, Jeff ; Warhol, Andy
Painting --- installations [visual works] --- Art --- painting [image-making] --- Nauman, Bruce --- Murray, Elisabeth --- Halley, Peter --- Warhol, Andy --- Baumgarten, Lothar --- Shapiro, Joel --- Kirkeby, Per --- Armajani, Siah --- Bleckner, Ross --- Levine, Sherrie --- Fabro, Luciano --- Kounellis, Jannis --- Weiss, David --- Schnabel, Julian --- Förg, Günther --- Viola, Bill --- Kiefer, Anselm --- Beuys, Joseph --- Martin, Agnes --- Anselmo, Giovanni --- Ryman, Robert --- Kapoor, Anish --- Twombly, Cy --- Rothenberg, Susan --- Polke, Sigmar --- Vaisman, Meyer --- Baselitz, Georg --- Marden, Brice --- Fischli, Peter --- Solano, Susana --- Horn, Rebecca --- Blume, Anna --- Wall, Jeff --- Clemente, Francesco --- Fritsch, Katharina --- Richter, Gerhard --- Trockel, Rosemarie --- Koons, Jeff --- Laib, Wolfgang --- Blume, Bernhard --- anno 1900-1999 --- Art contemporain --- Contemporary [style of art] --- hedendaagse kunst --- Carnegie Museum of Art [Pittsburgh, Pa] --- Murray, Elizabeth
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Francis Alÿs, Kevin Appel ; Glenn Brown ; Pavel Büchler ; Daniel Buren ; Ingrid calame ; Vija Celmins ; John Currin ; Atul Dodiya ; Marlene Dumas ; Olafur Eliasson ; Bernard Frize ; Katharina Grosse ; Andreas Gursky ; Wade Guyton ; Peter Halley ; Mary Heilmann ; Gary Hume ; Vanessa Jackson ; Martin Kippenberger ; Jutta Koether ; Michael Krebber ; Jonathan Lasker ; Paul Mc Carthy ; Suzanne McCelland ; Beatriz Milhazes ; Marilyn Minter ; Takashi Murakami ; Surendran Nair ; Tam Ochiai ; Albert Oehlen ; Lari Pittman ; Sigmar Polke ; Monique Prieto ; Gerhard Richter ; Robert Ryman ; David Salle ; Cgéri Samba ; Juliao Sarmento ; Jim Shaw ; Jessica Stockholder ; Hiroshi Sugito ; Philip Taaffe ; Luc Tuymans ; Jef Wall ; Sue Williams
painting [image-making] --- Painting --- art theory --- Salle, David --- Shaw, Tim --- Prieto, Monique --- Celmins, Vija --- Halley, Peter --- Frize, Bernard --- Wall, Jeff --- Alÿs, Francis --- Milhazes, Beatriz --- Guyton, Wade --- Calame, Ingrid --- Minter, Marilyn --- Appel, Kevin --- Sugito, Hiroshi --- Buren, Daniel --- McCarthy, Paul --- Nair, Surendran --- Williams, Sue --- Taaffe, Philip --- Gursky, Andreas --- Ochiai, Tam --- Lasker, Jonathan --- McClelland, Suzanne --- Dumas, Marlene --- Ryman, Robert --- Grosse, Katharina --- Tuymans, Luc --- Dodiya, Atul --- Heilmann, Mary --- Oehlen, Albert --- Currin, John --- Polke, Sigmar --- Jackson, Vanessa --- Stockholder, Jessica --- Eliasson, Olafur --- Brown, Glenn --- Büchler, Pavel --- Pittman, Lari --- Sarmento, Julião --- Hume, Gary --- Murakami, Takashi --- Richter, Gerhard --- Kippenberger, Martin --- Krebber, Michael --- Koether, Jutta --- Samba, Cheri --- Painting, Modern --- Themes, motives --- kunst --- schilderkunst --- kunsttheorie --- esthetica --- twintigste eeuw --- eenentwintigste eeuw --- Alÿs Francis --- Appel Kevin --- Brown Glenn --- Büchler Pavel --- Buren Daniel --- Calame Ingrid --- Celmins Vija --- Currin John --- Dodiya Atul --- Dumas Marlene --- Eliasson Olafur --- Frize Bernard --- Grosse Katharina --- Gursky Andreas --- Guyton Wade --- Halley Peter --- Heilmann Mary --- Hume Gary --- Jackson Vanessa --- Kippenberger Martin --- Koether Jutta --- Krebber Michael --- Lasker Jonathan --- McCarthy Paul --- McClelland Suzanne --- Milhazes Beatriz --- Minter Marilyn --- Murakami Takashi --- Nair Surendran --- Ochiai Tam --- Oehlen Albert --- Pittman Lari --- Polke Sigmar --- Prieto Monique --- Richter Gerhard --- Ryman Robert --- Salle David --- Samba Chéri --- Stockholder Jessica --- Sugito Hiroshi --- Taaffe Philip --- Tuymans Luc --- Wall Jeff --- Williams Sue --- 75.01 --- 75.038/039 --- Themes, motives. --- Schilderkunst ; theorie ; herdefinitie van de term schilderen --- Schilderkunst ; 20ste en 21ste eeuw --- Schilderkunst ; theorie, filosofie, esthetica --- Modern painting --- Paintings, Modern --- Painting, Modern - 21st century - Themes, motives
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Exposition collective d'artiste des années 80 organisée à l'université de Rennes. Tentant d'établir un "portrait" des dites années 80.
History --- installations [visual works] --- Art --- assemblages [sculpture] --- art history --- Bickerton, Ashley --- Bazile, Bernard --- Rütimann, Christoph --- Kasimir, Marin --- Halley, Peter --- Gober, Robert --- Noland, Cady --- Trenkwalder, Elmar --- Armleder, John M. --- Vincent, David --- Ken Lum --- Kruger, Barbara --- Lawler, Louise --- Caeckenbergh, van, Patrick --- Kessler, Jon --- Weiss, David --- Séchas, Alain --- Dokoupil, Jirí Georg --- McCollum, Allan --- Taaffe, Philip --- Duplo, J. --- Hill, Gary --- Trockel, Rosemarie --- Fischli, Peter --- Mullican, Matt --- Collin-Thiébaut, Gérard --- Pitz, Hermann --- Duprat, Hubert --- Struth, Thomas --- O'Brien, Robert --- Adams, Dennis --- Frize, Bernard --- Bustamante, Jean-Marc --- Webb, Boyd --- Gormley, Antony --- Cazal, Philippe --- Readymade - Association --- Graham, Rodney --- Locher, Thomas --- Combas, Robert --- Levine, Sherrie --- Welling, James --- Diao, David --- Schütte, Thomas --- Clemente, Francesco --- Birnbaum, Dara --- Kippenberger, Martin --- Convert, Pascal --- anno 1900-1999 --- anno 1980-1989 --- Artiste --- Art, Modern --- Avant-garde (Aesthetics) --- Exhibitions --- Van Caeckenberg, Patrick --- 20e siècle
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Art criticism --- Art, American --- Structuralism --- Poststructuralism --- Critique d'art --- Art américain --- Structuralisme --- Poststructuralisme --- French influences --- Influence française --- 7.01 --- 7.038(7/8) --- Kunsttheorie ; 21ste eeuw --- Amerikaanse kunst ; o.i.v. Franse theorie ; 1960-1990 --- Structuralisme ; Poststructuralisme --- Sartre, Jean-Paul --- Minimalisme --- Bochner, Mel --- Graham, Dan --- Lyotard, Jean-François --- Kunst en feminisme ; Verenigde Staten --- Baudrillard, Jean --- kunst --- kunsttheorie --- filosofie --- Frankrijk --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- structuralisme --- poststructuralisme --- existentialisme --- Sartre Jean-Paul --- Bochner Mel --- Graham Dan --- minimalisme --- minimal art --- October --- schilderkunst --- Lyotard Jean-François --- postmodernisme --- Lacoue-Labarthe Philippe --- feminisme --- postfeminisme --- Cixious Hélène --- Blanchot Maurice --- Tel quel --- Acconci Vito --- Rosler Martha --- Rainer Yvonne --- Baudrillard Jean --- Halley Peter --- 7.038/039 --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 ; Amerika --- Art américain --- Influence française --- Art criticism. --- Art, American. --- Geisteswissenschaften. --- Kunst. --- Poststrukturalismus. --- Rezeption. --- Strukturalismus. --- Ästhetik. --- 1900-1999. --- France. --- Frankreich. --- USA. --- Art criticism - France --- Art, American - 20th century
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