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Gursky, Andreas --- Photographe --- Photographie d'art --- Photography, Artistic --- Architectural photography --- Exhibitions --- Gursky, Andreas, --- 20e siècle --- Landscape photography --- Exhibitions. --- Photography, Artistic - Exhibitions --- Architectural photography - Exhibitions --- Gursky, Andreas, - 1955- - Exhibitions --- Gursky, Andreas, - 1955 --- -Gursky, Andreas

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Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gurksy, 'Photography's Neoliberal Realism' examines how these artists produce capitalism's equivalent of the Soviet Union's socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas.The ideological framework that Colberg terms 'neoliberal realism' serves to cement an economic system whose many fault lines are becoming increasingly clear, such as staggering inequality and racial disparities. This extended essay provides an alternative reading of photographic works laden with artifice, and argues how focusing on this artifice misses the more far-reaching ways such images operate in our visual economy.

fotografie --- fotografietheorie --- twintigste eeuw --- eenentwintigste eeuw --- 77.01 --- Documentary photography --- Photography --- Social aspects --- Leibovitz, Annie, --- Crewdson, Gregory --- Gurksy, Andreas --- Réalisme socialiste --- Photographie documentaire --- Gursky, Andreas --- Photography - Social aspects --- Leibovitz, Annie, - 1949 --- -Crewdson, Gregory --- Leibovitz, Annie, 1949

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The 'Düsseldorf School' has become a household name in the art world for one of the most successful and influential strains of modern photography. Coined in the late 1980s, the name refers mainly to the pioneer group of students of the late Bernd Becher, who in 1976 became the first professor for creative photography at a German arts academy. His students included Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff, and Thomas Struth, all of them today internationally acclaimed artists in their own right. Whereas 'Düsseldorf School' initially was used as a handy term for a group of artists with the same university's background, it quickly turned into a powerful brand name both in critical and commercial contexts. Despite its welcomed impact on the art scene, the members of the 'School' felt rather ambiguous about their perception as a group which turned them into stars but simultaneously risked levelling individual profiles and differences. What exactly connects and distinguishes them aesthetically is for the first time thoroughly explored in Maren Polte's pioneering study--Back cover.

Photography --- Artistic photography --- Artistieke fotografie --- Fotografie [Kunst] --- Kunstfotografie --- Photographie artistique --- Photography [Artistic ] --- Academic collection --- Photographers --- Photography, Artistic. --- History --- Germany --- Fotografie --- fotografie --- Becher, Bernd und Hilla --- Duitsland --- documentaire fotografie --- Höfer Candida --- twintigste eeuw --- Dusseldorf --- Becher Bernd & Hilla --- Struth Thomas --- Hütte Axel --- Ruff Thomas --- Gursky Andreas --- 77.038 --- photography [process] --- Becher, Bernd, --- Becher, Hilla --- Influence. --- Staatliche Kunstakademie Düsseldorf --- Photography - Germany - Düsseldorf

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Francis Alÿs, Kevin Appel ; Glenn Brown ; Pavel Büchler ; Daniel Buren ; Ingrid calame ; Vija Celmins ; John Currin ; Atul Dodiya ; Marlene Dumas ; Olafur Eliasson ; Bernard Frize ; Katharina Grosse ; Andreas Gursky ; Wade Guyton ; Peter Halley ; Mary Heilmann ; Gary Hume ; Vanessa Jackson ; Martin Kippenberger ; Jutta Koether ; Michael Krebber ; Jonathan Lasker ; Paul Mc Carthy ; Suzanne McCelland ; Beatriz Milhazes ; Marilyn Minter ; Takashi Murakami ; Surendran Nair ; Tam Ochiai ; Albert Oehlen ; Lari Pittman ; Sigmar Polke ; Monique Prieto ; Gerhard Richter ; Robert Ryman ; David Salle ; Cgéri Samba ; Juliao Sarmento ; Jim Shaw ; Jessica Stockholder ; Hiroshi Sugito ; Philip Taaffe ; Luc Tuymans ; Jef Wall ; Sue Williams

painting [image-making] --- Painting --- art theory --- Salle, David --- Shaw, Tim --- Prieto, Monique --- Celmins, Vija --- Halley, Peter --- Frize, Bernard --- Wall, Jeff --- Alÿs, Francis --- Milhazes, Beatriz --- Guyton, Wade --- Calame, Ingrid --- Minter, Marilyn --- Appel, Kevin --- Sugito, Hiroshi --- Buren, Daniel --- McCarthy, Paul --- Nair, Surendran --- Williams, Sue --- Taaffe, Philip --- Gursky, Andreas --- Ochiai, Tam --- Lasker, Jonathan --- McClelland, Suzanne --- Dumas, Marlene --- Ryman, Robert --- Grosse, Katharina --- Tuymans, Luc --- Dodiya, Atul --- Heilmann, Mary --- Oehlen, Albert --- Currin, John --- Polke, Sigmar --- Jackson, Vanessa --- Stockholder, Jessica --- Eliasson, Olafur --- Brown, Glenn --- Büchler, Pavel --- Pittman, Lari --- Sarmento, Julião --- Hume, Gary --- Murakami, Takashi --- Richter, Gerhard --- Kippenberger, Martin --- Krebber, Michael --- Koether, Jutta --- Samba, Cheri --- Painting, Modern --- Themes, motives --- kunst --- schilderkunst --- kunsttheorie --- esthetica --- twintigste eeuw --- eenentwintigste eeuw --- Alÿs Francis --- Appel Kevin --- Brown Glenn --- Büchler Pavel --- Buren Daniel --- Calame Ingrid --- Celmins Vija --- Currin John --- Dodiya Atul --- Dumas Marlene --- Eliasson Olafur --- Frize Bernard --- Grosse Katharina --- Gursky Andreas --- Guyton Wade --- Halley Peter --- Heilmann Mary --- Hume Gary --- Jackson Vanessa --- Kippenberger Martin --- Koether Jutta --- Krebber Michael --- Lasker Jonathan --- McCarthy Paul --- McClelland Suzanne --- Milhazes Beatriz --- Minter Marilyn --- Murakami Takashi --- Nair Surendran --- Ochiai Tam --- Oehlen Albert --- Pittman Lari --- Polke Sigmar --- Prieto Monique --- Richter Gerhard --- Ryman Robert --- Salle David --- Samba Chéri --- Stockholder Jessica --- Sugito Hiroshi --- Taaffe Philip --- Tuymans Luc --- Wall Jeff --- Williams Sue --- 75.01 --- 75.038/039 --- Themes, motives. --- Schilderkunst ; theorie ; herdefinitie van de term schilderen --- Schilderkunst ; 20ste en 21ste eeuw --- Schilderkunst ; theorie, filosofie, esthetica --- Modern painting --- Paintings, Modern --- Painting, Modern - 21st century - Themes, motives

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Shooting Space not only provides a quick and engaging display of beautiful photography but more careful examination rewards you with a timely survey of our built environment.Photography has always played a vital role in how architecture is communicated. For most of us, it is how we experience the most exceptional, arresting, unreachable, beautiful or ephemeral works we cannot visit in person. With immediate distribution and consumption of imagery now so readily available, photography and architecture together are more important than ever before.Single photographers are increasingly working closely and even exclusively with particular architects, allying their work with the design process itself. Some photographers are using new technologies to create visions of new architectures and imagined futures and others seek change through journalistic and social documentation.Shooting Space: Architecture in Contemporary Photography covers a diverse range of subjects and themes across the built environment. Presenting the work of leading contemporary architects (from Koolhass to Hadid), intense urbanisation and evolving natural landscapes by international photographers as diverse as Hélène Binet, Thomas Struth and Richard Wentworth.

Photography --- photography [process] --- fotografie --- Architecture --- hedendaagse architectuur --- Architecture, Modern --- Architecture and photography --- Architectural photography --- architectuurfotografie --- eenentwintigste eeuw --- Baan Iwan --- Barbieri Olivo --- Bialobrzeski Peter --- Binet Hélène --- Bitter Sabine --- Weber Helmut --- Bosio Andrea --- Burtynsky Edwrad --- Center for land use interpretation --- Cera Nuno --- Chaubin Frédéric --- Dávila Jose --- Dujardin Filip --- Eberle Todd --- Gaillard Cyprien --- Goiris Geert --- Gonzalez Dionisio --- Grospierre Nicolas --- Gursky Andreas --- Hartley Alex --- Kander Nadav --- Khan Idris --- Verea Lake --- Lambri Luisa --- Leibovitz Annie --- Leong Sze Tsung --- Linke Armin --- Marchand Yves --- Meffre Romain --- Morlinghaus Christoph --- Nastasi Michele --- Niedermayr Walter --- Nishino Sohei --- Norman Nils --- Opie Catherine --- Pernot Mathieu --- Princen Bas --- Ross Richard --- Rosselli Paolo --- Ruff Thomas --- Schaerer Philipp --- Schulz Josef --- Simpson Theo --- Struth Thomas --- Sugimoto Hiroshi --- Tabuchi Eric --- Tillmans Wolfgang --- Weinberger Thomas --- Welling James --- Wentworth Richard --- Wesely Michael --- Wolf Michael --- 77.046 --- 77.04 --- Architectuurfotografie ; 21ste eeuw ; 2000-2014 --- 766.9 --- Fotografie ; artistieke fotografie --- fotografie, overige genres en motieven, o.a. sportfotografie --- Modern [style or period] --- architecture [object genre] --- Rapport architecture-nature --- Rapport art-architecture --- Photographie