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How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley.

History --- Renaissance --- Aesthetics --- Christian special devotions --- art theory --- Affective and dynamic functions --- Art --- Descartes, René --- anno 1400-1499 --- anno 1500-1599 --- Visual perception --- Vision --- Perspective --- Art, Renaissance. --- Perception visuelle --- Art de la Renaissance --- History. --- Philosophy. --- Histoire --- Philosophie --- Art, Renaissance --- Philosophy --- Geschichte 1420-1600. --- Art -- Philosophy. --- Perspective -- History. --- Visual perception -- History. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Visual perception - History --- Vision - History --- Perspective - History --- Art - Philosophy

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Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.

Science --- Natural history --- Science, Renaissance. --- Renaissance science --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Natural sciences --- Science of science --- Sciences --- History --- Science, Renaissance --- 094:58 --- 094:59 --- 094:59 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- 094:58 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Pure sciences. Natural sciences (general) --- science [modern discipline] --- description [activity] --- 42.05 natural history. --- Beschreibung. --- Illustration. --- Kunst. --- Natur. --- Natural history. --- Naturbeobachtung. --- Naturgeschichte --- Natuurlijke historie. --- Renaissance. --- Science. --- Sciences de la Renaissance. --- Sciences naturelles --- Wissenschaft. --- Histoire --- 1500-1599. --- Geschichte 1420-1600. --- Geschichte 1500-1650. --- Europa --- Europa. --- Europe. --- Illustration --- Kunst --- Wissenschaft --- Science - Europe - History - 16th century. --- Natural history - Europe - History - 16th century. --- science, scientific, natural history, historical context, renaissance, europe, european, description, traditions, medical humanism, classical philosophy, philosophical, naturalists, naturalism, discovery, discovering, plants, animals, correspondence, garden plans, travelogues, watercolors, art, artwork, drawings, development, distinguishing, cataloging, characteristics, species, nature, taxonomy, classification, 16th century, interdisciplinary studies, common sense.