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Non-fiction --- Biofiction --- Biographie fictive --- Biographie imaginaire --- Biographies imaginaires --- Denkbeeldige biografie --- Fictieve biografie --- Fiction biographique --- Imaginary biography --- Biographical fiction --- Roman biographique --- History and criticism. --- Histoire et critique --- Roman biographique français --- Histoire et critique.
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Comic books, strips, etc. --- Graphic novels --- Graphic novels. --- Comic. --- History and criticism. --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- History and criticism --- Comic books, strips, etc --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism --- 82-931 --- 82-931 Stripverhaal --- Stripverhaal
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This collection examines new comic-book cultures, graphic writing, and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first-century (con)texts. The authors demonstrate that the fields of comic-book production and circulation in various regional histories introduce new postcolonial vocabularies, reconstitute conventional "image-functions" in established social texts and political systems, and present competing narratives of resistance and rights. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape. This volume introduces a timely intervention within current comic-book-area studies that remain firmly situated within the "U.S.-European and Japanese manga paradigms" and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics-area studies, cultural studies, and gender studies.
Graphic arts --- Thematology --- Fiction --- Comic books, strips, etc. --- Graphic novels --- Postcolonialism in literature --- History and criticism --- Postcolonialism in literature. --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Popular literature --- History and criticism. --- #SBIB:39A5 --- #SBIB:309H240 --- Kunst, habitat, materiële cultuur en ontspanning --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Comic books, strips, etc --- 82-931 --- 316.347 --- 316.347 Stratificatie volgens ras, cultuur, nationaliteit --- Stratificatie volgens ras, cultuur, nationaliteit --- 82-931 Stripverhaal --- Stripverhaal --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism
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Graphic arts --- graphic novels --- Mass communications --- Comic books, strips, etc. --- Graphic novels. --- History and criticism. --- Graphic novels --- History and criticism --- 82-931 --- -#SBIB:309H240 --- Academic collection --- 829.5 --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Stripverhaal --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- algemene kritiek en geschiedenis der letterkunde, bijzondere onderwerpen, beeldverhalen --- Conferences - Meetings --- 82-931 Stripverhaal --- Comic books, strips, etc --- #SBIB:309H240 --- Graphic novels - History and criticism. --- Comic books, strips, etc. - History and criticism
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"Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others."--Bloomsbury Publishing.
Comic books, strips, etc. --- Graphic novels --- Animals in literature --- Human-animal relationships in literature --- History and criticism --- ART / Techniques / Drawing. --- Animals in literature. --- Comic books, strips, etc --- Graphic novels. --- Human-animal relationships in literature. --- History and criticism. --- Bandes dessinées --- Romans graphiques --- Animaux --- Relations homme-animal --- Histoire et critique --- Dans la littérature --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Dans la littérature. --- Histoire et critique. --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism --- 82-931 --- 82-931 Stripverhaal --- Stripverhaal --- Bandes dessinées --- Dans la littérature.
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"Multiculturalism, and its representation, has long presented challenges for the medium of comics. This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don't conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the "other," anthropomorphism, and colonialism. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions"
Bandes dessinées --- Paralittérature --- Culture de masse --- Multiculturalisme --- Multiculturalism in literature --- Multiculturalism in literature. --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Comic books, strips, etc --- Graphic novels --- #SBIB:39A5 --- #SBIB:309H240 --- History and criticism. --- Kunst, habitat, materiële cultuur en ontspanning --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Comic books, strips, etc. --- Fiction --- Popular literature --- Comics --- History and criticism --- Comics. --- Historietas dibujadas --- Multiculturalismo. --- Historia y crítica. --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism.
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Curé de la paroisse, enseignant, écrivain, éducateur révolutionnaire, Lorenzo Milani est l'un des hommes dont on parle le plus dans l'Église catholique italienne. De l'enfance confortable au choix du séminaire, des malentendus avec les hiérarchies catholiques à l'École de Barbiana à l'écriture de "Lettre à un professeur", ce livre retrace les étapes fondamentales de sa vie pour faire connaître à tous son engagement pour l'émancipation des pauvres et l'extraordinaire valeur pédagogique de son expérience d'enseignant.
Graphic novels --- Priests --- Pastors --- Clergy --- Priesthood --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Comic books, strips, etc. --- Fiction --- Popular literature --- Milani, Lorenzo --- #KVHA: Cultuurgeschiedenis; Italië --- #KVHA:Katholieke Kerk; Italië --- #KVHA:Biografie --- #KVHA:Graphic novel; Italië --- Poor children --- Popular education --- Education --- History --- Religious aspects --- Catholic Church --- Clergy - Italy - Biography --- Poor children - Education - Italy - History --- Popular education - Italy - History --- Comic books, strips, etc. - Religious aspects - Catholic Church --- Milani, Lorenzo - Comic books, strips, etc.
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Attempts to define what comics are and explain how they work have not always been successful because they are premised upon the idea that comic strips, comic books and graphic novels are inherently and almost exclusively visual. This book challenges that premise, and asserts that comics is not just a visual medium. The book outlines the multisensory aspects of comics: the visual, audible, tactile, olfactory and gustatory elements of the medium. It rejects a synaesthetic approach (by which all the senses are engaged through visual stimuli) and instead argues for a truly multisensory model by which the direct stimulation of the reader’s physical senses can be understood. A wide range of examples demonstrates how multisensory communication systems work in both commercial and more experimental contexts. The book concludes with a case study that looks at the works of Alan Moore and indicates areas of interest that multisensory analysis can draw out, but which are overlooked by more conventional approaches.
Comic books, strips, etc. --- Graphic novels --- Senses and sensation in literature --- History and criticism --- Comic books, strips, etc --- #SBIB:309H240 --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Analyse sensorielle. --- Graphic novels. --- Romans graphiques --- Sens et sensations dans la littérature. --- Senses and sensation in literature. --- Sensory evaluation. --- History and criticism. --- Histoire et critique. --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism
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"The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics and Graphic Novels. A diverse range of international and interdisciplinary scholars take a closer look at how gender and sexuality have been essential in the evolution of comics, and how gender and sexuality in comics demand that we re-frame and re-view comics history. Essays cover a wide array of intersectional topics including Queer Underground and Alternative comics, Feminist Autobiography, Re-drawing disability, Latina testimony, and re-evaluating the critical whiteness and masculinity of superheroes in this first truly global reference text to gender and sexuality in comics. Comics have always been an important place for the radical exploration of feminist and non-binary sexualities and identities, and the growth of non-normative comic book traditions as a field of inquiry makes this an essential text for upper level undergraduates, postgraduates and researchers studying Comics Studies, Women's and Gender Studies, Literary Studies and Cultural Studies"--
Comic books, strips, etc. --- Graphic novels --- Gender identity in literature. --- Sex in literature. --- Graphic novels. --- Criticism, interpretation, etc. --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- History and criticism. --- Comic books, strips, etc --- Gender identity in literature --- Sex in literature --- Criticism, interpretation, etc --- History and criticism --- E-books --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism
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In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.
Comic books, strips, etc. --- Nonfiction comics --- Graphic novels --- Psychic trauma in literature. --- Storytelling in literature. --- Narration (Rhetoric). --- History and criticism. --- Psychic trauma in literature --- Storytelling in literature --- Narration (Rhetoric) --- History and criticism --- Comic books, strips, etc --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Comic books, strips, etc. - History and criticism --- Nonfiction comics - History and criticism --- Graphic novels - History and criticism --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal
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