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Innovantes et provocantes, les sculptures, peintures et installations emblématiques de Judy Chicago ont permis de rapprocher le féminisme de l'art au cours des années 1960, 70 et au-delà. En utilisant des images inspirées du corps féminin et des références à des personnages féminins historiques, Chicago a forgé un nouveau langage visuel axé sur les femmes qui continue d'influencer l'esthétique de l'art féministe aujourd'hui. Ce livre retrace la carrière de Chicago depuis son apparition sur la scène artistique de Los Angeles dans les années 1960 jusqu'à son travail abouti dans les années 1990. Présentant des illustrations de six œuvres distinctes, ce livre comprend le chef-d'œuvre de Chicago, le dîner, ainsi que d'autres œuvres moins connues. Avec des essais informatifs qui situent l'œuvre de Chicago dans le contexte de l'art contemporain californien du sud et de l'érudition qui reflète le travail actuel de Chicago, ce livre complet offre un regard à couper le souffle sur l'une des figures par excellence de l'art féministe américain. (d'après l'éditeur). Groundbreaking and provocative, Judy Chicago’s iconic sculptures, paintings, and installations helped bridge the gap between feminism and art during the 1960s, 70s, and beyond. Using imagery inspired by the female body and references to historical female figures, Chicago forged a new, women-focused visual language that continues to influence the aesthetics of feminist art today. This book traces Chicago’s career from her emergence on the Los Angeles art scene in the 1960s through her mature work in the 1990s. Featuring illustrations of six distinct bodies of works, this book includes Chicago’s masterpiece The Dinner Party as well as other lesser-known works. With informative essays that situate Chicago’s oeuvre in the context of contemporary Southern Californian art and scholarship that reflects Chicago’s current work, this comprehensive book provides a breathtaking look at one of the quintessential figures of American feminist art.
Art --- sculpture [visual works] --- installations [visual works] --- embroidering --- spray painting --- art [fine art] --- drawing [image-making] --- painting [image-making] --- feminism --- births --- performance art --- gender issues --- fireworks [explosive equipment] --- genitals [animal components] --- Chicago, Judy --- Feminism in art --- ART / Individual Artists / Monographs. --- ART / History / Contemporary (1945-) --- Feminism in art. --- Exhibitions. --- Chicago, Judy, --- Feminism in art - Exhibitions. --- Chicago, Judy, - 1939- - Exhibitions. --- Chicago, Judy, - 1939 --- -Feminism in art - Exhibitions. --- -Art --- art [discipline] --- -Chicago, Judy, - 1939 --- -Chicago, Judy --- -Chicago, Judy, - 1939-
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P. 9 Avant-propos P. 15 Oeuvres de jeunesse (1965-1966) P. 39 Oeuvres minimales (1965-1970) P. 61 Judy Chicago et le minimalisme: une rencontre du troisième type P. 85 Oeuvres environnementales (1967-1970) P. 107 Oeuvres architecturales (1968-1979) P. 123 Safe space, womanhouse, atmospheres: variations sur l'architecture P. 135 Judy Chicago: artiste latérale P. 145 Journal (1939-1971-1973) P. 174 Crédits / colophon
Women artists --- Minimal art --- Installations (Art) --- Feminism and art --- Biography --- Exhibitions --- Chicago, Judy, --- Féminisme et art --- Art minimal --- Expressionnisme abstrait --- Féminisme --- Chicago, Judy
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The most comprehensive survey to date of the legendary feminist artist Judy Chicago One of the most important contemporary American artists, Judy Chicago is known for multimedia works that embrace an explicitly feminist methodology. Accompanying a major retrospective at the New Museum, this book showcases Chicago’s tremendous impact on American art and presents the full breadth of her career across installation, sculpture, drawing, textiles, photography, stained glass, and printmaking. Featuring an extensive selection curated by Chicago of works by women artists across history, the book also highlights her critical role as an activist and cultural historian who has reshaped the canon. This dedicated section features Chicago’s ‘personal museum’ of women artists and historical figures whom she has placed within her own alternative canon, including Hilma af Klint, Simone de Beauvoir, Leonora Carrington, Elizabeth Catlett, Emily Dickinson, Barbara Hepworth, Frida Kahlo, Georgia O’Keeffe, Virginia Woolf, and many others. The book presents works from across her sixty-year career, from her experiments with Minimalism to her revolutionary feminist artworks and her later works on themes of social inequity, environmentalism, and the construction of masculinity
Féminisme --- Art --- vrouwelijke kunstenaar --- gender [sociological concept] --- vrouw in de kunst --- Chicago, Judy --- United States of America
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Through the Flower a été mon premier livre (depuis, j'en ai publié neuf autres). J'ai été encouragée à l'écrire par l'auteure et diariste Anaïs Nin, qui a été mon mentor au début des années 1970. Lorsque j'ai écrit cette autobiographie, je l'ai pensée comme un genre de guide d'introduction pour les jeunes femmes artistes, susceptible de les aider dans leur développement. En retraçant mon propre combat, j'espérais leur épargner l'inexorable tourment de « réinventer l'eau chaude », car mes études sur l'histoire des femmes m'ont appris que c'est ce que font les femmes, toujours et encore, en particulier car nous n'avons pas accès aux expériences et aux avancées de nos prédécesseurs féminines - une conséquence du fait que nous continuons d'apprendre l'histoire de l'art et l'histoire tout court, sous un angle de vision masculin, intégrant trop peu les réussites de personnalités féminines. Je dois reconnaître que lorsque je relis Through the Flower, je tressaille devant tant d'honnêteté sans fard ; mais en même temps, je suis heureuse que mon jeune « moi » ait eu le courage de parler avec une telle franchise de ma vie et de mon travail. Je doute d'être capable, aujourd'hui, de réanimer la candeur qui imprègne ce livre et reflète une confiance absolue dans le bon accueil que le monde réserverait à des révélations si dénuées de conscience de soi. Et pourtant, c'est précisément cela qui donne son atmosphère particulière au livre, l'atmosphère des années 1970, où nous étions si nombreuses et nombreux à croire que nous pourrions changer le monde, dans le bon sens, un objectif qui a été - comme a dit l'une de mes amies - « violenté par la réalité ». Cependant, un espoir exagérément idéaliste d'améliorer le monde vaut mieux que l'acceptation cynique du statu quo. Du moins avons-nous essayé - et je continue d'essayer. Peut-être suis-je de toute façon trop vieille, désormais, pour changer.
Women artists --- Avant-garde (Aesthetics) --- Installations (Art) --- Feminism and art --- Feminism in art --- Biography --- Attitudes --- Chicago, Judy, --- Femme artiste --- Femme, thème --- Féminisme
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Judy Chicago is America’s most dynamic living artist. Her works comprise a dizzying array of media from performance and installation to the glittering table laid for thirty-nine iconic women in The Dinner Party (now permanently housed at the Brooklyn Museum), the groundbreaking Birth Project, and the meticulously researched Holocaust Project.
Art --- sculpture [visual works] --- installations [visual works] --- feminism --- Judaism --- performance art --- political art --- stained glass [visual works] --- textile art [visual works] --- diaspora --- gender [sociological concept] --- Chicago, Judy --- Women artists --- Artists --- Feminists --- Femmes artistes --- Artistes --- Féministes --- ART / General. --- Artists. --- Feminists. --- Women artists. --- Chicago, Judy, --- United States. --- Féminisme --- Biographie --- Installation-art --- Performance-art
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Art styles --- Minimal --- Nauman, Bruce --- Baer, Jo --- Artschwager, Richard --- Stella, Frank --- Andre, Carl --- Serra, Richard --- Novros, David --- Oldenburg, Claes --- Weiner, Lawrence --- Chamberlain, John --- Truitt, Anne --- Kauffman, Craig --- McCracken, John Harvey --- Judd, Donald --- Graham, Dan --- Gonschior, Kuno --- Flavin, Dan --- Humphrey, Ralph --- Smith, Tony --- Smithson, Robert --- Barry, Robert --- Bladen, Ronald --- Ryman, Robert --- Mangold, Robert Peter --- Hesse, Eva --- Morris, Robert --- Rockburne, Dorothea --- Irwin, Robert --- Marden, Brice --- Huot, Bob/Robert --- Martin, Agnes --- Johanson, Patricia --- Asher, Michael --- Haacke, Hans --- Bochner, Mel --- LeWitt, Sol --- Chicago, Judy --- Bell, Larry --- Huebler, Douglas --- anno 2000-2099 --- anno 1900-1999 --- anno 1960-1969 --- anno 1950-1959 --- Art, Modern --- Art, American --- Minimal art --- (069) --- 7.038 --- Beeldende kunst ; 1958-1968 ; Minimal Art ; naslagwerken --- Andre Carl --- Ann Goldstein ; Essays by Diedrich Diederichsen, Jonathan Flatley, Carrie Lambert [et al.] --- Artschwager Richard --- Asher Michael --- Baer Jo --- Barry Robert --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Chamberlain John --- Chicago Judy --- Flavin Dan --- Graham Dan --- Grosvenor Robert --- Haacke Hans --- Hesse Eva --- Huebler Douglas --- Humphrey Ralph --- Huot Robert --- Irwin Robert --- Johanson Patricia --- Judd Donald --- Kauffman Craig --- LeWitt Sol --- Mangold Robert --- Marden Brice --- Martin Agnes --- McCracken John --- Mogensen Paul --- Morris Robert --- Nauman Bruce --- Novros David --- Oldenburg Claes --- Rockburne Dorothea --- Ryman Robert --- Serra Richard --- Smith Tony --- Smithson Robert --- Stella Frank --- Truitt Anne --- Verenigde Staten --- Weiner Lawrence --- beeldhouwkunst --- concept art --- conceptuele kunst --- design --- installaties --- kunst --- minimal art --- minimalisme --- schilderkunst --- 705.8 --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- kunstgeschiedenis, 20e eeuw --- Huot, Robert --- Baer, Josephine Gail --- Art, Modern - 20th century --- Art, American - 20th century - Exhibitions --- Minimal art - Exhibitions
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"It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has been further argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present. Among the subjects it discusses are abjection and the "informe," or formless; pornography and the obscene; the performativity of gender and sexuality; and the role of sexuality in forging radical art or curatorial practices in response to such issues as state-sponsored repression and anti-feminism in the broader social realm." -- Publisher's description
politics --- performance art --- philosophy of art --- hedendaagse kunst --- theme --- seksualiteit --- Contemporary [style of art] --- longing --- pornography --- thema's in de kunst --- Art --- sexuality --- Sex and art --- Art, Modern --- Psychology --- Sex and art. --- Psychology. --- 7.041 --- Iconografie ; de mens, portretten --- Thema's in de kunst ; seksualiteit ; erotiek --- Beeldende kunst ; 20ste en 21ste eeuw --- Gender Studies --- Sexualité --- Bourgeois, Louise --- Acconci, Vito --- Alloway, Lawrence, 1926-1989 --- Chicago, Judy --- Crimp, Douglas --- Delvoye, Wim --- Duchamp, Marcel --- Foucault, Michel --- Krauss, Rosalind --- Mccarthy, Paul --- Marcuse, Herbert --- Mekas, Jonas --- Michelson, Annette --- Neshat, Shirin --- Opie, Catherine, --- Sontag, Susan --- Minh-ha, Trinh T. --- Kunst --- politiek --- pornografie --- performances [live] --- thema --- kunstfilosofie --- verlangen --- anno 1900-1999 --- anno 2000-2099 --- kunst --- 130.2 --- 7.039 --- 7.01 --- homoseksualiteit --- performance --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- erotiek --- gender studies --- Foucault, Michel, --- seksualiteit in de kunst --- Art, Modern. --- Sexualität. --- Kunst. --- 1900 - 2099. --- Foucault, Michel, 1926-1984 --- Opie, Catherine, 1961 --- -Sontag, Susan --- lichaam (van de mens) --- Artists --- Pornography --- Sexuality --- Book --- Eroticism
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This volume explores the contemporaneous engagements with a spirit of pop throughout the globe, looking not only at the relatively well-covered activity in the US, UK, and France but also surveying developments throughout Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East.
easel paintings [paintings by form] --- Art --- Pop [fine arts styles] --- sculpture [visual works] --- Fromanger, Gérard --- Brudaşcu, Cornel --- Bućan, Boris --- Minujin, Marta --- Axell, Evelyne --- Selz, Dorothée --- Otašević, Dušan --- Bayrle, Thomas --- Rodrigues, Glauco --- Komar, Vitaly --- Chordà, Mari --- Martínez, Raúl --- Bertlmann, Renate --- Barel, Joav --- Fahlstrom, Öyvind --- Grau, Eulàlia --- Roehr, Peter --- Shinohara, Ushio --- Oliver, Isabel --- Schifano, Mario --- Nicola L --- Želibská, Jana --- Overstreet, Joe --- Marisol --- Self, Colin --- Soares, Teresinha --- Lombardo, Sergio --- Garcìa, Ángela --- Tanaami, Keiichi --- Natalia LL --- Zielinski, Jerzy Ryszard --- Iveković, Sanja --- Cancela, Delia --- Reinikainen, Raimo --- Pinińska-Bereś, Maria --- Canogar, Rafael --- Janković, Jozef --- Rabascall, Joan --- Francken, Ruth --- Melamid, Alexander --- Tozzi, Claudio --- Matsumoto, Toshio --- Dias, Antonio --- Maiolino, Anna Maria --- Disconzi, Romanita --- Rancillac, Bernard --- Tilson, Joe --- Tanavoli, Parviz --- González, Beatriz --- Kogelnik, Kiki --- Colares, Raymundo --- Gudmundsson, Sigurdur --- Nitsche, Marcello --- Rosler, Martha --- Yokoo, Tadanori --- Chicago, Judy --- Lausen, Uwe --- Vardea, Chryssa --- Equipo Crónica --- Ottinger, Ulrike --- Equipo Realidad --- Burga, Teresa --- Tajiri, Shinkichi --- anno 1960-1969 --- anno 1970-1979 --- MAD-faculty 16 --- kunst 20e eeuw --- pop art --- Pop art --- Chryssa --- Tadanori, Yokoo --- paintings [visual works]
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La 4ème de couverture indique: She-Bam Pow Pop Wizz ! retrace l'histoire ouverte d'une génération de femmes européennes et nord-américaines qui ont contribué avec audace et flamboyance au pop international. Leurs oeuvres, à l'image des bandes dessinées, regorgent de couleurs arc-en-ciel et vibrantes. Par des voies plurielles, elles envisagent un monde autre, aux formes rêvées, et parient sur la construction d'un monde meilleur. Love is all we need !
Pop'art. --- Femmes artistes --- Pop art --- Women artists --- 7.038 --- Kunst ; 20ste eeuw ; Pop-Art --- Vrouwelijke kunstenaars --- Kunstgeschiedenis ; 1950 - 2000 --- Exhibitions --- kunst --- twintigste eeuw --- 7.038/038 --- eenentwintigste eeuw --- feminisme --- pop art --- vrouwen --- Axell Evelyne --- Barbarella --- Bardot Brigitte --- Baruch Marion --- Boty Pauline --- Canneel Martine --- Castro Lourdes --- Chicago Judy --- Chryssa --- Cristini France --- Dichgans Christa --- Drexler Rosalyn --- Fioroni Giosetta --- Fonda Jane --- Francken Ruth --- García Ángela --- Haworth Jann --- Iannone Dorothy --- Jodelle --- De Jong Jacqueline --- Kent Sister Corita --- Kogelnik Kiki --- Kurt Kay --- L. Nicola --- La Rocca Ketty --- LL Natalia --- Maglione Milvia --- Marcucci Lucia --- Menken Marie --- Monroe Marilyn --- Nevelson Louise --- Olivier Cuevas Isabel --- Ono Yoko --- Ottinger Ulrike --- Peel Emma --- Rosler Martha --- Saint Phalle Niki de --- Schneemann Carolee --- Strider Marjorie --- Sturtevant --- Wilke Hannah --- Wilson May
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The publication "Light + Space" refers on the art movement of the same name - a tendency born in Southern California characterized by experimentation, interdisciplinarity, and a move away from object-centric practices. The publication points out the main aspects of Light and Space, gives insight into the atmosphere of the 1960s and '70s L.A. art scene, highlights female protagonists, shows interdisciplinary and transgressive, artistic approaches to art and technology, focuses on perception and aesthetic experience as central to these immersive environments and discusses the legacy of Light and Space in contemporary artistic practices. The book also brings a section with more than twenty artist's contributions, each specifically conceived for the publication.
Lumière --- Années 1970 --- Los Angeles --- Light and space (Art movement) --- Light art --- Space (Art) --- Installations (Art) --- Art, American --- Art, European --- kunst --- installaties --- licht --- lichtinstallaties --- lichtkunst --- projecties --- Light-and-Space Art --- 7.038/039 --- Kapoor Anish --- Orr Eric --- Zehr Connie --- Eversley Fred --- Irwin Robert --- Corse Mary --- Janssens Ann Veronica --- Cooper Ron --- Turrell James --- Hein Jeppe --- Bell Larry --- Albuquerque Lita --- AVPD --- Valentine DeWain --- McCracken John --- Zimmerman Elyn --- Pashgian Helen --- Chicago Judy --- Alexander Peter --- Wheeler Doug --- Palm Hansen Ann Linn --- Kauffman Craig --- Kaiser Vogel Susan --- Sander Karin --- Dill Laddie John --- 7.038 --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Light sculpture --- Light works (Art) --- Art --- California minimalism (Art movement) --- Minimal art --- Eversley, Frederick, --- Albuquerque, Lita --- Bell, Larry, --- Pashgian, Helen, --- Irwin, Robert,
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