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Modernism (Art) --- Abstract expressionism --- Art, American --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Modernism (Art) - United States --- Abstract expressionism - United States --- Art, American - 20th century --- Modernism (Art) - Europe
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Art, American --- #gsdbA --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, American - 20th century
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"What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour of a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works." http://www.loc.gov/catdir/enhancements/fy0654/2006006621-d.html.
abstracte kunst --- minimal art --- Abstract [fine arts style] --- Minimal --- Art --- anno 1900-1999 --- North America --- Art, Abstract --- Art, American --- Art abstrait --- Art américain --- 7.038 <73> --- kunst --- kunsttheorie --- schilderkunst --- abstractie --- beeldhouwkunst --- installaties --- twintigste eeuw --- Verenigde Staten --- tekenkunst --- 7.038 --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst--Verenigde Staten van Amerika. VSA. USA --- Art américain --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Abstract. --- Art, American. --- Abstrakte Kunst. --- Abstrakte Malerei. --- Abstracte kunst. --- 1900-1999. --- Geschichte 1950-2000. --- United States. --- USA. --- Art, Abstract - United States. --- Art, American - 20th century. --- Abstract [modern European style]
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Agam, Yaacov ; Agostini, Peter ; Ahlander, Leslie Judd ; Albers, Josef ; Alloway, Lawrence ; Anastasi, William ; Andre, Carl ; Annesley, David ; Antonakos, Stephen ; Anuszkiewicz, Richard ; Apple, Billy ; Arp, Hans (Jean) ; Artschwager, Richard ; Ashbery, John ; Ashton, Dore ; Aubertin, Bernard ; Baer, Jo ; Baker, Elizabeth ; Balla, Giacomo ; Balthus ; Bannard, Darby ; Baranov-Rossiné, W. ; Bardo, Arthur ; Baringer, Richard ; Barry, Robert ; Bart, Robert ; Battcock, Gregory ; Bell, Larry ; Belloli, Carlo ; Benedikt, Michael ; Bengston, Billy ; Bennett, John F. ; Benton, Fletcher ; Berlant, Tony ; Bernhouse, Donald ; Bill, Max ; Bishop, James ; Bladen, Ronald ; Boccioni, Umberto ; Bochner, Mel ; Bolus, Michael ; Bonnard, Pierre ; Bontecou, Lee ; Boriani, Davide ; Boto, Martha ; Bourdon, David ; Brancusi, Constantin ; Braque, Georges ; Breer, Robert ; Brett, Guy ; Breuer, Marcel ; Bridgman, P.W. ; Bronzino, Agnolo ; Brunelle, Al ; Bury, Pol ; Cadoo, Emil ; Cage, John ; Calas, Nicolas ; Calder, Alexander ; Cambillo, Maria Trudi ; Canova, Antonio ; Caro, Anthony ; Carrieri, Raffaele ; Carrà, Carlo ; Castel, Louis Bertrand ; Cavell, Stanley ; Chamberlain, John ; Christo ; Chryssa ; Clay, Jean ; Coates, Robert ; Colombo, Gianni ; Colt, Priscilla ; Coplans, John ; Cornell, Joseph ; Cote, Alan ; Crampton, Rollin ; Cézanne, Paul ; D'Arcangelo, Allan ; Dali, Salvador ; Darboven, Hanne ; David, Jacques Louis ; David, Ronald ; Davis, Gene ; Davis, Stuart ; De Chirico, Giorgio ; De Kooning, Elaine ; Decker, Lindsey ; Degas, Edgar ; Delacroix, Eugène ; Delap, Tony ; Depero, Fortunato ; Dine, Jim ; Dorfles, Gillo ; Dougherty, Frazer ; Dove, Arthur ; Downing, Thomas ; Doyle, Tom ; Duchamp, Marcel ; Duran, Robert ; Ernst, Max ; Evans, Jan ; Feeley, Paul ; Ferber, Herbert ; etc.
Minimal art --- Art, American --- 7.039 --- -Art, American --- -Kunsttheorie Minimal Art --- 7.01 --- 7.038 --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Art, Minimal --- Minimalism (Art) --- Minimalist art --- Systematic painting --- Art, Abstract --- Art, Modern --- Hedendaagse kunststromingen.Post-moderne kunst --- Kunst theorie, filosofie, esthetica --- Kunstgeschiedenis 1950 - 2000 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Kunsttheorie ; Minimal Art --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 --- Minimal art - United States --- Art, American - 20th century
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"Drawing on close readings of 1960s American art, Jason A. Hoelscher offers an information theory of art and an aesthetic theory of information in which he shows how art operates as information wherein art's meaning cannot be determined."--
Information theory in aesthetics. --- Art, Modern. --- Art, American. --- Aesthetics, Modern. --- Art, American --- Aesthetics, Modern --- Art, Modern --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Modern art --- Nieuwe Ploeg (Group of artists) --- Aesthetics --- Cybernetics --- Perception --- Psychology --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Modern aesthetics --- History --- Art, Modern - 20th century --- Aesthetics, Modern - 20th century --- Information theory in aesthetics --- Art, American - 20th century
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Judson Dance Theater in Hindsight -- ##Sections and chunks: serial time -- ##Mediating Trio A -- ##Other solutions -- ##Performance demonstration -- ##Conclusion: Taking sides.
Rainer, Yvonne --- Art --- Art, American --- Choreographers --- Dancers --- Experimental films. --- Independent filmmakers --- Minimal art --- Modern dance. --- Political aspects --- History --- Rainer, Yvonne, --- Criticism and interpretation. --- kunst --- autobiografie --- Verenigde Staten --- choreografie --- dans --- film --- experimentele film --- minimalisme --- minimal art --- twintigste eeuw --- Rainer Yvonne --- 7.071 RAINER --- Experimental films --- Modern dance --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Interpretive dancing --- Modern dancing --- Dance --- Art, Minimal --- Minimalism (Art) --- Minimalist art --- Systematic painting --- Art, Abstract --- Art, Modern --- Independent moviemakers --- Motion picture producers and directors --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Film d'artiste --- Chorégraphie --- Danse --- Art minimal --- Cinéma indépendant --- Avant-garde --- Performance --- Cinéma --- Cinéma, histoire --- Vidéo --- USA --- États-Unis --- Art, Primitive
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Les artistes de ce projet se revendiquent de la "Nouvelle Abstraction", du "hard-edge", d'une "nouvelle picturalité", du structurisme, d'une aventure poétique autour du concept de "quatrième dimension" ("Park Place"). Le titre de cet ouvrage est emprunté à Toward a New Abstraction, catalogue d'une exposition organisée par Ben Heller en mai-septembre 1963, au Jewish Museum de New York, qui regroupait quelques figures telles que Frank Stella, Paul Brach, Kenneth Noland, Raymond Parker, Ellsworth Kelly. Le thème de cet essai est de relier par l'esprit les artistes élus dans un courant de "Nouvelle Abstraction", par opposition aux autres mouvements déterminants l'"esprit du temps", tels que par exemple le minimalisme naissant et le Pop Art. (extrait de l'introduction de l'auteur)
Abstraction géométrique --- Art abstrait --- Hard edge --- Nouvelle abstraction --- Art, Abstract --- Art, American --- Artists --- Biography --- History and criticism --- Reinhardt, Ad --- Benjamin, Karl --- Feitelson, Lorser --- Gottlieb, Adolph --- Hammersley, Frederick --- Kelly, Ellsworth --- Liberman, Alexander --- Mclaughlin, John --- Morris, Louis --- Newman, Barnett --- Noland, Kenneth --- Rothko, Mark --- Smith, Leon Polk --- Stella, Frank --- Still, Clyfford --- Bell, Larry --- Brach, Paul --- Davis, Gene --- Downing, Thomas --- Held, Al --- Hinman, Charles --- Insley, Will --- Lukin, Sven --- Mangold, Robert --- Martin, Agnès --- Mehring, Howard --- Mogensen, Paul --- Novros, David --- Parker, Raymond --- Reed, Paul --- Ryman, Robert --- Smith, Richard --- Williams, Neil --- Yougerman, Jack --- Darby Bannard, Walter --- Delap, Tony --- Di Suvero, Mark --- Fleming, Dean --- Forakis, Peter --- Grosvenor, Robert --- Irwin, Robert --- Magar, Tony --- Mccracken, John --- Melcher, Tamara --- Myers, Forrest --- Olitski, Jules --- Poons, Larry --- Ruda, Edwin --- Valledor, Leo --- Persons --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Biography&delete& --- Art, Abstract - United States --- Art, American - 20th century --- Artists - United States - Biography - History and criticism
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This is the final volume in a series of four books about art and its interpretation from the midnineteenth century to the end of the twentieth. The books seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. They present a range of approaches characteristic of current art-historical debates. This fourth volume focuses on art since the 1930s, the main emphasis being on the period since the Second World War.
Modernist --- art theory --- Pop [fine arts styles] --- Minimal --- Abstract Expressionist --- Rosenquist, James --- Caro, Anthony --- Johns, Jasper --- Kosuth, Joseph --- Stella, Frank --- Andre, Carl --- Warhol, Andy --- Noland, Kenneth --- Gorky, Arshile --- Weiner, Lawrence --- Picasso, Pablo --- Olitski, Jules --- Rivera, Diego --- Rauschenberg, Robert --- Burgin, Victor --- Buren, Daniel --- Still, Clyfford --- Long, Richard --- Lichtenstein, Roy --- Smithson, Robert --- Richter, Gerhard --- Rothko, Mark --- Newman, Barnett --- Schnabel, Julian --- Judd, Donald --- Soulages, Pierre --- Kienholz, Edward --- Morris, Robert --- Miró, Joan --- Smith, David --- Léger, Fernand --- Haacke, Hans --- Kiefer, Anselm --- Moore, Henry --- LeWitt, Sol --- Pollock, Jackson --- Kline, Franz --- Guerrilla Girls --- Modernisme (Art) --- Art et société --- Modernisme --- Expressionnisme abstrait --- Paul Wood, Francis Frascina, Jonathan Harris, Charles Harrison --- modernisme --- postmodernisme --- abstract expressionisme --- Land Art --- minimalisme --- Art et société --- Modernism (Art) --- Art and society --- Art, American --- Art --- Art américain --- History --- Political aspects --- Histoire --- Aspect politique --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- 7.01 --- 7.038 --- conceptuele kunst --- cultuur --- ideologie --- kunst --- kunstkritiek --- kunsttheorie --- twintigste eeuw --- Verenigde Staten --- Art styles --- anno 1900-1999 --- Conceptual --- art history --- Salle, David --- Serra, Richard --- Braque, Georges --- Kahlo, Frida --- Koons, Jeff --- Beuys, Joseph --- Sherman, Cindy --- Spero, Nancy --- Rosler, Martha --- Krasner, Lee --- Hesse, Eva --- Art & Language --- anno 1960-1969 --- anno 2000-2099 --- anno 1950-1959 --- anno 1940-1949 --- Histoire de l'art --- 20e siècle --- Panorama mondial --- Guerrilla Girls [New York, N.Y.] --- Mouvement moderne --- Art, Primitive --- Modernism (Art) - United States --- Art, American - 20th century --- Art - Political aspects - United States --- Art and society - United States - History - 20th century --- kunstsociologie
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