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Rubriek serials: fotografie --- 77 <05> --- 77 <05> Fotografie--Tijdschriften --- Fotografie--Tijdschriften --- Periodicals --- Fotografie. --- Tijdschrift. --- fotografie. --- Foam (Fotografiemuseum Amsterdam) --- Tijdschriften (serials)

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Pragmatics --- Mass communications --- Written communication --- Communication écrite --- Periodicals. --- Périodiques --- Written communication. --- 316.77 <05> --- Communicatiesociologie--Tijdschriften --- Periodicals --- Arts and Humanities --- History --- Language & Linguistics --- Literature --- Anthropology --- Behavioral Science (Psychology) and Counselling --- Journalism, Mass Communication, Media & Publishing --- Sociology. --- Social Sciences --- Sociology --- Arts and Humanities. --- Social Sciences. --- 316.77 <05> Communicatiesociologie--Tijdschriften --- Schriftelijke communicatie. --- Communication écrite. --- Written communication - Periodicals. --- Communication écrite - Périodiques.

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"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website

photography [process] --- Photography --- Photographie --- Trick photography --- Photography, Handworked --- Effets spéciaux --- Special effects --- fotografie --- twintigste eeuw --- speciale effecten --- fotografische techniek --- beeldmanipulatie --- vervalsingen --- collages --- fotomontage --- 77.05 --- 778 --- 001.95 --- Fotografie--Bijzondere toepassingen --- Wetenschappelijk bedrog en mystificatie --- Exhibitions --- 001.95 Wetenschappelijk bedrog en mystificatie --- 778 Fotografie--Bijzondere toepassingen --- Photographic amusements --- Photography, Trick --- Handworked photography --- Altered prints --- Art and photography --- Drawing --- Effets spéciaux. --- Effets spéciaux.

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The development of photomontage technique during the early 1920s and 1930s in Germany, the Soviet Union, and the United States had a profound influence on contemporary art and mass media. Montage and Modern Life uncovers the roots of this complex relationship. Trought some of the most sophisticated and least cultivated examples of the art from, Montage and Modern Life demonstrates how a common set of social and cultural themes was broadly articulated, culminating in a new way of seeing that is the hallmark of our time.

fotomontages --- massacultuur --- Photomontage --- Années 1930 --- Ed. by Matthew Teitelbaum --- reclamefotografie --- Fotografie ; fotomontages ; 1919-1942 --- Steichen Edward --- Rodchenko Alexander --- Cunningham Imogen --- Graef Werner --- Sheeler Charles --- Heartfield John --- Brandt Marianne --- 77.05 --- 77.037 --- Fotografie ; technieken --- montage --- politiek --- propaganda --- geschiedenis --- Exhibitions --- Exhibitions. --- Abbott Berenice --- documentaire fotografie --- Duitsland --- Evans Walker --- fotografie --- fotomontage --- Höch Hannah --- Lissitzky El --- Schwitters Kurt --- Sovjet-Unie --- Stieglitz Alfred --- Verenigde Staten --- (069) --- 77.02 --- (Musea. Collecties) --- Photomontage - Exhibitions --- montage. --- fotomontages. --- politiek. --- propaganda. --- geschiedenis. --- massacultuur. --- Photographie --- Politique

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De tous les genres littéraires, le roman-photo est à la fois le plus méprisé et le moins connu. Pour le roman-photo a l'ambition de révéler toute la richesse de ce genre hybride, dont l'importance est capitale à une époque où se rapprochent littérature et photographie. Abordant aussi bien les stéréotypes du roman-photo sentimental que les inventions du roman-photo moderne, notamment sur Internet, le livre nous donne d'abord un aperçu très richement illustré de l'histoire du genre, que l'auteur compare à ses faux frères, la bande dessinée et le ciné-roman. Il examine aussi la manière dont texte et image peuvent s'allier pour inventer des récits entièrement inédits. Il propose enfin des analyses des grands auteurs du "nouveau roman-photo" (Marie-Françoise Plissart, Michael Snow, Sophie Calle ou Suky Best). Prenant le contrepied de tout ce qu'on écrit depuis cinquante ans, cet essai nous invite à lire, d'urgence, des romans-photos. Paru une première fois en 2010 aux Impressions Nouvelles, nous vous en proposons, à l'occasion de la grande exposition "Roman-Photo" présentée au Mucem (cf. description sur le site du musée : www.mucem.org), une réédition augmentée et richement illustrée.

Fotonovelas --- Literature and photography --- Artists' books --- Photography, Artistic --- fotografie --- fotoromans --- narratologie --- fotografietheorie --- kunst --- 77.038 --- 77.05 --- beeldverhaal --- strips --- fotografie en literatuur --- fotoroman --- literatuur --- 77.01 --- Fotonovela --- Photo comic books --- Photo novels --- Photocomics --- Photographic novels --- Photonovelas --- Photonovels --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Photography and literature --- History and criticism --- Aesthetics --- Roman-photo. --- Fotonovelas. --- Book history --- Literature --- fotonovelas --- Comic books, strips, etc. --- Popular literature --- Stories without words --- Art --- Art, Modern --- Books --- Conceptual art --- Criticism and interpretation --- Fotonovelas - History and criticism --- Literature and photography - History and criticism --- Artists' books - History and criticism --- 094:82-91 --- 094:82-91 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Populaire literatuur. Volksboeken --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Populaire literatuur. Volksboeken