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Theater --- Theater --- Actors --- Theatrical managers --- Sheridan, Thomas, - 1719-1788
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"Je ne compte plus le nombre de soirs où durant quarante ans je me suis assis dans une salle de théâtre, à Paris et dans une grande partie du monde. De ces multiples rencontres, j'ai nourri le parcours du Théâtre de la Bastille. Je me demande aujourd'hui : qu'ai-je vu, qu'ai-je appris, qu'est-ce donc qui apparaît pour renaître métamorphosé dans la pensée ? Qui sont ces interprètes qui livrent parfois dans les mouvements les plus simples une métamorphose de l'anodin qui produit un déplacement du sens et suspend l'émotion ? Qu'en est-il de cette expérience singulière du spectateur, celui qui interprète ce qu'il regarde et se fait voyant ?" Jean-Marie Hordé a dirigé le Théâtre de la Bastille pendant trente-deux ans. Au moment de quitter ce théâtre, il évoque les problématiques que rencontre un directeur, non seulement dans sa gestion et ses choix artistiques, mais aussi dans son rapport intime au monde
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Dramatists, French --- Dramatists, French --- Theatrical managers --- Lagarce, Jean-Luc, - 1957-1995 --- Lagarce, Jean-Luc, - 1957-1995 --- Attoun, Lucien --- Attoun, Micheline
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Theatrical managers --- Producteurs et metteurs en scène de théâtre --- Biography --- Biographies --- Brook, Peter, --- Theatrical producers and directors --- Producteurs et metteurs en scène de théâtre --- Theatrical producers and directors - Great Britain - Biography --- Brook, Peter, - 1925 --- -Theatrical managers --- -Theatrical producers and directors
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Performing arts --- Actors --- Theatrical producers and directors --- Theater --- Biography --- Dictionaries --- London (England) --- Theatrical managers --- Dictionaries. --- 78.77.3 --- Performing arts - England - London - Biography - Dictionaries --- Actors - Great Britain - Biography - Dictionaries --- Theatrical managers - Great Britain - Biography - Dictionaries --- Theater - England - London - Biography - Dictionaries --- London (England) - Biography - Dictionaries --- Theatrical producers and directors - Biography - Dictionaries
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Between 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (1872-1922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.
Theatrical managers --- Actors --- Traveling theater --- Theater and globalization. --- Actor-network theory. --- ANT (Sociological theory) --- Sociology --- Globalization and theater --- Globalization --- Stage actors --- Theater actors --- Theatrical actors --- Artists --- Entertainers --- Theater --- Traveling theatrical companies --- Theatrical companies --- Managers, Theatrical --- Theater managers --- Theater management --- History. --- Social networks. --- Methodology --- Bandmann, Maurice E. --- Theatrical managers - United States - Biography --- Actors - United States - Biography --- Traveling theater - History --- Theater and globalization --- Actors - Social networks
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“This book excels in innovative transnational historiography and historical network research. It opens up original and fascinating perspectives on 19th century Atlantic cross overs between cultural brokers and theatre agents, offering an impressive insight into the vivid global circulation of theatre industries. It reads like a stunning adventure!" — - Kati Röttger, Universiteit van Amsterdam “In her superbly researched and elegantly written book, Nic Leonhardt puts centre stage theatre’s invisible players. She sheds new light on theatre agents as the protagonists of a global theatre business in the early twentieth century. This is an innovative contribution to theatre history informed by global history and a broad understanding of theatrical production in the context of a capitalist market economy, infrastructural, legal and technical innovations. For historians, it is a stimulating contribution to the cultural history of modern globalisation in a transatlantic key.” — - Martin Baumeister, Historian, Director German Historical Institute, Rome Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book. Nic Leonhardt is Associate Professor of Theatre Studies at LMU Munich. Her research focuses on theatre history of the nineteenth and twentieth century and is strongly interdisciplinary and transnational in approach. Since 2016 she has been the senior researcher and associate director of the ERC (European Research Council) project “Developing Theatre” at LMU Munich, as well as director of the Centre for Global Theatre History.
Theatrical science --- History --- performances (kunst) --- theater --- geschiedenis --- Theater - Atlantic Ocean Region - History - 19th century --- Theater - Atlantic Ocean Region - History - 20th century --- Theatrical managers - History --- Theater --- Theatrical managers --- Theater. --- Performing arts. --- Global and International Theatre and Performance. --- Theatre History. --- Theatre and Performance Arts. --- History. --- Literature
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Comment naissent les films ou spectacles vivants ? Cet ouvrage aborde les univers du cinéma et du théâtre à partir des activités des producteurs de films et administrateurs de compagnies qui, aux côtés des artistes, contribuent à leur production. Ceux-ci ont en commun de pouvoir peser sur la définition et les conditions de réalisation des projets artistiques, par leurs interventions dans le processus de création, leur rôle de financement et de valorisation et leur proximité relationnelle avec les metteurs en scène et réalisateurs. La perspective défendue met volontairement à distance les réalisateurs de films et les metteurs en scène de théâtre, figures artistiques valorisées dans le contexte français, pour s'intéresser à des professionnels de l'intermédiation dont l'activité, moins visible, est pourtant décisive. Il confronte deux mondes de l'art, le cinéma et le spectacle vivant, souvent perçus comme relevant de dynamiques différentes, voire opposées et adopte, à partir d'un travail d'enquête approfondi, une perspective résolument comparative proposant de les penser comme relevant d'enjeux communs. En s'appuyant sur un travail d'enquête au long cours auprès de producteurs et d'administrateurs, en suivant leurs interventions au fil des projets et en étudiant leur position vis-à-vis des artistes, l'ouvrage offre ainsi une perspective nouvelle sur le travail de création et ses enjeux.
Industrie du spectacle --- Producteurs de cinéma --- Directeurs de théâtre --- Aspect social. --- Sociologie. --- Performing arts - Production and direction - France - History - 21st century --- Motion picture producers and directors - France - History - 21st century --- Theatrical managers - France - History - 21st century --- Arts and society - France - History - 21st century --- Arts - Economic aspects - France --- Producteurs de cinéma --- Directeurs de théâtre --- Arts du spectacle --- Sociologie --- arts du spectacle --- cinéma --- sociologie de la culture --- théâtre --- Performing arts --- Motion picture producers and directors --- Theatrical managers --- Arts and society --- Arts --- Production and direction --- History --- Economic aspects
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