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Was Vincent van Gogh a Dutchman? A Frenchman? Or perhaps even an American, Japanese, Antillean or Moroccan? Since his death at the end of the nineteenth century, this world-famous artist has been ""naturalized"" by the inhabitants of the most diverse countries and territories. The anthology Vincent Everywhere subjects these nationalising tendencies to the critical gaze of (art) historians, sociologists, philosophers and writers. It takes the reader on a journey that begins in the Netherlands of today, starting with Van Gogh's incorporation into the now-official canon of Dutch history. Via the

Gogh, van, Vincent --- van Gogh, Vincent, --- Gogh, Vincent van, --- Appreciation --- National characteristics. --- Identity (Philosophical concept) --- Identity --- Philosophy --- Comparison (Philosophy) --- Resemblance (Philosophy) --- Characteristics, National --- Identity, National --- Images, National --- National identity --- National images --- National psychology --- Psychology, National --- Anthropology --- Nationalism --- Social psychology --- Collective memory --- Ethnopsychology --- Exceptionalism --- Fan-kao, --- Fan-ku, --- Fan'gao, --- Fangu, --- Fangu, Wensheng, --- Gogh, Vincent-Willem van, --- Van-Gog, Vint︠s︡ent, --- Van Gogh, Vincent, --- גוך, וינסנט ואן, --- ビンセントゴッホ, --- ゴッホ, --- 梵高, --- Gogh, Vincent van, - 1853-1890 --- Gogh, Vincent van, - 1853-1890 - Appreciation --- Van Gogh, Vincent

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Tinguely, Jean --- destruction --- machines [general equipment] --- sculpture in the round --- Auto-destructive art --- motion --- 7.071 TINGUELY --- 73.071 TINGUELY --- destructie --- kinetische kunst --- kunst --- twintigste eeuw --- Zwitserland --- beeldhouwkunst --- Tinguely Jean --- Frankrijk --- Exhibitions --- performance art --- Sculpture --- assemblages [sculpture] --- installations [visual works] --- public spaces --- outdoor sculpture --- destruction [process] --- kunst in de openbare ruimte