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One of the most unusual women of the twentieth century, Meret Oppenheim most famously created the legendary Le Déjeuner en Fourrure, her 1936 assemblage of a tea cup and a fur. But Oppenheim was not just a Surrealist mouthful--though she provided the movement with one of its most recognizable symbols. Like her counterparts Max Ernst, Marcel Duchamp, Andr Breton and Man Ray, she used found materials freely in her artworks, often to the point of creating a critical alienation of the viewer from an otherwise familiar object. Her greater oeuvre has often been subsumed by the dominance of the ubiquitous fur cup, a situation which this publication aims to remedy, presenting a career-spanning selection of witty drawings, paintings, objects, collages, poems and designs for "applied artworks"--fantastic clothes, jewelry and furniture.
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Meret Oppenheim (1913, Berlin - 1985, Paris) a marqué l’art du XXe siècle de manière aussi importante que secrète. Alors qu’elle n’est âgée que d’une vingtaine d’années, son assemblage. Le Déjeuner en fourrure (1936) la fit passer du statut de muse scandaleuse du surréalisme à celui d’artiste majeure du mouvement. En 2013, Meret Oppenheim aurait eu 100 ans. À cette occasion, le LaM accueille une rétrospective de près de 200 œuvres de cette artiste inclassable, qui n’a pas été montrée en France depuis 1984.
Exposition --- Art contemporain --- Femme artiste --- Surréalisme --- Surrealist artists --- Surréalistes --- Oppenheim, Meret, --- Surréalistes --- Surrealism --- Surréalisme --- Exhibitions --- Social networks --- Attitudes --- Expositions --- Réseaux sociaux --- Exhibitions.
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