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This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930.

Drama --- American literature: authors --- American drama --- Women and literature --- Théâtre américain --- Femmes et littérature --- Women authors --- History and criticism. --- Femmes écrivains --- Histoire et critique --- History and criticism --- Théâtre américain --- Femmes et littérature --- Femmes écrivains --- Hellman, Lillian --- Glaspell, Susan --- United States --- Crothers, Rachel --- Treadwell, Sophie --- Wasserstein, Wendy --- English --- American Literature --- Languages & Literatures --- Women and literature - United States --- American drama - Women authors --- American drama - Women authors - History and criticism --- United States of America --- AMERICAN DRAMA --- WOMEN AND LITERATURE --- WOMEN AUTHORS --- U.S. --- Race --- Feminism --- History --- Literature --- Writers --- Theatre --- Theory --- Blackness --- Book

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International financial management --- Financial risk management --- Investment analysis --- Portfolio management --- AA / International- internationaal --- 339.40 --- 333.109 --- 333.605 --- 333.600 --- 658.155 --- Investment management --- Investments --- Securities --- Analysis of investments --- Analysis of securities --- Security analysis --- Risk management --- Vermogenbeheer. financiële analyse (algemeenheden). --- Veiligheid. Bankovervallen. Bankrisico's. --- Nieuwe financiële instrumenten. --- Financiële markten. Kapitaalmarkten (algemeenheden). --- Financial risk management. --- Investment analysis. --- Portfolio management. --- Veiligheid. Bankovervallen. Bankrisico's --- Financiële markten. Kapitaalmarkten (algemeenheden) --- Nieuwe financiële instrumenten --- Vermogenbeheer. financiële analyse (algemeenheden)

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« La première étude de l'homme qui veut être poète est sa propre connaissance, entière », écrivait Rimbaud. Ses vers de 1869 à 1872 surgissent de la coïncidence entre une crise d'adolescence et les troubles politiques de la France, de la fin du Second Empire à la mort de la Commune. Rimbaud a voulu créer une nouvelle poésie, visionnaire et clairvoyante, pour mettre en lumière les rapports entre le désir, l'idéologie, la langue et la culture. Les premiers vers de Rimbaud expriment un message subversif que l'on a souvent cherché à neutraliser, pour donner au poète une place de choix, paradoxale, dans cette culture bourgeoise qu'il entendait mettre en cause. Dans l'espoir de replacer dans son contexte cette poésie de la révolte, ce livre propose de nouvelles lectures de poèmes qui ont subi des interprétations aberrantes, lorsqu'ils n'ont pas été négligés ou même censurés.

Rimbaud, Arthur --- Rimbaud, Arthur, --- Criticism and interpretation --- Criticism and interpretation. --- Rimbaud, Arthur, - 1854-1891 - Criticism and interpretation --- Literature --- Poetry --- poésie --- écriture --- écrivain --- subversion --- Rimbaud, Arthur, - 1854-1891

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Rimbaud, Arthur --- Rimbaud, Arthur, --- Criticism and interpretation --- Aesthetics --- 840 "18" RIMBAUD, ARTHUR --- Franse literatuur--19e eeuw. Periode 1800-1899--RIMBAUD, ARTHUR --- 840 "18" RIMBAUD, ARTHUR Franse literatuur--19e eeuw. Periode 1800-1899--RIMBAUD, ARTHUR --- Criticism and interpretation. --- Aesthetics. --- Rimbaud, Arthur, - 1854-1891 - Criticism and interpretation --- Rimbaud, Arthur, - 1854-1891

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St. Gregory's College (Seville, Spain) --- Jesuits --- History --- Alumni --- 254.42 <460 SEVILLA> --- 271.5 <460 SEVILLA> --- #GBIB: jesuitica --- 27 <420> "16/17" --- Seminaries: theologische vorming tot het priesterschap--Spanje--SEVILLA --- Jezuïeten--Spanje--SEVILLA --- Kerkgeschiedenis--Engeland--?"16/17" --- -St. Gregory's College (Seville, Spain) --- -Saint Gregory's College (Seville, Spain) --- Cizvit Cemiyeti --- Compagnia di Gesù --- Compagnia di Giesù --- Compagnie de Jésus --- Companhia de Jesus --- Compañía de Jesús --- Dòng Chúa Giêsu --- Dòng TênDòng Chúa Giêsu --- Družba Isusova --- Gesellschaft Jesu --- Gesuiti --- Iezusukai --- Jesuit Order --- Jesuítas --- Jesuiten --- Jesuitenorden --- Jésuites --- Jesus Society --- Jezsuiták --- Jezuici --- Jézus Társaság --- Ordre des jésuites --- Padri Gesuiti --- S.J. (Societas Jesu) --- Serikat Jesus --- SJ --- Societas Iesu --- Societas Jesu --- Société des jésuites --- Society of Jesus --- Tovaryšstvo Ježišovo --- Towarzystwo Jezusowe --- Yesu hui --- Yezuiti --- -Alumni --- 254.42 <460 SEVILLA> Seminaries: theologische vorming tot het priesterschap--Spanje--SEVILLA --- Compagnie de Jésus --- Compañia de Jesus --- Jesuitas --- Jesuiti --- Jezuïten --- Jésuites --- Paters Jezuïten --- Societeit van Jezus --- Saint Gregory's College (Seville, Spain) --- History. --- St. Gregory's College --- Seville (Spain) --- イエズス会 --- カトリック イエズス会