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International relations. Foreign policy --- European Union --- Scandinavia and Iceland --- European Union countries --- Scandinavia --- Foreign relations --- #SBIB:327.7H21 --- #SBIB:013.IEB --- Ontwikkeling van de Europese Unie (historische en toekomstige evolutie) --- Fennoscandia --- Norden --- Nordic countries --- EU countries --- Euroland --- Europe --- European Union countries - Foreign relations - Scandinavia --- Scandinavia - Foreign relations - European Union countries

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"By moving beyond traditional aesthetic categories (beauty, the sublime, the religious), Eco-Aesthetics takes an inter-disciplinary approach bridging the arts, humanities and social sciences and explores what aesthetics might mean in the 21st century. It is one in a series of new, radical aesthetics promoting debate, confronting convention and formulating alternative ways of thinking about art practice. There is no doubt that the social and environmental spheres are interconnected but can art and artists really make a difference to the global environmental crisis? Can art practice meaningfully contribute to the development of sustainable lifestyles? Malcolm Miles explores the strands of eco-art, eco-aesthetics and contemporary aesthetic theories, offering timely critiques of consumerism and globalisation and, ultimately, offers a possible formulation of an engaged eco-aesthetic for the early 21st century"-- "An introduction to a radical new aesthetic theory drawing upon both contemporary theory and art practice"--

architectuur --- Aesthetics --- klimaatveranderingen --- Environmental protection. Environmental technology --- globalization --- kunst --- art [fine art] --- climate change --- ecology --- literature [writings] --- Architecture --- esthetiek --- architecture [discipline] --- Art --- aesthetics --- anno 2000-2099 --- Environment (Aesthetics) --- Arts and society --- Philosophy --- Science --- Arts and society. --- Environment (Aesthetics). --- History --- Aesthetics. --- Criticism & Theory. --- Life Sciences --- Ecology. --- 2000-2099. --- klimaatverandering --- art [discipline] --- literature [documents]

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O'Connor, Flannery Mary, 1925-1964. A Good Man is Hard to Find --- O'Connor, Flannery Mary, 1925-1964. Good Country People --- O'Connor, Flannery Mary, 1925-1964. Judgement Day --- O'Connor, Flannery Mary, 1925-1964. Parker's Back --- O'Connor, Flannery Mary, 1925-1964. The Artificial Nigger --- O'Connor, Flannery Mary, 1925-1964. The Displaced Person --- O'Connor, Flannery Mary, 1925-1964. The Geranium --- O'Connor, Flannery Mary, 1925-1964. The Violent Bear It Away --- O'Connor, Flannery Mary, 1925-1964. Wise Blood --- Women and literature --- Fiction --- History --- Technique --- O'Connor, Flannery --- Criticism and interpretation --- Southern States --- In literature --- -Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- -Technique --- Philosophy --- -O'Connor, Mary Flannery --- O'Konnor, Flanneri --- О'Коннор, Фланнери --- -American South --- American Southeast --- Dixie (U.S. : Region) --- Former Confederate States --- South, The --- Southeast (U.S.) --- Southeast United States --- Southeastern States --- Southern United States --- United States, Southern --- -History --- -Criticism and interpretation --- -In literature --- Fiction writing --- Writing, Fiction --- Authorship --- O'Connor, Mary Flannery --- Criticism and interpretation. --- In literature. --- O'Connor, Flannery Mary --- Women and literature - Southern States - History - 20th century --- Fiction - Technique --- O'Connor, Flannery - Criticism and interpretation --- Southern States - In literature

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Examines the theme of identity: geographic, ethnic, religious, status and sex-based. Discussions of Roman texts and images show how constructions of identity and culture contributed to the creation of late antiquity" as a historical concept."

Beschaving [Klassieke ] --- Civilisation classique --- Civilization [Classical ] --- Classical civilization --- Cultuur [Klassieke ] --- Identiteit (Psychologie) in de literatuur --- Identiteit in de literatuur --- Identity (Psychology) in literature --- Identity in literature --- Identité (Psychologie) dans la littérature --- Identité dans la littérature --- Klassieke beschaving --- Klassieke cultuur --- Civilization, Classical. --- Identity (Philosophical concept) in literature. --- Christianity --- Civilisation ancienne --- Christianisme --- Influence. --- Influence --- Rome --- Cultural policy. --- History --- Politique culturelle --- Histoire --- Civilization, Classical --- Identity (Philosophical concept) in literature --- Cultural policy --- 27 "03/05" --- 937.08 --- -Christianity --- Religions --- Church history --- Civilization, Ancient --- Classicism --- Kerkgeschiedenis--?"03/05" --- Geschiedenis van Rome: absolutistisch keizerrijk van Diocletianus tot de val van Rome--(284-476 n. Chr.) --- -Kerkgeschiedenis--?"03/05" --- -27 "03/05" --- 937.08 Geschiedenis van Rome: absolutistisch keizerrijk van Diocletianus tot de val van Rome--(284-476 n. Chr.) --- Italy --- Regions & Countries - Europe --- History & Archaeology --- -Identity in literature --- -Civilization, Classical --- Identité dans la littérature --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Germanic invasions, 3d-6th centuries --- Christianity - Rome - Influence --- Rome - Cultural policy --- Rome - History - Germanic Invasions, 3rd-6th centuries

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In many cities across the world, particularly in Europe, old buildings form a prominent part of the built environment, and we often take it for granted that their contribution is intrinsically positive. How has that widely-shared belief come about, and is its continued general acceptance inevitable?Certainly, ancient structures have long been treated with care and reverence in many societies, including classical Rome and Greece. But only in modern Europe and America, in the last two centuries, has this care been elaborated and energised into a forceful, dynamic ideology: a ‘Conservation Movement’, infused with a sense of historical destiny and loss, that paradoxically shared many of the characteristics of Enlightenment modernity. The close inter-relationship between conservation and modern civilisation was most dramatically heightened in periods of war or social upheaval, beginning with the French Revolution, and rising to a tragic climax in the 20th-century age of totalitarian extremism; more recently the troubled relationship of ‘heritage’ and global commercialism has become dominant.Miles Glendinning’s new book authoritatively presents, for the first time, the entire history of this architectural Conservation Movement, and traces its dramatic fluctuations in ideas and popularity, ending by questioning whether its recent international ascendancy can last indefinitely.

Architecture --- Conservation and restoration --- History --- Conservation et restauration --- Histoire --- Monuments historiques --- 72.025 --- 008 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History. --- Monumentenzorg --- Restauratie (architectuur) --- Erfgoed --- Design and construction --- Conservation and restoration&delete& --- Histoire. --- 72.025(091) --- Architectonisch erfgoed ; conservatie ; geschiedenis --- Monumentenzorg ; historische gebouwen ; conservatie --- Architectuur ; renovatie, restauratie ; geschiedenis --- Renovatie (architectuur) --- Architecture, Primitive --- Architecture - Conservation and restoration - History