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Emotions, Art, and Christianity in the Transatlantic World, 1450–1800 is a collection of studies variously exploring the role of visual and material culture in shaping early modern emotional experiences. The volume’s transatlantic framework moves from The Netherlands, Spain, and Italy to Mexico, Peru, Ecuador, and the Philippines, and centers on visual culture as a means to explore how emotions differ in their local and global “contexts” amidst the many shifts occurring c. 1450–1800. These themes are examined through the lens of art informed by religious ideas, especially Catholicism, with each essay probing how religiously inflected art stimulated, molded, and encoded emotions.

Art and society --- Christianity and art --- Emotions in art --- Emotions --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Catholic Church and art --- Art --- Art and sociology --- Society and art --- Sociology and art --- Catholic Church --- Religious aspects&delete& --- Social aspects --- Religious aspects --- Christian church history --- History of civilization --- emotion --- religious art --- anno 1500-1799 --- anno 1400-1499 --- Emotions in art.