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Exposition collective regroupant: Bazile, Bernard, 1952- ; Branca, Glenn, 1948- ; Coleman, James, 1941- ; Fortuyn, Irène, 1959- ; Gerdes, Ludger, 1952- ; Graham, Dan, 1942- ; Graham, R. (Rodney), 1949- ; Kasimir, Marin, 1957- ; Müller, Christian Philipp, 1957- ; Munoz, Juan, 1953- ; O'Brien, Robert, 1951-1988 ; Pitz, Hermann, 1956- ; Sechas, Alain, 1955- ; Wall, Jeff, 1946- .
Architecture --- public art --- Art --- sculpting --- Sculpture --- installations [visual works] --- scenography [discipline] --- Theatrical science --- architecture [discipline] --- fantastic architecture --- Bazile, Bernard --- Coleman, James --- Branca, Glenn --- Wall, Jeff --- Gerdes, Ludger --- Graham, Dan --- Séchas, Alain --- Muñoz, Juan --- Schöttle, Rüdiger --- Pitz, Hermann --- O'Brien, Robert --- Müller, Christian Philipp --- Kasimir, Marin --- Graham, Rodney --- anno 1900-1999 --- Environment (Art) --- Artists and museums --- Gardens in art --- Environnement (Art) --- Artistes et musées --- Jardins dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Art contemporain --- Fortuyn, Irene --- Munoz, Juan --- Sechas, Alain --- Artistes et musées
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Performing for the camera' examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Featuring many of the most compelling and experimental photographers in history, it explores the works by artists such as Yves Klein, Yayoi Kusama, Nadar, Merce Cunningham, Charles Ray, Boris Mikhailov, Samuel Fosso, Cindy Sherman, Keith Arnatt and Masahisa Fukase. Edited by curator Simon Baker, this book provides fresh insight into the inter-relationship between performance and photography. With over 300 illustrations, this is the definitive publication on two of the most popular and intriguing art forms of our time.0Exhibition: Tate Modern, London, UK (18.02-12.06.2016).
Photography, Artistic --- Art and photography --- fotografie --- kunst --- performance art --- performances --- portretfotografie --- zelfportret --- Ai Weiwei --- Shunk Harry --- Antin Eleanor --- Arnatt Keith --- Bayard Hippolyte --- Benglis Lynda --- Benohoud Hicham --- Beuys Joseph --- Brisley Stuart --- Haslam Leslie --- Brown Trisha --- Kender Janos --- Cahun Claude --- Cunningham Merce --- Dater Judy --- Day F. Holland --- DeSana Jimmy --- Eijkelboom Hans --- Valie Export --- Fosso Samuel --- Friedlander Lee --- Fukase Masahisa --- Graham Dan --- Gravlejs Ivars --- Hirata Minoru --- Hosoe Eikoh --- Hijikata Tatsumi --- Yotsjuya Simmon --- Imai Norio --- Klein Yves --- Komar Vitaly --- Melamid Alexander --- Koons Jeff --- Krims Les --- Kusama Yayoi --- Lamelas David --- Linder --- Lucas Sarah --- Mader Romain --- Mailaender Thomas --- Man Ray --- Ray Man --- Mandel Mike --- Mangolte Babette --- Mapplethorpe Robert --- Maurer Dora --- McCarthy Paul --- Mikhailov Boris --- Minujin Marta --- Morimura Yasumasa --- Nadar --- Tournachon Gaspar-Félix --- Nadar Paul --- Otsuji Kiyoji --- Outerbridge Paul --- de Saint-Phalle Niki --- Sawada Tomoko --- Schneemann Carolee --- Sherman Cindy --- Siskind Aaron --- Stehli Jemima --- Uematsu Keiji --- Ulman Amalia --- Warhol Andy --- Wilke Hannah --- Wojnarowicz David --- Woodman Francesca --- Wurm Erwin --- 7.038/039 --- Exhibitions --- 760.4 --- performance --- conceptuele kunst --- 705.8 --- fotografie als kunst --- kunstgeschiedenis, 20e eeuw --- Photography, Artistic - 20th century - Exhibitions --- Photography, Artistic - 21st century - Exhibitions --- Art and photography - Exhibitions --- Photographie
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« Herman Daled a été le premier président de l’association Fonds Henry Van de Velde et il fut un président attentif, disponible, utile et généreux, pendant une quinzaine d’années – de 2004 à 2019. Sa disparition à la fin de l’année 2020 a été un choc pour tous ceux, très nombreux, qui l’avaient connu comme médecin radiologue, comme collectionneur et ami des artistes, comme amateur d’architecture aussi ; un amateur d’architecture engagé, propriétaire d’une des plus belles et des plus exigeantes maisons réalisées par van de Velde à Bruxelles : l’hôtel Wolfers.»
Art nouveau --- Daled, Herman --- Velde, Henry van de, --- Architecte --- Bruxelles --- 20e siècle
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Ce nouveau livre sur l'oeuvre de Charles Vandenhove paraît à l'occasion de l'achèvement du Théâtre des Abbesses à Paris en 1996. L'ouvrage consacre une attention particuière à cet édifice remarquable, qui a demandé un peu plus de 10 années de travail, et lui donne la place qu'il mérite dans un panorama de l'oeuvre entière de Charles Vandenhove. Ce qui compte, c'est que l'architecture et l'art, le théâtre et la danse , l'habitat et le travail, la vie et la ville retrouvent ici pour un mment leur cohésion originelle, remontant aux temps les plus reculés.
Vandenhove, Charles --- Architecture --- Art --- Bouwkunst --- Kunst --- Architecture, Postmodern --- Architecture postmoderne --- Catalogs. --- Catalogues --- Architecte --- Catalogs --- 20e siècle --- -Academic collection --- Charles Vandenhove °1927 (°Teuven, België) --- Architectuur ; 20ste eeuw ; Charles Vandenhove --- Belgische architecten --- 72.07 --- 72.038(493) --- 72.036 <493> --- Postmodern architecture --- Architecture, Modern --- Postmodernism --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 ; België --- Moderne bouwkunst. Architectuur van de 20e eeuw--België --- -Catalogs --- Vandenhove, Charles, --- 72.036 <493> Moderne bouwkunst. Architectuur van de 20e eeuw--België --- Academic collection --- Architecture, Postmodern - Catalogs --- Vandenhove, Charles - Catalogs --- ARCHITECTURE --- VANDENHOVE, Charles (1927 - ....) --- DECORATION INTERIEURE --- 20e SIECLE --- PHILOSOPHIE
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"L'oeuvre de Mona Hatoum, artiste britannique d'origine palestinienne, est internationalement reconnue. La grande exposition que le Centre Pompidou lui consacre à Paris prend la forme d'un panorama. Elle explore les thèmes et les supports de ses créations - performances, vidéos, dessins, photographies, sculptures et installations. Premier musée en France à l'avoir accueillie en 1994, le Centre Pompidou permet aujourd'hui au public de prendre la mesure d'un extraordinaire travail mêlant abstraction et réalisme poétique, engagement et minimalisme, singularité et universalité."--P. [4] of cover.
Installations (Art) --- Art, Lebanese --- Hatoum, Mona, --- Installations (Art) - Lebanon - 20th century - Exhibitions --- Installations (Art) - Lebanon - 21st century - Exhibitions --- Art, Lebanese - 20th century - Exhibitions --- Art, Lebanese - 21st century - Exhibitions --- Hatoum, Mona, - 1952 --- -Hatoum, Mona, - 1952- - Exhibitions --- -Hatoum, Mona, - 1952 --- -Installations (Art)
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Born in Cotonou, Benin, in 1961, Meschac Gaba moved to the Netherlands in 1996 to take up a residency at the Rijksakademie. It was there that he conceived 'The Museum of Contemporary African Art', an ambitious work which took him five years and which cemented his reputation as one of the most important African artists working today. Consisting of 12 sections, or actual rooms, the work challenges preconceived notions of what African art is and provides a new discursive space for social and cultural interaction, critiquing the museum's value both as an institution and as a symbol of cultural capital. The importance of this work, which is being acquired by Tate, has been widely acknowledged in exhibitions ranging from Documenta XI, Kassel, in 2002 to Intense Proximity: La Triennale, Paris in 2012. Contributions by leading scholars place the work in the context of the artist's oeurvre, art history, and museology.
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