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La répétition : étude linguistique et rhétorique
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ISSN: 00845396 ISBN: 3484521996 3111590194 9783484521995 Year: 1985 Volume: 199 Publisher: Tübingen: Niemeyer,

Repetition in dialogue
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ISSN: 09405992 ISBN: 3484750111 9783484750111 Year: 1996 Volume: 11 Publisher: Tübingen: Niemeyer,

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Bis repetita : Claude Simon, la répétition à l'oeuvre
Authors: ---
ISBN: 2747583228 9782747583220 Year: 2005 Volume: *34 Publisher: Paris: L'Harmattan,

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Kafka konkret: das Trauma ein Leben: Wiederholungsmotive im Werk als Grundlage einer psychologischen Deutung
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ISBN: 3826016238 Year: 1999 Publisher: Würzburg Königshausen und Neumann

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Die Wiederholung als werkkonstitutives Prinzip im Oeuvre Thomas Bernhards
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ISBN: 3631437722 Year: 1991 Publisher: Frankfurt am Main Lang

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Carnival of repetition: Gaddis's The recognitions, and postmodern theory
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ISBN: 0812281799 1512806420 Year: 1989 Publisher: Philadelphia, Pa University of Pennsylvania Press

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Repetition in Arabic discourse: paradigms, syntagms, and the ecology of language
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ISBN: 9027250286 9027282943 9786613222312 1283222310 9789027282941 1556192843 9781556192845 9789027250285 Year: 1991 Publisher: Amsterdam Benjamins

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In this examination of expository prose in contemporary Arabic, structural and semantic repetition is found to be responsible both for linguistic cohesion and for rhetorical force. Johnstone identifies and discusses repetitive features on every level of analysis. Writers in Arabic use lexical couplets consisting of conjoined synonyms, which create new semantic paradigms as they evoke old ones. Morphological roots and patterns are repeated at close range, and this creates phonological rhyme as well. Regular patterns of paraphrase punctuate texts, and patterns of parallelism mark the internal st


Book
Samuel Beckett, repetition and modern music
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ISBN: 1317059654 1315607565 1317059646 9781317059646 9781315607566 9781317059653 9781317059639 1317059638 9781472475374 1472475372 Year: 2018 Publisher: London Routledge, Taylor & Francis Group

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"Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce's "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett's Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett's later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer's philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett's writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalised fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both modernist music and literature of the twentieth century, John McGrath's book is a significant contribution to the field of Word and Music Studies."--Provided by publisher

La répétition
Authors: ---
ISBN: 2909880060 Year: 1994 Publisher: Clermont-Ferrand Association des publications de la Faculté des lettres et sciences humaines de Clermont-Ferrand


Book
René Kalisky, une poétique de la répétition
Authors: ---
ISBN: 9789052013428 905201342X Year: 2007 Volume: 12 Publisher: Bruxelles: Peter Lang,

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A l'occasion du 75e anniversaire de la naissance et du 25e anniversaire de la mort du plus révolutionnaire des dramaturges belges de l'après-guerre paraît sa première monographie, centrée sur la question de la répétition du temps historique dans la clôture fictionnelle de la représentation dramatique. Un parcours de toute l'œuvre à partir de son ancrage métaphysique foncier.

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