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Art, Greek --- Greek drama --- Mythology, Greek --- Greek mythology --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- History and criticism --- Comparative religion --- Sculpture --- Classical Greek literature --- Antiquity --- Greece
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Art --- Antiquity --- Greece --- Art, Greek --- 7.032.6 --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- Kunst van het Oude Griekenland (tot 323) --- 7.032.6 Kunst van het Oude Griekenland (tot 323) --- Art grec
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Iconography --- Italy --- Art, Greek --- Eros (Greek deity) --- Erotic art --- Art, Erotic --- Art, Immoral --- Erotic art, Primitive --- Greek art --- Art --- Erotica --- Sex in art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian
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Sculpture --- Antiquity --- Art, Greek --- Art, Roman --- Classical antiquities --- Mythology, Classical --- Religions --- Comparative religion --- Denominations, Religious --- Religion, Comparative --- Religions, Comparative --- Religious denominations --- World religions --- Civilization --- Gods --- Religion --- Classical mythology --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Roman art --- Greek art --- Art, Aegean --- Art, Greco-Bactrian --- Art, Greek. --- Art, Roman. --- Classical antiquities. --- Mythology, Classical. --- Religions.
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Probleme der Kopien antiker Kunst in nachantiken Epochen werden in diesem Band in Archäologie und Kunstgeschichte im Einzelfall und am Einzelbeispiel besprochen. Begriffe wie Adaption, Anverwandlung, Imitation, Kopie, Nachahmung, Nachbildung oder Reproduktion bevölkern die Literatur in ebenso großer Vielfalt wie die Objekte, auf die sie angewendet werden, die Museen und Sammlungen der Welt seit der Frühen Neuzeit. Über das Phänomen neuzeitlicher Kopien hinausgehend werden damit verbundene Themen wie Ergänzung und Rekonstruktion oder aber das Problem des Fragments in den Blick genommen. Im Gegensatz zur Vorstellung der Antikenkopie als fester Größe, die es am antiken Original zu überprüfen gilt, werden die Transformationsprozesse im Vorgang des Kopierens betont.
Art --- Antiquity --- Art, Greek --- Art, Roman --- Art grec --- Art romain --- Reproduction. --- Copying --- Reproduction --- Social aspects --- Aspect social --- Art --Reproduction --Social aspects. --- Art --Reproduction. --- Art, Greek --Copying. --- Art, Roman --Copying. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Social aspects. --- Copying. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Roman art --- Classical antiquities --- Greek art --- Art, Aegean --- Art, Greco-Bactrian --- Reproduction of works of art --- Art, Primitive --- Geschichte 1500-2007 --- kopieën naar antieke kunst --- Antiquity/Reception. --- Classicism. --- Critical Studies of Copies. --- Original.
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Classical Greek literature --- Art --- Drama --- Greek literature --- Tragic, The, in literature. --- Tragic, The, in art. --- Vases, Greek. --- Art, Greek. --- Art, Ancient. --- Littérature grecque --- Tragique dans la littérature --- Tragique dans l'art --- Vases grecs --- Art grec --- Art antique --- History and criticism. --- Histoire et critique --- Zeitlin, Froma I. --- Festschrift - Libri Amicorum --- Littérature grecque --- Tragique dans la littérature --- Art, Ancient --- Art, Greek --- Tragic, The, in art --- Tragic, The, in literature --- Vases, Greek --- Greek vases --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- History and criticism
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