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The Benedictines in the Middle Ages
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ISBN: 9781843836230 1843836238 9781846159473 9786613772268 1846159474 1281016969 Year: 2011 Publisher: Woodbridge: Boydell press,

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Abstract

The men and women that followed the sixth-century customs of Benedict of Nursia (c.480-c.547) formed the most enduring, influential, numerous and widespread religious order of the Latin middle ages. Their liturgical practice, and their acquired taste for learning, served as a model for the medieval church as a whole: while new orders arose, they took some of their customs, and their observant and spiritual outlook, from the Regula Benedicti. The Benedictines may also be counted among the founders of medieval Europe. In many regions of the continent they created, or consolidated, the first Christian communities; they also directed the development of their social organisation, economy, and environment, and exerted a powerful influence on their emerging cultural and intellectual trends.
This book, the first comparative study of its kind, follows the Benedictine Order over eleven centuries, from their early diaspora to the challenge of continental reformation.

James G. Clark is Professor of History, University of Exeter.


Book
Music after the fall : modern composition and culture since 1989
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ISBN: 9780520283145 0520283147 9780520283152 0520283155 9780520959040 0520959043 Year: 2017 Publisher: Oakland, Calif. University of California Press

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This is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

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