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Hesse, Hermann --- Art appreciation --- Hesse, Hermann, --- Criticism and interpretation. --- Appreciation.
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Johnson, Uwe --- Johnson, Uwe, --- Appreciation --- Bibliography --- Appreciation. --- Bibliography.
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Berg, Alban --- Operas --- Analysis, appreciation
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This volume explores various perceptions, adaptations, and appropriations of Horace in the Early Modern age across textual, visual and musical media. It thus intends to advocate an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace. This volume explores various perceptions, adaptations and appropriations of both the personality and the writings of Horace in the Early Modern age. The fifteen essays of this book are devoted to uncharted facets of the reception of Horace and thus substantially broaden our picture of the Horatian tradition. Special attention is given to the legacy of Horace in the visual arts and in music, beyond the domain of letters. By focusing on the multiple channels, through which the influence of Horace was felt and transported, this volume aims to present instances of the Horatian heritage across the media and to stimulate a more thorough reflection on an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace. Contributors include: Veronica Brandis, Philippe Canguilhem, Giacomo Comiati, Karl A.E. Enenkel, Carolin A. Giere, Inga Mai Groote, Luke B.T. Houghton, Chris Joby, Marc Laureys, Grantley McDonald, Lukas Reddemann, Bernd Roling, Robert Seidel, Marcela Slavíková, Paul J. Smith, and Tijana Žakula.
Horace --- Appreciation --- Influence --- Comparative literature
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"What does 'Art' Mean Now? asks, and answers, fundamental questions about the nature of aesthetic experience and role of the arts in contemporary society. The Modern Age, Romanticism and beyond. viewed art as something transcending and separated from life, and usually something encountered in museums or classrooms. Nowadays, however, art tends to be defined not by a commonly agreed-upon standard of 'quality' or by its forms, such as painting and sculpture, but instead by political and ideological criteria. So how do we connect with the works in museums whose point was precisely they stood apart from such considerations? Can we and should we be educated to "appreciate" art-and what does it do for us anyway? What are we to make of the so-different newer works-installations, performances, excerpts from the world-held to be art that increasingly make it into museums? Adopting a subjectivist approach, this book argues that in the absence of a universal judgement or standard of taste, the experience of art is one of freedom. The arts and literature give us the means to conceptualize our lives, showing us ourselves as we are and as we might wish-or not wish-to be, as well as where we have been and where we are going. It will appeal to scholars of sociology, philosophy, museum studies, and art history, and to anyone interested in, or puzzled by, museums or college courses and their presentation of art today"--
Aesthetics --- Art, Modern --- Appreciation --- Philosophy
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Objectives of teaching --- Classical Greek literature --- Greek literature --- Appreciation --- Appreciation. --- Greek literature - Appreciation
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L'interprétation se distingue de l'analyse ou de la critique par le fait qu'elle cherche à donner un sens par-delà l'esthétique d'une oeuvre. Cet ouvrage fournit un historique et une méthodologie pour interpréter les films, indiquant les différentes approches possibles, leurs spécificités, leurs limites et leur champ d'application. ©Electre 2017 Interpréter un film est la manière la plus naturelle et la plus personnelle d’y réagir. Mais l’interprétation est souvent critiquée pour sa subjectivité, qui la rend invérifiable. Le propos de ce livre est de montrer que cette activité inventive peut aussi être pratiquée avec profit, autant que l’analyse ou la critique. Il a existé plusieurs tentatives pour donner forme théorique rigoureuse aux procédures d’interprétation, toujours à propos d’œuvres écrites. Ce livre expose les principales de ces traditions, de l’exégèse et de l’herméneutique jusqu’à la déconstruction, et montre comment elles ont été, souvent sans le savoir, utilisées pour l’interprétation des films. On verra également qu’elles répondent à de nombreux problèmes de théorie du film, auxquels elles permettent d’apporter des réponses fécondes. Il s’agit en fin de compte de réhabiliter une attitude mal considérée et cependant essentielle, en montrant qu’elle n’est pas condamnée à l’erreur ni à l’arbitraire, mais qu’elle est la source même de toute compréhension.
Esthétique de la réception --- Cinéma --- Appréciation --- Esthétique --- Motion pictures --- Film criticism --- Appreciation --- Aesthetics --- Film --- Esthétique de la réception. --- Appréciation. --- Esthétique.
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Aesthetics. --- Art criticism. --- Art appreciation. --- Aesthetics
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Hacks, Peter, --- Appreciation --- Theses --- Hacks, Peter
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