Listing 1 - 10 of 15 | << page >> |
Sort by
|
Choose an application
Sculpture --- Applied arts. Arts and crafts --- Antiquity --- Rome --- Relief (Sculpture), Greek --- Relief (Sculpture), Roman --- Dionysia in art. --- Sculpture, Greek --- Dionysus (Greek deity) --- Themes, motives. --- Copying. --- Cult. --- Dionysia in art --- -Relief (Sculpture), Greek --- -Relief (Sculpture), Roman --- -Sculpture, Greek --- -Greek sculpture --- Roman relief (Sculpture) --- Greek relief (Sculpture) --- Cult --- Themes, motives --- Copying --- -Cult --- Relief (Sculpture), Greek - Themes, motives. --- Relief (Sculpture), Roman - Themes, motives. --- Sculpture, Greek - Copying. --- Dionysus (Greek deity) - Cult.
Choose an application
Sculpture --- Antiquity --- Sarcophagi, Roman --- Relief (Sculpture), Roman --- Sarcophages romains --- Relief (Sculpture) romain --- Rome --- Antiquities --- Antiquités --- Sarcophagi, Roman. --- Relief (Sculpture), Roman. --- Antiquities. --- 726.829 --- #BIBC:bibl.Reekmans --- 902 --- 733.5 --- Roman sarcophagi --- Roman relief (Sculpture) --- Sarcofagen --- Archeologie --- Arts Sculpture Roman --- 902 Archeologie --- 726.829 Sarcofagen --- Antiquités --- Rome - Antiquities
Choose an application
Sculpture --- anno 1400-1499 --- Italy --- Sculpture, Italian --- Art and society --- History --- Relief (Sculpture), Italian --- Themes, motives.
Choose an application
Architecture --- Sculpture --- relief [sculpture techniques] --- architecture [discipline] --- architectural theory --- commissions [orders for works] --- architectuur --- Vocht, de, Maurice --- Belgium
Choose an application
Painting --- bas-relief [sculpture technique] --- cloth --- stelae --- Coptic [culture or style] --- Ikonen-Museum [Recklinghausen] --- anno 1-499 --- anno 500-599 --- anno 600-699 --- Egypt
Choose an application
Art --- sculpture [visual works] --- relief [sculpture techniques] --- drawing [image-making] --- public art --- public spaces --- commissions [orders for works] --- human figures [visual works] --- beeldhouwkunst --- biografieën (genre) --- Macken, Mark
Choose an application
Une étude du programme iconographique mis en oeuvre après la défaite de Pavie par la galerie de François Ier afin de rétablir symboliquement la figure royale et instaurer un royaume de signes à l'interprétation à la fois historique, morale, politique et religieuse. ©Electre 2024
Choose an application
Sculpture --- anno 500-1499 --- Belgium --- Netherlands --- Misericords --- Wood-carving, Gothic --- Relief (Sculpture) --- 745.511 --- Houtsnijwerk --- 745.511 Houtsnijwerk --- Gothic wood-carving --- Mercy seats (Seating) --- Choir stalls --- Wood-carving [Gothic ]
Choose an application
"Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism"--
Classical antiquities --- Archaeology --- Plaster casts. --- Friezes --- Three-dimensional imaging in archaeology --- Relief (Sculpture), Greek --- Expertising. --- Methodology. --- Parthenon (Athens, Greece) --- Sculpture --- Archeology --- casts [sculpture] --- restoration [process] --- conservation [discipline] --- classical archaeology --- sculpting --- friezes [entablature components] --- Parthenon
Choose an application
Art --- aquamaniles --- sculpture [visual works] --- bas-relief [sculpture technique] --- champlevé --- bindings [gathered matter components] --- medallions [medals] --- pyxes --- diptychs --- triptychs --- reliquaries --- tabernacles [liturgical containers] --- chessmen --- hand mirrors --- combs [grooming tools] --- altar crosses --- Medieval [European] --- anno 500-1499
Listing 1 - 10 of 15 | << page >> |
Sort by
|