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"Bookending the chronology of this collection are two crucial moments in the histories of pain, trauma, and their staging in British theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment alongside the increasing efficacy of staging extravagant spectacles at the end of the eighteenth century. From the often brutal spectacle of late medieval mystery plays to early Romantic re-evaluations of eighteenth-century appropriations of spectacles of pain, the essays take up the significance of these watershed moments in British theater and expand on recent work treating bodies in pain: what and how pain means, how such meaning can be embodied, how such embodiment can be dramatized, and how such dramatizations can be put to use and made meaningful in a variety of contexts. Grouped thematically, the essays interrogate individual plays and important topics in terms of the volume's overriding concerns, among them Tamburlaine and The Maid's Tragedy, revenge tragedy, Joshua Reynolds on public executions, King Lear, Settle's Moroccan plays, spectacles of injury, torture, and suffering, and Joanna Baillie's Plays on the Passions. Collectively, these essays make an important contribution to the increasingly interrelated histories of pain, the body, and the theater."--Jacket.
Drama --- Theatrical science --- English literature --- Thematology --- anno 1700-1799 --- anno 1600-1699 --- Great Britain --- Theater --- Violence in the theater. --- Pain in literature. --- Theater and society --- Theater. --- Theater and society. --- Toneel. --- Engels. --- Pijn. --- Geweld. --- Teater --- History. --- historia --- Great Britain.
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'A deeply original work of scholarship. Through fine close readings of primary and secondary texts, the author offers the fullest account we have of the related phenomena of pain, sympathy, and sensation in early modern culture.' Michael Schoenfeldt, John R. Knott, Jr., Professor of English, University of Michigan, Ann Arbor. In late medieval Catholicism, pain was seen as a way of imitating Christ, and as an avenue to salvation. During the early modern period, Protestant theologians came to reject these assumptions, and attempted to redefine and circumscribe the spiritual meaning of suffering. The rethinking of the meaning of pain during the early modern era is the central theme of this book. The author pays particular attention to how literary writers explored the issue of pain, by placing their work in a broad context of devotional, theological, philosophical and medical texts on suffering. In detailed readings of Alabaster, Donne, Herbert, Crashaw, Lanyer, Spenser, Milton and Montaigne, he shows that early modern culture located the meaning of pain in its capacity to elicit compassion in others - yet the nature of this compassion was also fiercely contested. Dr Jan Frans van Dijkhuizen is Lecturer in English Literature at the University of Leiden.
English literature --- Thematology --- anno 1600-1699 --- anno 1500-1599 --- Compassion in literature. --- Englisch. --- Folter. --- Literatur. --- Mitleid. --- Pain in literature. --- Schmerz. --- Early modern. --- History and criticism --- 1500-1700. --- Compassion (Buddhism) in literature --- History and criticism. --- Jacobean poetry. --- Religion. --- poetry.
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Thematology --- anno 1600-1699 --- anno 1700-1799 --- Europe --- Littérature européenne --- European literature --- Douleur --- Pain in literature --- Souffrance --- Suffering in literature --- Thèmes, motifs. --- Themes, motives. --- Dans la littérature. --- Littérature européenne
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This book provides an integral, readable account of changing attitudes toward pain in late medieval Europe. Since pain itself cannot be known, the book looks at pain by chronicling what people wrote about it, and what they did with and about that.
History of civilization --- Thematology --- anno 500-1499 --- Pain in literature --- Pain --- Suffering --- Torture --- Literature, Medieval --- Middle Ages --- History --- Religious aspects --- Christianity --- History and criticism --- Middle Ages. --- Pain in literature. --- History and criticism. --- Christianity. --- Stress, Psychological --- Religious aspects&delete& --- history --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- Affliction --- Masochism --- Aches --- Emotions --- Pleasure --- Senses and sensation --- Symptoms --- Analgesia --- Cruelty --- Punishment --- Extraordinary rendition --- Pain - History - To 1500 --- Suffering - History - To 1500 --- Torture - History - To 1500 --- Pain - Religious aspects - Christianity --- Suffering - Religious aspects - Christianity --- Literature, Medieval - History and criticism
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This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. The volume's two-fold approach to the hurt body, defining 'hurt' from the perspectives of both victim and beholder - as well as their combined creation of a gaze - is unique. It establishes a double perspective about the riddle of 'cruel' viewing by tracking the shifting cultural meanings of victims' bodies, and confronting them to the values of audiences, religious and popular institutional settings and practices of punishment. It encompasses both the victim's presence as an image or performed event of pain and the conundrum of the look - the transmitted 'pain' experienced by the watching audience.
Acting --- Pain in literature --- Pain in art --- Emotions --- Art dramatique --- Douleur dans la littérature --- Douleur dans l'art --- Psychological aspects --- Research --- Aspect psychologique --- Recherche --- Pain in the performing arts. --- Performing arts --- Pain in literature. --- Literature, Modern --- History --- History and criticism --- Show business --- Arts --- Performance art --- History and criticism. --- History of civilization --- History of Europe --- anno 1600-1699 --- anno 1700-1799 --- Douleur dans la littérature --- Research. --- Pain in the performing arts --- Philosophical anthropology --- Art --- 1600-1799 --- Dutch stock trade. --- French tragedy. --- Irish Rebellion. --- Palermo's executions. --- colonial massacres. --- dramatic cruelty. --- early modern colonial body. --- epicurean tastes. --- female gaze. --- hurt(ful) body. --- infanticide. --- masochism. --- painful excitements. --- religious massacres. --- suffering. --- theatrical torture. --- wounding realities.
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"Cet essai tente d'extraire la Bible hébraïque tant du cadre millénaire de la religion juive (de l'observance) que des études historiques qui font l'impasse sur sa portée philosophique. Il repose sur l'étude du lien entre le texte, la langue hébraïque et la philosophie inhérente à cette langue. L'auteur postule que la Bible hébraïque s'apparente à une philosophie politique à l'antique, une épistémè politiké, qui a une proximité profonde avec la psychanalyse, et notamment la possibilité d'expliciter la thèse selon laquelle "l'inconscient, c'est de la politique"."--Page 4 of cover.
Judaism and psychoanalysis --- Psychoanalysis and Judaism --- Psychoanalysis --- French --- Bible. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Philosophy --- French. --- Antisemitism. --- Art, German --- Arts, Modern --- Authors and patrons --- Biology in literature. --- Celtic antiquities. --- Celts. --- Civilization, Celtic. --- Civilization, Modern --- Collective behavior. --- Elite (Social sciences) --- European literature --- French literature --- Heredity. --- Homicide. --- Intellectuals in literature. --- Intellectuals --- International relations --- Jewish philosophy --- Judaism and philosophy. --- Judaism --- Literary form. --- Literary patrons. --- Literary patrons --- Literature and science. --- Military policy --- Monkeys in art --- Monkeys in literature --- Music theory. --- Music --- Musical analysis. --- Nuclear weapons --- Pain in literature. --- Painting, Polish --- Power (Social sciences) --- Psychoanalysis and philosophy. --- Romanticism in art. --- Romanticism --- Social sciences and psychoanalysis. --- Subconsciousness. --- War and civilization --- War and society --- Women --- Musique par ordinateur --- Acoustique musicale. --- History and criticism. --- History --- Jewish influences. --- Mathematics. --- Philosophy and aesthetics. --- History. --- Crime against. --- Histoire et critique. --- Baudelaire, Charles, --- Czapski, Józef, --- Freud, Sigmund, --- Friedrich, Caspar David, --- Rousseau, Jean-Jacques, --- Weber, Max, --- Psychology. --- France --- Intellectual life --- 159.9:22 --- 22.06*4 --- 22.06*4 Bijbel: kritische exegese; conservatieve eruditie; vrij onderzoek --- Bijbel: kritische exegese; conservatieve eruditie; vrij onderzoek --- 159.9:22 Psychologie van de bijbel --- Psychologie van de bijbel --- Tone color (Music) --- Computer music --- Psychoacoustics --- Art --- Singes --- Singeries (art) --- Dans la littérature. --- Sound --- Electroacoustic music --- Mammals --- Iconography --- Thematology --- anno 1600-1699 --- anno 1700-1799
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