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Populäre Musik ist ›performte‹ Musik, sie ist eine Musik des Machens - im Gegensatz zu einer Musik des Erdenkens und Notierens des schriftlich fixierten Werkes. Ihre Medien sind Medien, die Performance ermöglichen, vervielfältigen und transportieren: die Schallplatte, das Video, die MP3-Datei - und zuerst das Konzert, das als Urform in alle Verbreitungsmedien eingeschrieben ist. Die Beiträge dieses Bandes zeigen: Die Art und Weise, wie (mit stimmlichen, instrumentalen oder körperlichen Gesten), wo (im Studio, im Club, auf Festivals) und von wem (welcher Persönlichkeit, welchen Geschlechts, welcher Ethnie) Musik gemacht wird, ist entscheidend - für die Wahrnehmung des Stückes, die Abgrenzungen der Musiker untereinander, für die Festlegung von Genregrenzen, aber auch für Prozesse der Aneignung und Individuation durch das Publikum. »Diese Sammlung thematisiert, was Musik-Kund_innen gewiß nicht gerne hören: es ist harte Arbeit, etwas ›echt‹ klingen zu lassen, es ist Kalkül, unverstellt zu wirken und es ist sorgfältige Inszenierung, eine Band spontan auftreten zu lassen.« Peter Auge Lorenz, http://blogderjugendkulturen.wordpress.com, 20.06.2014 »Lesenswert!« Mike Harrer, Melodie & Rhythmus, 7/8 (2013) Besprochen in: GMK-Newsletter, 4 (2013) Trust, 161/4 (2013) WDR 5 - Scala, 20.08.2014, Sebastian Wellendorf

Music --- Performance; Inszenierung; Show; Stil; Aneignung; Populäre Musik; Popkultur; Musik; Popmusik; Cultural Studies; Musikwissenschaft; Popular Culture; Music; Pop Music; Musicology --- Cultural Studies. --- Music. --- Musicology. --- Pop Music.

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The Music Library Association’s journal, Notes, provides interesting, informative, and well-written articles on music librarianship, bibliography, trade and media, and on certain aspects of music history. Quarterly columns include scholarly book and music reviews, reviews of digital media, as well as lists of books and music recently issued. Information about new periodicals occurs biannually, and a summary of prices relating to monographs on music and music scores is published annually. The journal serves the Music Library Association’s membership, and other readers interested in music libraries, bibliography, and scholarship.

Music --- Music libraries --- Music librarianship --- Musique --- Bibliothéconomie musicale --- Periodicals. --- Périodiques --- Bibliothèques --- Music librarianship. --- Music libraries. --- 955 --- Tijdschriften (muziekwetenschap) --- Periodicals --- Arts and Humanities --- Library and Information Sciences --- Performing Arts, Travel and Leisure --- Librarianship and Libraries --- Library Management --- Musikalien --- Musikwissenschaft --- Musik --- Bibliothéconomie musicale --- Périodiques --- Bibliothèques --- EBSCOASP-E EBSCOLISTA-E EJCOMMU EJMUSIQ EPUB-ALPHA-N EPUB-PER-FT JSTOR-E MUSE-E --- Special libraries --- Library science --- Ancient music --- Music, Ancient --- Musikgeschichte --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music - Periodicals --- Music libraries - Periodicals. --- Music librarianship - Periodicals. --- Musique - Périodiques. --- Musique - Bibliothèques - Périodiques. --- Bibliotheken --- Muziekbibliotheken --- Recensies --- Musikalien. --- Musikwissenschaft. --- Musik.

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Artistic research in music is now at a generational stage of development. How should it deal with its own maturing? From a kaleidoscope of individual pursuits, ethos and methodologies have emerged to encompass more distributed approaches. This transformation has taken place in parallel with changes in the dynamics and structures of culture, its institutions and constituencies. Artistic research maintains a productive dialectic between its potential status as discipline or as practice. It has developed topoi, tropes, and its own canon of cases, texts, and figures. How does it negotiate relationships with institutions, disciplines and bodies of theory while retaining the critical perspective of the artist? Twenty years ago the Orpheus Institute was founded in Ghent to pursue research through the practice of musicians; thus the Orpheus Institute is of the same generation as the field it was established to explore. This festive volume in honor of twenty years of the Orpheus Institute reviews the initial trajectory and looks ahead to the institute's new position.

muziektheorie --- research --- Music --- Orpheus Instituut [Ghent] --- Muziek --- Orpheus Instituut [Gent] --- Musicology. --- Musikwissenschaft. --- Orpheus Instituut --- Orpheus Instituut. --- Arts --- Aesthetics --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Study and teaching. --- Research. --- Psychology --- Orpheus Institute --- Arts, Primitive --- Radio broadcasting Aesthetics --- Artistiek onderzoek --- Onderzoek --- België --- 21e eeuw --- Musicology