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Thackeray, William Makepeace --- Novelists, English --- Biography --- Thackeray, William Makepeace, --- Titmarsh, M. A. --- Thackeray, W.M. --- Titmarsh, Michael Angelo --- Fitz-Boodle --- Pendennis, Arthur --- Sakkare --- Wagstaff, Theophile --- Yellowplush, Charles James --- Novelists, English - 19th century - Biography
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Thackeray, William Makepeace --- Thackeray, William Makepeace, --- Criticism and interpretation --- Criticism and interpretation. --- -Criticism and interpretation --- -Thackeray, William Makepeace --- Titmarsh, M. A. --- Thackeray, W.M. --- Titmarsh, Michael Angelo --- Fitz-Boodle --- Pendennis, Arthur --- Sakkare --- Wagstaff, Theophile --- Yellowplush, Charles James --- Thackeray, William Makepeace, - 1811-1863 - Criticism and interpretation --- Thackeray, William Makepeace, - 1811-1863
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Thackeray, William Makepeace --- Thackeray, William Makepeace, --- Criticism and interpretation --- Criticism and interpretation. --- Titmarsh, M. A. --- Thackeray, W.M. --- Titmarsh, Michael Angelo --- Fitz-Boodle --- Pendennis, Arthur --- Sakkare --- Wagstaff, Theophile --- Yellowplush, Charles James --- Thackeray, William Makepeace, - 1811-1863 - Criticism and interpretation --- Thackeray, William Makepeace, - 1811-1863
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In this vividly written biography, William E. Wallace offers a new view of the artist. Not only a supremely gifted sculptor, painter, architect and poet, Michelangelo was also an aristocrat who firmly believed in the ancient, noble origins of his family. The belief in his patrician status fueled his lifelong ambition to improve his family's financial situation and to raise the social standing of artists. Michelangelo's ambitions are evident in his writing, dress and comportment, as well as in his ability to befriend, influence and occasionally say 'no' to popes, kings and princes. Written from the words of Michelangelo and his contemporaries, this biography not only tells his own stories, but also brings to life the culture and society of Renaissance Florence and Rome. Not since Irving Stone's novel The Agony and the Ecstasy has there been such a compelling and human portrayal of this remarkable yet credible human individual.
Michelangelo Buonarroti, --- Michelangelo --- Artists --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי, --- Arts and Humanities --- General and Others
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Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
patronage --- Christianity --- Michelangelo --- Painters --- Sculptors --- Art patronage --- Painting, Italian --- Peintres --- Sculpteurs --- Mécénat --- Peinture italienne --- Social networks --- Réseaux sociaux --- Michelangelo Buonarroti, --- Criticism and interpretation. --- Mécénat --- Réseaux sociaux --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי,
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In this book, Sarah Rolfe Prodan examines the spiritual poetry of Michelangelo in light of three contexts: the Catholic Reformation movement, Renaissance Augustinianism, and the tradition of Italian religious devotion. Prodan combines a literary, historical, and biographical approach to analyze the mystical constructs and conceits in Michelangelo's poems, thereby deepening our understanding of the artist's spiritual life in the context of Catholic Reform in the mid-sixteenth century. Prodan also demonstrates how Michelangelo's poetry is part of an Augustinian tradition that emphasizes mystical and moral evolution of the self. Examining such elements of early modern devotion as prayer, lauda singing, and the contemplation of religious images, Prodan provides a unique perspective on the subtleties of Michelangelo's approach to life and to art. Throughout, Prodan argues that Michelangelo's art can be more deeply understood when considered together with his poetry, which points to a spirituality that deeply informed all of his production.
Michelangelo --- Christian poetry, Italian --- Mysticism in literature. --- Italian Christian poetry --- Italian poetry --- History and criticism. --- Michelangelo Buonarroti, --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי, --- Criticism and interpretation. --- Religion.
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Erwin Panofsky's Habilitation thesis, which was previously believed lost and was discovered quite by surprise in June 2012 at the Zentralinstitut für Kunstgeschichte in Munich, will be published by De Gruyter in 2014. The work, titled Die Gestaltungsprincipien Michelangelos, besonders in ihrem Verhältnis zu denen Raffaels, was never published, and may well be regarded as a milestone in the academic history of the field of art history. The epochal work is to be edited by Gerda Panofsky. De Gruyter will be publishing it accompanied by Gerda Panofsky's own biography about her late husband's early life, school, and student years, along with his conceptual sketches from the years 1915-17 that have been preserved in manuscript form.
Raphael --- Michelangelo --- Art criticism --- History --- Michelangelo Buonarroti, --- Raphael, --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי,
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The most published and lauded woman writer of early sixteenth-century Italy, Vittoria Colonna (1490-1547) in effect defined what was the "acceptable" face of female authorship for her time. Hailed by the generation's leading male literati as an equal, she was praised both for her impeccable command of Petrarchan style and for the unimpeachable chastity and piety of the persona she promoted through her literary works. This book presents for the very first time a body of Colonna's verse that reveals much about her poetic aims and outlook, while also casting new light on one of the most famous friendships of the age. Sonnets for Michelangelo, originally presented in manuscript form to her close friend Michelangelo Buonarroti as a personal gift, illustrates the striking beauty and originality of Colonna's mature lyric voice and distinguishes her as a poetic innovator who would be widely imitated by female writers in Italy and Europe in the sixteenth century. After three centuries of relative neglect, this new edition promises to restore Colonna to her rightful place at the forefront of female cultural production in the Renaissance.
Michelangelo Buonarroti, --- Italian literature --- POETRY / General. --- Michelangelo --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי, --- poetry, literature, women writers, female authors, authorship, italy, renaissance, gender, feminism, literati, petrarchan sonnets, form, verse, chastity, piety, femininity, social norms, michelangelo buonarroti, friendship, innovation, europe, bilingual, translation, virtue, public sphere, cultural production, vittoria colonna, celebrity, fame.
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"As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's Architect' is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter's project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over. In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo's biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter's deepened Michelangelo's faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design."--
Religious architecture --- Rome, Sint-Pietersbasiliek --- Michelangelo --- Architecture, Renaissance --- Michelangelo Buonarroti, --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי, --- Last years. --- 72.03 <45> --- 72.03 <45> Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden--Italië --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden--Italië --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden--Italië --- Basilica di San Pietro in Vaticano. --- architectuur, Italië
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Christian church history --- Michelangelo --- Great Britain --- Catholics --- Christian martyrs in art --- Christian art and symbolism --- Broadsides --- Counter-Reformation --- History --- Michelangelo Buonarroti, --- Influence --- Carthusians --- Anti-Reformation --- Church history --- Church renewal --- Reformation --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Ballad-sheets --- Broadsheets --- Broadside ballads --- Journalism --- Street literature --- Mikelandzhelo Buonarroti, --- Michelangelo, --- Mikelʹ-Andzhelo, --- Michael Angelo, --- Miguel Angel, --- Mīkilānjilū, --- Michelangiolo, --- Michel-Ange, --- Michał Anioł, --- Buonarroti, Michel Angelo, --- Miguel Angelo, --- Michelagniolo Buonarroti, --- Buonarroti, Michelagniolo, --- Buonarroti, Michelangelo, --- Michelangiolo Buonarroti, --- Michaelangelo, --- Michelagnolo di Lodovico Buonarroti Simoni, --- Микеланджело Буонарроти, --- מיכאל־אנג׳לו בואונארוטי, --- Influence. --- Kartäuser --- Kartuzijani --- Chartreux, Ordre des --- Ordre des Chartreux --- Cartuxos --- Carthusian Order --- Chartreux (Group) --- Ordo Cartusianorum --- O.C. (Ordo Cartusianorum) --- OC (Ordo Cartusianorum) --- O. Carth. --- Cartuxa --- Certosini --- Cartujanos --- Cartujanas --- Symbolism in art --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- Christian martyrs in art. --- Pole, Reginald, --- Catholics - England - History - 16th century --- Christian art and symbolism - England - Renaissance, 1450-1600 --- Christian art and symbolism - Italy - Rome - Renaissance, 1450-1600 --- Broadsides - England - 15th and 16th centuries --- Counter-Reformation - England --- Counter-Reformation - Italy - Rome --- Martyres Angli --- Iconographie --- Michelangelo Buonarroti, - 1475-1564 - Influence --- Michelangelo Buonarroti, - 1475-1564
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