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"This fascinating book offers a most engaging and fresh glimpse into the world of the Middle Ages. It accompanies an exhibit of some thirty diverse illuminated manuscript pages, and in a series of short descriptive essays on each of the miniatures the reader is taken on a remarkable journey from the twelfth to the sixteenth century, from which we can learn not only a great deal about the art of illumination, but also about the monasteries and cathedrals of Europe and such prominent medieval centres as the cities of London, Florence, Paris and Nuremberg. Moreover, Christopher de Hamel's wide knowledge and vivid reflections provide the historical and cultural context that help us to fully understand and truly appreciate these special works of art. The illuminated pages presented here are part of the impressive and broad-ranging collection assembled over twenty-five years by the medieval scholar and long-time Chicagoan Sandra Hindman. They represent both biblical and secular subjects and include the work of master illuminators such as Maestro Daddesco, Giovanni di Paolo and the Master of Mary of Burgundy. In addition to the colour reproductions of all the exhibited pages, the essays are sumptously illustrated with further related and comparative images, many of which are drawn from the collections of the Chicago Institute of Art itself. The Introduction to the volume is by the well-known medievalist James Marrow, and there is also a Catalogue by Matthew Westerby giving full details, descriptions, provenance and bibliography of the exhibited illuminations."--
Manuscripts --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Renaissance --- Renaissance illumination of books and manuscripts --- Codices --- Private collections --- Hindman, Sandra, --- Hoadley, Sandra Hindman, --- Art collections --- Exhibitions --- 091 <73 CHICAGO> --- 091.31 "04/14" --- 091.31 "04/14" Verluchte handschriften--Middeleeuwen --- Verluchte handschriften--Middeleeuwen --- 091 <73 CHICAGO> Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--CHICAGO --- Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--CHICAGO --- Manuscrits à peintures médiévaux --- Manuscrits à peintures de la Renaissance --- Hindman, Sandra --- Collections d'art --- Manuscripts. Epigraphy. Paleography --- History of Europe --- manuscripts [documents] --- Art --- anno 500-1499 --- Books --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- illuminations [visual works] --- Book history --- Graphic arts --- Western Europe --- Manuscripts, Medieval --- Manuscripts, Renaissance --- illuminations [painting] --- Manuscripts [Medieval ] --- Manuscrits à peintures médiévaux. --- Manuscrits à peintures de la Renaissance. --- Collections d'art. --- Art collections. --- Manuscripts - Private collections - United States - Exhibitions --- Illumination of books and manuscripts, Medieval - Exhibitions --- Illumination of books and manuscripts, Renaissance - Exhibitions --- Manuscripts, Medieval - Exhibitions --- Manuscripts, Renaissance - Exhibitions --- Hindman, Sandra, - 1944- - Art collections - Exhibitions --- Hindman, Sandra, - 1944 --- -Book history --- illuminations [paintings] --- Manuscrits à peintures médiévaux. --- Manuscrits à peintures de la Renaissance. --- -Manuscripts --- Hindman, Sandra, - 1944-
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The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders; how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page lay-out and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts
illuminations [visual works] --- Book history --- margins --- illuminated manuscripts --- breviaries --- Wulfschkercke, van, Cornelia --- Bening, Simon --- Master of the David Scenes --- anno 1400-1499 --- anno 1500-1599 --- Book margins --- Illustrations [Marginal ] --- Marginal illustrations --- Marginal scenes --- Margins in books --- Scenes [Marginal ] --- Painters --- Painting, Medieval --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Flemish. --- Peintres --- Peinture médiévale --- Enluminure médiévale --- Enluminure flamande --- Biography --- Biographies --- Master of the David Scenes in the Grimani Breviary, --- Illumination of books and manuscripts, Flemish --- Master of the David Scenes, --- Manuscrits à peintures flamands --- Illustration des livres --- Enluminure de la Renaissance --- Manuscrits à peintures de la Renaissance --- Flandre (Comté) --- Thèmes, motifs --- 091.31:7.04 --- 091.31 <493> --- Verluchte handschriften: iconografie --- Verluchte handschriften--België --- 091.31 <493> Verluchte handschriften--België --- 091.31:7.04 Verluchte handschriften: iconografie --- Peinture médiévale --- Enluminure médiévale --- Maître des scènes de David dans le Breviarium Grimani --- Illumination of books and manuscripts [Medieval ] --- Flanders (County) --- Illumination of books and manuscripts [French ] --- 15th century --- illuminations [painting] --- Illumination of books and manuscripts, Medieval - Flanders. --- Master of the David Scenes, - 1500-1525 --- Vlaamse school --- illuminations [paintings]
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