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anno 1900-1999 --- Germany --- German imprints --- German imprints.
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Canada --- English imprints --- Bibliography --- English imprints - Canada --- Canada - Bibliography
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In the great days of Italian fortification literature - the century from Valle's first Venetian edition in 1524 to the appearance of Tensini in 1624 - Venice accounted for roughly as many titles as the rest of Europe together. Books on fortification were a natural for the enterprising printer-publishers of this city-state, free from the constraints of small-minded princes and their paranoid insistence on "state secrets". This annotated catalogue describes 350 books, published until the time when Venice ceased to be an independent state. It provides massive documentation taking into account the many "ghosts" created by misprints or over-zealous bibliographers and gives full collations, extensive annotations and locations of copies of all entries. An index of printers and a "bibliographie raisonnée" of the sources used, appear at the end. The thirty-five illustrations are chosen for their relevance to the subject and range from early bastion traces to emblematic portraits.
Book history --- Venice --- Military architecture --- Venice (Italy) --- Imprints --- Military architecture - Bibliography --- Venice (Italy) - Imprints - Bibliography
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France --- Imprints --- Periodicals --- Imprimés --- Périodiques --- Imprimés --- Périodiques --- Periodicals.
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Theory of literary translation --- anno 1800-1899 --- Portugal --- Portuguese imprints --- Translations --- Catalogs. --- Bibliography --- Portuguese imprints - Portugal - Catalogs. --- Translations - Bibliography - Catalogs.
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Luxembourg --- Imprints --- Imprimés --- 015 <435.9> --- Yearbooks --- Imprimés --- EPUB-ALPHA-B EPUB-BDD-BIB BDDGENER BDDON-D --- Imprints. --- Book history
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A varied collection of articles on early Hebrew printing, encompassing motifs on title pages such as lions, eagles, and fish as well as the entitling of Hebrew books. The next section is on authors and places of publication addressing such diverse topics as a much republished book opposed to gambling, authors of books on philology and on the massacres of tah-ve-tat (1648-49); of articles on diverse and disparate places of printing, Chierie, Hamburg, Offenbach, Verona, and Slavuta, generally small barely remembered publishers of interesting works, and in the last location properly identifying the printer of the highly regarded Slavuta press. Included is a section on Christian-Hebraism with articles on Altdorf where polemical books were published and another on William Wotten, a Christian vicar who published the first English translation of Mishnayot. The result is a wide-ranging series of articles highlighting the activities of early Hebrew presses and printers.
Printing, Hebrew --- Hebrew imprints --- History. --- Religion --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- Book history --- Hebrew literature --- book history --- printers [people] --- Printing, Hebrew - History. --- Hebrew imprints - History. --- History
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La Bibliothèque française de Charles Sorel n’est jamais tombée dans l’oubli, mais n’a jamais été vraiment lue. Cette oeuvre se présentait comme un catalogue des livres français disponibles à la date de sa parution (1664-1667) : elle a été utilisée ainsi. Aujourd’hui chercheurs et étudiants y glanent des titres et des noms d’auteurs, en consultent les notices et les corpus spécifiques composés à l’usage d’un public que l’auteur espérait nombreux et varié. Mais ce « Livre qui parle des Livres » ouvre d’autres perspectives passionnantes. Archive pour l’histoire de l’édition, il présente un état des lieux de la librairie française au milieu du XVIIe siècle. Il marque l’histoire de la lecture d’une empreinte décisive par l’attention que porte son auteur à l’information et à la formation du lecteur. Il participe à l’effervescence critique du temps, et collabore activement à la construction d’une histoire littéraire de la France que poursuivront méthodiquement les XVIIIe et XIXe siècles. Il offre un aperçu important sur la manière dont Sorel a construit son parcours d’auteur de livre en livre. Il témoigne enfin, grâce à la curiosité inlassable de Sorel pour les faits littéraires, de la diversité des formes de savoir, des courants de pensée, et des « genres d’écrire » explorés en cette période féconde de l’histoire des « belles-lettres », que l’on aurait tort de réduire au classicisme. Cette édition critique est la première ; elle accompagne le texte d’une série de dossiers mettant en lumière et en perspective ses principaux enjeux afin de permettre de le lire enfin pour lui-même.
French literature --- Early printed books --- French imprints --- Classical literature --- Translations into French --- Sorel, Charles,
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Graphics industry --- Publishers and publishing --- Netherlands --- Imprints --- 618 Boekwezen --- Current periodicals --- Periodicals
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