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Painting --- Semiotics --- Russian Federation --- Icons, Russian --- Arts --- Icônes russes --- Art --- Sémiotique --- Russia --- Icônes russes --- Sémiotique --- Semiotics.
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Mexican statues and paintings of figures like the Virgin of Guadalupe and the Lord of Chalma are endowed with sacred presence and the power to perform miracles. Millions of devotees visit these miraculous images to request miracles for health, employment, children, and countless everyday matters. When requests are granted, devotees reciprocate with votive offerings. Collages, photographs, documents, texts, milagritos, hair and braids, clothing, retablos, and other representative objects cover walls at many shrines. Miraculous Images and Votive Offerings in Mexico studies such petitionary devotion—primarily through extensive fieldwork at several shrines in Guanajuato, Jalisco, Querétaro, San Luis Potosí, and Zacatecas. Graziano is interested in retablos not only as extraordinary works of folk art but: as Mexican expressions of popular Catholicism comprising a complex of beliefs, rituals, and material culture; as archives of social history; and as indices of a belief system that includes miraculous intercession in everyday life. Previous studies focus almost exclusively on commissioned votive paintings, but Graziano also considers the creative ex votos made by the votants themselves. Among the many miraculous images treated in the book are the Cristo Negro de Otatitlán, Niño del Cacahuatito, Señor de Chalma, and the Virgen de Guadalupe. The book is written in two voices, one analytical to provide an understanding of miracles, miraculous images, and votive offerings, and the other narrative to bring the reader closer to lived experiences at the shrines. This book appears at a moment of transition, when retablos are disappearing from church walls and beginning to appear in museum exhibitions; when the artistic value of retablos is gaining prominence; when the commercial value of retablos is increasing, particularly among private collectors outside of Mexico; and when traditional retablo painters are being replaced by painters with a more commercial and less religious approach to their trade. Graziano's book thus both records a disappearing tradition and charts the way in which it is being transformed.
Icons --- Christianity --- Icônes --- Christianisme --- Mexico --- Mexique --- Religious life and customs. --- Vie religieuse --- Christian special devotions --- Icônes --- Religious life and customs --- Christianity - Mexico --- Dévotions --- Images miraculeuses --- Mexico - Religious life and customs
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Icons, Byzantine --- Icons, Russian --- Icon painting --- Icônes byzantines --- Icônes russes --- Peinture d'icônes --- Technique --- Orthodox Eastern Church and art --- iconen --- -Orthodox Eastern Church and art --- 75.033.2 --- -#gsdb3 --- Miniature painting --- Russian icons --- Byzantine icons --- Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- -Eastern Orthodox Church --- Pravoslavnai︠a︡ vostochnai︠a︡ t︠s︡erkovʹ --- Holy Orthodox Catholic Apostolic Church --- Holy Orthodox Eastern Catholic and Apostolic Church --- Greek Church --- Orthodoxos Katholikē Ekklēsia --- Orthodoxos Katholikē kai Anatolikē Ekklēsia --- Kanīsah al-Sharqīyah --- Tung cheng chiao --- Kanīsat al-Masīḥ al-Sharqīyah al-Urthudhuksīyah --- Biserica Ortodoxă --- .كنيسة الشرقية الارثوذكسية --- #GGSB: Religieuze kunst --- -In art --- 75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- #gsdbA --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Orthodox Eastern Church --- #gsdb3 --- Christian art and symbolism --- In art. --- Painting --- Christian theology --- #GBIB: jesuitica --- icoon --- Religieuze kunst --- Icon painting - Technique --- Icônes --- christelijke iconografie --- Europa.
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Living Icons is the first book to explore the emergence and function of a novel pictorial format in the Middle Ages, the vita icon, which displayed the magnified portrait of a saint framed by scenes from his or her life. The vita icon was used for depicting the most popular figures in the Orthodox calendar and, in the Latin West, was deployed most vigorously in the service of Francis of Assisi. This book offers a compelling account of how this type of image embodied and challenged the prevailing structures of vision, representation, and sanctity in Byzantium and among the Franciscans in Italy between the eleventh and thirteenth centuries. Through the lens of this format, Paroma Chatterjee uncovers the complexities of the philosophical and theological issues that had long engaged both the medieval East and West, such as the fraught relations between words and images, relics and icons, a representation and its subject, and the very nature of holy presence.
Painting --- Iconography --- anno 1100-1199 --- anno 1200-1299 --- anno 1000-1099 --- Istanbul [city] --- Italy --- Christian saints in art --- Vita icons --- Painting, Byzantine --- Painting, Italian --- Saints chrétiens dans l'art --- Icônes biographiques --- Peinture byzantine --- Peinture italienne --- History. --- Histoire --- Francis, --- Art --- Saints chrétiens dans l'art --- Icônes biographiques --- Art. --- Biographical icons --- Icons --- Icons [Byzantine ] --- Icon painting --- Saints --- Iconographie --- Icônes --- Art byzantin --- Italie
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Comparative religion --- Painting --- Christianity --- Icons --- Icônes --- Cult --- Culte --- 246.5 --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Cult. --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Icônes --- Icon veneration --- Picture veneration --- Veneration of icons --- Veneration of pictures --- Icons - Cult --- Christelijke kunst --- kerkelijk kunstbezit
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Iconography --- anno 500-1499 --- Christian art and symbolism --- Icons --- Art et symbolisme chrétiens --- Icônes --- Congresses --- Cult --- Congrès --- Culte --- 09 <063> --- 7.04 --- 091.31:7.04 --- Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Verluchte handschriften: iconografie --- 091.31:7.04 Verluchte handschriften: iconografie --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 09 <063> Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- Art et symbolisme chrétiens --- Icônes --- Congrès --- Renaissance --- Material culture --- Pictures --- Civilization [Medieval ] --- Congresses.
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La question de la peinture n'appartient ni d'abord, ni uniquement aux peintres ou aux esthéticiens. Elle appartient à la visibilité elle-même, donc à tous. A dire vrai ou plus exactement à tous ceux pour qui voir ne va pas de soi. Et c'est sans doute pourquoi la philosophie ne peut que se trouver, quand il y va de la peinture, à demeure. En effet, la philosophie a pris aujourd'hui une figure essentielle, la phénoménologie ; or la phénoménologie ne prétend revenir aux choses mêmes que parce qu'elle entreprend d'abord de voir ce qui se donne - ce que cela donne. La visibilité exceptionnelle du tableau devient alors un cas privilégié du phénomène, éventuellement une voie vers la phénoménalité en général. Mais la phénoménologie suffit-elle à cerner la visibilité et donc tous les tableaux possibles ? Le tableau n'admet-il lui-même qu'un seul statut, ou ne ménage-t-il pas d'autres ressources ? En passant de l'idole à l'icône, nous poursuivons certes des recherches antérieures, mais nous suivons surtout la nécessité de la chose même : le tableau, donc le visible par excellence, s'offre au dilemme de deux figures d'apparition, inverses, adverses et pourtant indispensables, inséparables. La théologie devient, dans cette situation, une instance irrécusable de toute théorie du tableau. Pour l'avoir parfois dénié, puis simplement oublié, la pensée esthétique s'est parfois empêtrée dans de longues apories. Le temps vient peut-être de s'en délivrer et de voir le visible en face, comme le don de l'apparaître.
Metaphysics --- Painting --- Peinture --- Philosophy --- Psychological aspects --- Philosophie --- Aspect psychologique --- Perception visuelle. --- Perspective. --- Phenomenologie --- Visual perception --- Perspective --- Phenomenology --- Visual Perception --- CDL --- 7.01 --- Visual Processing --- Perception, Visual --- Processing, Visual --- Vision, Ocular --- Philosophy, Modern --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Peinture - Philosophie --- Phénoménologie. --- Perception des images. --- Image (philosophie). --- Image (théologie). --- Idoles et images. --- Icônes (art). --- Art --- Philosophie. --- Aspect symbolique.
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Cet essai s'inscrit dans une perspective d'histoire culturelle de arts,qui associe étroitement histoire de la peinture et connaissance des pratiques relligieuses. La dévotion faisait usage d'un art public dont le retable fut l'emblème la sphère plus intime de la piété générait, elle, un registre différent: limago pietatis. Formellement ce type d'image ressortait, à la fin du Moyen-Age, au genre de l'icône, hérité de Byzance. Au XVe siècle, l'Italie du Nord et les Flandres vont être le théâtre presque simultané d'innovations iconographiques majeures: la scène narative investit progressivement l'image de dévotion. L'auteur retrace avec précision la généalogie de ce processus subtil qu'initient notamment Mantegna et Hugo Van der Goes.
Painting --- Iconography --- anno 1400-1499 --- Painting, Renaissance --- Icon painting --- Peinture de la Renaissance --- Peinture d'icônes --- Painting, Renaissance. --- Analyse de l'art --- Peintre --- Icône --- Van Der Goes, Hugo --- Mantegna, Andrea --- Quattrocento --- 15e siècle --- Peinture d'icônes --- CDL --- 75.033 --- Narrative painting, Gothic --- Narrative painting, Renaissance --- Illumination of books and manuscripts, Gothic --- Illumination of books and manuscripts, Renaissance --- Renaissance illumination of books and manuscripts --- Gothic illumination of books and manuscripts --- Gothic narrative painting --- Renaissance narrative painting --- Bible. --- Ba-yon Tipan --- Bagong Tipan --- Jaji ma Hungi --- Kainē Diathēkē --- New Testament --- Nouveau Testament --- Novo Testamento --- Novum Testamentum --- Novyĭ Zavet --- Novyĭ Zavi︠e︡t Gospoda nashego Īisusa Khrista --- Novyĭ Zavit --- Nuevo Testamento --- Nuovo Testamento --- Nye Testamente --- Perjanjian Baru --- Dhamma sacʻ kyamʻʺ --- Injīl --- Illustrations.
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246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Icônes --- Christianisme et art --- Cult. --- Église orthodoxe --- -247.3 --- 281.9 --- 7.046 --- #GGSB: Religieuze kunst --- #GGSB: Orthodoxie --- Kerkmeubilair: beelden grafmonumenten ikonen reliekhouders tribunes --- -Eastern Orthodox Church --- Pravoslavnai︠a︡ vostochnai︠a︡ t︠s︡erkovʹ --- Holy Orthodox Catholic Apostolic Church --- Holy Orthodox Eastern Catholic and Apostolic Church --- Greek Church --- Orthodoxos Katholikē Ekklēsia --- Orthodoxos Katholikē kai Anatolikē Ekklēsia --- Kanīsah al-Sharqīyah --- Tung cheng chiao --- Kanīsat al-Masīḥ al-Sharqīyah al-Urthudhuksīyah --- Biserica Ortodoxă --- .كنيسة الشرقية الارثوذكسية --- 247.3 --- 247.3 Kerkmeubilair: beelden grafmonumenten ikonen reliekhouders tribunes --- -Christianity and art --- Icônes --- Église orthodoxe --- -Art and Christianity --- 247.3 Kerkmeubilair: beelden; grafmonumenten; ikonen; reliekhouders; tribunes --- Kerkmeubilair: beelden; grafmonumenten; ikonen; reliekhouders; tribunes --- -247.3 Kerkmeubilair: beelden; grafmonumenten; ikonen; reliekhouders; tribunes --- Orthodox Eastern Church and art --- #GMML:Maria --- #GROL:SEMI-246.5 --- Orthodox Eastern Church --- -Doctrines --- -History --- Christianity and art --- Icons --- Icon veneration --- Picture veneration --- Veneration of icons --- Veneration of pictures --- Cult --- Doctrines --- History. --- Painting --- Christian theology --- Orthodox Eastern Church. --- Culte --- History --- Orthodoxie --- Religieuze kunst
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