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book (9)


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Book
Erfahrungen mit Werken von Athol Fugard: ein Kolloquium zu fünf Inszenierungen und Bemerkungen zur Perspektive seiner Bühnenfiguren
Year: 1977 Publisher: Berlin Verband der Theaterschaffenden der DDR

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Fugard, Athol

Truths the hand can touch: the theatre of Athol Fugard
Author:
ISBN: 0930452453 Year: 1985 Publisher: New York

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Book
The dissenting writer in South Africa: a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer
Author:
Year: 1988 Publisher: Ohio State University

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Book
Athol Fugard : bibliography, biography, playography
Authors: ---
ISBN: 0904844188 Year: 1977 Publisher: London TQ publications

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Book
The artist as rebel: the development of Athol Fugard's dramaturgy and the influence of Albert Camus
Author:
Year: 1987 Publisher: Place of publication unknown Indiana University

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Book
Exploring the labyrinth: Athol Fugard's approach to South African drama
Author:
ISBN: 3892061149 Year: 1986 Publisher: Essen Die Blaue Eule

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South African theatre as/and intervention
Authors: ---
ISBN: 9042005475 9042005378 9004484205 Year: 1999 Volume: 38 Publisher: Amsterdam : Rodopi,

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An introduction to post-colonial theatre
Authors: ---
ISBN: 052156722X 0521495296 051162767X 0511887922 9780521567220 9780521495295 Year: 1996 Volume: *1 Publisher: Cambridge : Cambridge University Press,

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In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.

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