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Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.

Motion picture audiences --- Motion pictures --- Psychology. --- Film --- United States --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Cinéma --- Publics --- Psychologie --- Psychology --- american film. --- audience theory. --- cinema and film. --- cognitive science. --- cultural studies. --- desires. --- emotional experience. --- film criticism. --- film studies. --- film. --- hollywood films. --- mainstream narratives. --- media studies. --- movie criticism. --- movie studies. --- movie watching. --- movies and emotions. --- movies. --- moving viewers. --- negative emotions. --- philosophical aesthetics. --- pleasures. --- psychology of spectatorship. --- ritualistic fantasy. --- sensual films. --- spectators. --- sympathetic narratives. --- synesthesia. --- the paradox of negative emotion. --- watching a movie. --- United States of America