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Book
The pictorialization of Dürer's Drawings in Northern Europe in the sixteenth and seventeenth centuries
Authors: ---
ISBN: 9783039117253 Year: 2009 Volume: 434 Publisher: Frankfurt am Main [etc.] Peter Lang

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Book
Pieter Bruegel d.Ä und die deutsche Kunst
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Year: 1957 Publisher: Wiesbaden Steiner

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Book
Der mittelrheinische Altar im Erzbischöflichen Diözesanmuseum zu Utrecht
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Year: 1928 Publisher: Stuttgart Emil Fink

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Book
Painting and sculpture in Germany and the Netherlands, 1500 to 1600
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Year: 1969 Publisher: Harmondsworth Penguin

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Book
Retabelfragment met voorstelling van de heilige Ursula en haar gevolg
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Year: 1982 Publisher: Place of publication unknown

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Book
Albrecht Dürer in de Nederlanden : zijn reis (1520-1521) en invloed
Authors: --- --- --- ---
Year: 1977 Publisher: Brussel Paleis voor Schone Kunsten

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Book
German emblem books, 1531-1888 : a bibliography
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Year: 1972 Publisher: Utrecht Haentjens Dekker & Gumbert

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Book
Les chefs-d'œuvre de la Pinacothèque de Munich, avril-juillet 1948
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Year: 1948 Publisher: Bruxelles Editions de La Connaissance S.A.

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Book
Forgery, replica, fiction : temporalities of German Renaissance art
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ISBN: 9780226905976 0226905977 Year: 2008 Publisher: Chicago: University of Chicago press,

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Today we often identify artifacts with the period when they were made. In more traditional cultures, however, such objects as pictures, effigies, and buildings were valued not as much for their chronological age as for their perceived links to the remote origins of religions, nations, monasteries, and families. As a result, Christopher Wood argues, premodern Germans tended not to distinguish between older buildings and their newer replacements, or between ancient icons and more recent forgeries. But Wood shows that over the course of the fifteenth and early sixteenth centuries, emerging replication technologies& such as woodcut, copper engraving, and movable type& altered the relationship between artifacts and time. Mechanization highlighted the artifice, materials, and individual authorship necessary to create an object, calling into question the replica's ability to represent a history that was not its own. Meanwhile, print catalyzed the new discipline of archaeological scholarship, which began to draw sharp distinctions between true and false claims about the past. Ultimately, as forged replicas lost their value as historical evidence, they found a new identity as the intentionally fictional image-making we have come to understand as art.


Book
Von der Freiheit der Bilder : Spott, Kritik und Subversion in der Kunst der Dürerzeit
Authors: --- --- ---
ISBN: 9783865689245 Year: 2013 Publisher: Petersberg Michael Imhof Verlag

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