Listing 1 - 10 of 20 | << page >> |
Sort by
|
Choose an application
Dürer, Albrecht --- Nederlandse school --- Vlaamse school --- invloed van Duitse school
Choose an application
Painting --- Duitse school --- invloed van Vlaamse school --- Bruegel, Pieter [Elder] --- anno 1500-1599 --- Germany
Choose an application
Painting --- altars [religious fixtures] --- altarpieces --- Duitse school --- Aartsbisschoppelijk Museum [Utrecht] --- anno 1400-1499 --- Middle Rhine --- Utrecht
Choose an application
Sculpture --- Painting --- History --- Duitse school --- Nederlandse school --- anno 1500-1599 --- Germany --- Netherlands --- Belgium
Choose an application
Iconography --- Religious architecture --- Sculpture --- History --- retables [altar appendage] --- sculpting --- technical art history --- Duitse school --- München, school van --- Medieval [European] --- Monogrammist E.S. --- Ursula [s.]
Choose an application
Art --- Drawing --- Graphic arts --- History of the Low Countries --- drawings [visual works] --- prints [visual works] --- journeys --- invloed van Duitse school --- prentkunst --- tekenkunst --- Nederlanden --- Dürer, Albrecht
Choose an application
Book history --- Folklore --- Iconography --- Graphic arts --- History of civilization --- emblem books --- bibliographies --- emblems [allegorical pictures] --- Duitse school --- anno 1500-1799 --- anno 1800-1899 --- Germany
Choose an application
Art --- Painting --- painting [image-making] --- Duitse school --- Franse school --- Hollandse school --- Italiaanse school --- Spaanse school --- Vlaamse school --- Alte Pinakothek [Munich] --- Bayerische Staatsgemäldesammlungen [Munich]
Choose an application
Today we often identify artifacts with the period when they were made. In more traditional cultures, however, such objects as pictures, effigies, and buildings were valued not as much for their chronological age as for their perceived links to the remote origins of religions, nations, monasteries, and families. As a result, Christopher Wood argues, premodern Germans tended not to distinguish between older buildings and their newer replacements, or between ancient icons and more recent forgeries. But Wood shows that over the course of the fifteenth and early sixteenth centuries, emerging replication technologies& such as woodcut, copper engraving, and movable type& altered the relationship between artifacts and time. Mechanization highlighted the artifice, materials, and individual authorship necessary to create an object, calling into question the replica's ability to represent a history that was not its own. Meanwhile, print catalyzed the new discipline of archaeological scholarship, which began to draw sharp distinctions between true and false claims about the past. Ultimately, as forged replicas lost their value as historical evidence, they found a new identity as the intentionally fictional image-making we have come to understand as art.
replicas --- forgeries [derivative objects] --- copies [derivative objects] --- Art --- anno 1500-1599 --- Germany --- Archaeology --- Historiography --- Archéologie --- Historiographie --- History. --- Histoire --- History --- Historiography. --- Archéologie --- Art - Germany - Historiography --- Archaeology - Germany - History --- Historiography - Germany - History --- Duitse school
Choose an application
Graphic arts --- art history --- German [culture or style] --- political cartoons --- Baldung Grien, Hans --- Dürer, Albrecht --- Flötner, Peter --- Murner, Thomas --- Beham, Barthel --- Beham, Hans Sebald --- Sachs, Hans --- German [culture, style, period] --- Duitse school --- sociale kritiek
Listing 1 - 10 of 20 | << page >> |
Sort by
|