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Art and state --- Arts --- Cultural industries --- Economic aspects --- Mass communications --- Economics --- France --- Cultural policy --- Arts - Economic aspects - France --- Cultural industries - France --- Art and state - France --- France - Cultural policy
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This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studies has been engulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established? In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, and London, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic "assemblage," in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups.
World history --- anno 1500-1799 --- anno 1800-1999 --- Cities and towns --- Cities and towns. --- Cultural industries --- Cultural industries. --- Diffusion of innovations --- Diffusion of innovations. --- Innovation. --- Kreativität. --- Stadt. --- History.
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Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. The growth and dynamism of creative industries depends on continuous innovation that must manage inherent tensions such as novelty to attract consumers and sustain artistic expression and familiarity to aid comprehension and stabilize demand for cultural products. In this volume, the macro-structural conditions that shape creative industries - their institutional, categorical and structural dynamics - are examined to provide an overview of new trends and emerging issues in scholarship on this topic. Creative industries offer products and services that range from the prosaic to the sublime and provide meaning to our lives, and this volume features a wide range of examples, from advertising, to architecture, art markets, Champagne wine, fashion and music. Contributors examine topics such as the micro-interactions of brokerage relations; how actors transform a brokerage role from control to co-production to enact creative leadership; how investors provide legitimacy to the new categories such as abstract art; how technological disintermediation creates alternative category processes such as authenticity; how social relations shape social evaluation; how prototypical producers can trespass categories and avert negative evaluation; how personal styles enable social evaluation; and how the ambiguity of a category, such as Swing music, facilitated its adaptability and longevity. The volume concludes with an Afterword examining research on creative industries as a form of cultural product and a category in itself.
Sociology of organization --- Sociology of cultural policy --- Cultural industries --- E-books --- Creative industries --- Culture industries --- Industries --- Cultural industries. --- Business & Economics --- Industry & industrial studies. --- Sociological aspects. --- Economic aspects. --- General.
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Inside Broadcasting provides a comprehensive introduction to a highly rewarding yet competitive industry. It analyses the day-to-day running of both television and radio organisations and examines the jobs involved and how to get them. Inside Broadcasting begins with an informative history of broadcasting in the United Kingdom. It traces the invention of radio and television, from the founding of the BBC and ITV networks through to the end of the terrestrial monopoly and the advent of satellite and pay-per-view television. Julian Newby explains what skills, experience and professional qualifications are required for entry into this profession. He provides detailed job descriptions and explains how each job fits into the industry as a whole. Practical careers advice together with a comprehensive list of training and educational bodies, companies and professional publications ensure Inside Broadcasting is an essential introduction to a career in radio and television.
Broadcasting --- Vocational guidance --- Mass communications --- Great Britain --- Broadcasting industry --- Communication and traffic --- Cultural industries --- Telecommunication
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Cultural industries --- Culture - Economic aspects --- Culture --- Sociology of culture --- Sociology of cultural policy --- Economic aspects
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Industrial economics --- Creative ability --- Cultural industries --- Créativité --- Industries culturelles --- Periodicals. --- Periodicals --- Périodiques --- Creative ability. --- Cultural industries. --- Creative industries --- Culture industries --- Industries --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.) --- Psychology
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Mass communications --- Broadcasting --- History --- 654.19 --- -Broadcasting industry --- Communication and traffic --- Cultural industries --- Telecommunication --- History. --- -History --- Broadcasting industry --- Broadcasting - History
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Book industries and trade --- Europe 1992 --- Book trade --- Cultural industries --- Manufacturing industries --- Congresses --- Foreign trade policy --- Graphics industry --- European Union
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This is a study of popular Indian cinema in the age of globalisation, new media, and metropolitan Hindu fundamentalism, focusing on the period between 1991 and 2004.
Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History. --- Film --- India --- Indien.
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Broadcasting --- Broadcasting. --- Broadcasting industry --- Communication and traffic --- Cultural industries --- Telecommunication --- Telecommunication technology --- Business, Economy and Management --- Engineering --- Business Management --- Electrical Engineering
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