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Boccioni, Umberto --- futurisme --- avant-garde --- Milaan --- Parijs --- futurisme. --- avant-garde. --- Boccioni, Umberto. --- Milaan. --- Parijs. --- Avant-gardisme --- Futurisme --- Photographie --- Sculpture --- Cubisme --- Peinture --- Divisionisme --- De la Croix, Gustave.

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kubisme --- Aesthetics of art --- anno 1920-1929 --- Cubism --- Arts, Modern --- Cubisme --- Arts --- #gsdbA --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Arts, Modern - 20th century

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Léger, Fernand --- Cubisme --- Peintre --- Leger, Fernand --- Léger, Fernand, --- Exhibitions --- 20e siècle --- (069) --- 75.07 --- Léger, Jules-Henri-Fernand 1881-1955 (°Argentan, Basse-Normandie, Frankrijk) --- Schilderkunst ; 1ste helft 20ste eeuw ; Fernand Léger --- Schilderkunst ; Kubisme --- Tentoonstellingscatalogi ; Parijs ; Centre Georges Pompidou --- 20e eeuw --- 737.8 --- kubisme --- schilderkunst --- (Musea. Collecties) --- Schilderkunst ; schilders --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Exhibitions. --- CDL --- 75.071 LEGER --- Léger, Fernand, --- Lez'eh, Fernan, --- Lezhe, Fernan, --- Reje, Ferunan, --- レジエフエルナン, --- Painting. --- Léger, Fernand --- Léger, Fernand, - 1881-1955 - Exhibitions --- Léger, Fernand, - 1881-1955 --- Léger, Fernand. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Italië.

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Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., 'The Hieroglyphics of Horapollo' is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass.In his introduction Boas explores the influence of 'The Hieroglyphics' and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Drer on the verso pages of his copy of a Latin translation.

Cubism and literature --- Art and literature --- -Literature and cubism --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- History --- -Stieglitz, Alfred --- -Williams, William Carlos --- -Influence --- Knowledge --- -Art --- American literature --- Photography --- Painting --- Williams, William Carlos --- Stieglitz, W. --- anno 1910-1919 --- Literature and cubism --- Literature --- Stieglitz, Alfred, --- Williams, William Carlos, --- וויליאמס, וויליאם קרלוס, --- ויליאמס, ויליאם קרלוס, --- O'Keeffe, Georgia, --- Influence. --- Art. --- Cubism and literature. --- Cubism --- Cubisme --- Criticism and interpretation --- Stieglitz, Alfred --- Influence --- Avant-Garde (Aesthetics) --- United States --- Art [Modern ] --- 20th century --- Criticism and interpretation. --- Ṿiliʼams, Ṿiliʼam Ḳarlos, --- Absence of ants. --- Aphrodite. --- Birth, deformed. --- Boundaries. --- Circle. --- Copulation. --- Death. --- Discrimination. --- Distribution of justice. --- Egypt. --- Eternity. --- Filial affection. --- Foreknowledge. --- Gluttony. --- Gratitude. --- Heavens. --- Hephaistus. --- Horoscopist. --- Impurity. --- Infinity. --- Judge. --- Lawlessness. --- Loins. --- Magistrate. --- Measurement. --- Night. --- Pederasty. --- Plunderer. --- Recklessness. --- Sluggishness. --- Sublime. --- Temperance. --- Twilight. --- Unanimity. --- Unstable man. --- Victory. --- Wasp. --- Widow.