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Coptic art --- Christian art and symbolism --- Christian antiquities --- Egypt --- Antiquities --- Art --- Coptic [culture or style] --- Coptic [Orthodox Christianity]

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Archeology --- Schneider, Alfons Maria --- Istanbul [city] --- Palestine --- 902:28 --- Christelijke archeologie --- 902:28 Christelijke archeologie --- Biography --- Archaeological collections --- Catalogs --- Christian antiquities --- Contributions in christology --- Contributions in church architecture --- Archeologie --- Istanboel [stad] --- Palestina

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architectuur --- Gothic [Medieval] --- Architecture --- gotische architectuur --- architecture [discipline] --- anno 1200-1499 --- Architecture, Gothic. --- Architecture, Gothic --- 72.033.5 --- 69 --- Gothic architecture --- Christian antiquities --- Church architecture --- Gotiek (architectuur) --- Gotische architectuur --- Bouwwezen --- Bouwtechniek --- Architectuur --- architectuur [vakgebied] --- gotiek

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In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told - and left untold, in many accounts of the "Northern Renaissance" - can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century

Architecture, Gothic --- Gothic architecture --- Christian antiquities --- Church architecture --- Architecture, Gothic. --- Architecture, Renaissance. --- History --- Architecture --- Gothic [Medieval] --- anno 1200-1499 --- Europe --- Architecture, Late Gothic. --- Architecture, Renaissance --- Church architecture - History - To 1500

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Archeology --- Christian antiquities --- Christian art and symbolism --- Antiquités chrétiennes --- Art et symbolisme chrétiens --- #GGSB: Archeologie --- 902:28 --- #BIBC:bibl.Reekmans --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Church decoration and ornament --- Antiquities, Christian --- Antiquities, Ecclesiastical --- Archaeology, Christian --- Christian archaeology --- Church antiquities --- Ecclesiastical antiquities --- Monumental theology --- Antiquities --- Byzantine antiquities --- Christelijke archeologie --- Christian antiquities. --- Christian art and symbolism. --- 902:28 Christelijke archeologie --- Antiquités chrétiennes --- Art et symbolisme chrétiens --- Religious art --- Italy --- Catacombs --- Symbolism in art --- Archeologie --- Italy - Rome --- Archéologie chrétienne