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Motion picture producers and directors --- Huston, John, --- American cinema films --- Directing --- Huston, John Biographies --- Huston, John
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"A comparative history of Latin America's national cinemas over the course of five major periods: silent cinema, studio cinema, neorealism/art cinema, the New Latin American Cinema, and contemporary cinema. Close readings of approximately fifty films illustrate the major aesthetic, economic, and technological trends that define each period and the transitions between them. The selection of films reflects the tripartite division of film production in the region: 75 percent are from Brazil, Mexico, and Argentina; 25 percent are from countries other than the big three"--Provided by publisher.
Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- History. --- Cultural industries --- Film --- Latin America --- History --- Motion picture industry - Latin America - History. --- Lateinamerika --- Iberoamerika --- Lateinamerikaner --- american cinema. --- art cinema. --- comparative cinema. --- contemporary cinema. --- contemporary latin american cinema. --- film and cinema. --- film studies. --- film theory. --- latin american cinema. --- latin american cinematography. --- latin american motion pictures. --- latin american silent cinema. --- latin american studio cinema. --- latinx cinema. --- neorealism latin american cinema. --- new latin american cinema. --- silent films. --- studio films. --- the church and latin american cinema.
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This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein's films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field.
Latin American Cinema and TV. --- Latin american culture --- Culture-Study and teaching. --- Motion pictures, American. --- Film --- Ripstein y Rosen, Arturo
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#SBIB:309H241 --- #SBIB:309H524 --- Andere media: functies, genres, historiek --- Audiovisuele communicatie: semiotiek --- Musical films --- History and criticism --- Theatrical science --- performing arts --- Motion pictures, Musical --- Motion pictures --- CDL --- 791.43 --- History --- American cinema films --- Musicals --- Critical studies --- performing arts [discipline]
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In 1895, Louis Lumière supposedly said that cinema is "an invention without a future." James Naremore uses this legendary remark as a starting point for a meditation on the so-called death of cinema in the digital age, and as a way of introducing a wide-ranging series of his essays on movies past and present. These essays include discussions of authorship, adaptation, and acting; commentaries on Howard Hawks, Alfred Hitchcock, Orson Welles, Vincente Minnelli, John Huston, and Stanley Kubrick; and reviews of more recent work by non-Hollywood directors Pedro Costa, Abbas Kiarostami, Raúl Ruiz, and Apichatpong Weerasethakul. Important themes recur: the relations between modernity, modernism, and postmodernism; the changing mediascape and death of older technologies; and the need for robust critical writing in an era when print journalism is waning and the humanities are devalued. The book concludes with essays on four major American film critics: James Agee, Manny Farber, Andrew Sarris, and Jonathan Rosenbaum.
Film --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- acting. --- adaptation. --- alfred hitchcock. --- american cinema. --- andrew sarris. --- authorship. --- cinema in the digital age. --- cinema. --- death of cinema. --- digital age. --- film and television. --- film criticism. --- film. --- filmmaking. --- history of cinema. --- howard hawks. --- humanities. --- james agee. --- john huston. --- jonathan rosenbaum. --- literary studies. --- manny farber. --- mediascape. --- modernism. --- modernity and film. --- movies. --- orson welles. --- postmodernism and film. --- postmodernity. --- print journalism. --- stanley kubrick. --- technology. --- vincente minnelli.
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Film --- Acting --- Stanislavsky, Constantin --- United States --- Motion picture acting. --- Method acting. --- Motion pictures --- #SBIB:309H1322 --- Film acting --- Moving-picture acting --- History. --- Films met een amusementsfunctie en/of esthetische functie: acteurs --- American cinema films --- Influence of theories of training actors of Stanislavskiı̆, K --- S. --- Richard A. Blum --- film --- acteerkunst --- acteurs --- actrices --- Stanislavski Constantin --- Hollywood --- Boleslavsky Richard --- Ouspenskaya Maria --- Strasberg Lee --- Group Theatre --- American Lab Theatre --- Kazan Elia --- Actor's Studio --- Actor's Studio West --- Brando Marlon --- Dean James --- Moscow Art Theatre --- Nazimowa Alla --- Belasco David --- Griffith David Wark --- 791.472 --- Method acting --- Motion picture acting --- Method (Acting) --- Stanislavsky method --- History --- United States of America
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"L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisher.
African American motion picture producers and directors --- Independent filmmakers --- Independent films --- Experimental films --- History --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Indie films --- Independent moviemakers --- Motion picture producers and directors --- Afro-American motion picture producers and directors --- Motion picture producers and directors, African American --- Sociology of minorities --- Film --- anno 1970-1979 --- anno 1980-1989 --- Los Angeles [California] --- 20th century american film. --- african american filmmakers. --- african filmmakers. --- alternative film. --- american cinema. --- archival work. --- billy woodberry. --- black cinema. --- black experience. --- black visual culture. --- caribbean filmmakers. --- charles burnett. --- cinema. --- critical analysis. --- film and television. --- film studies. --- filmography. --- haile gerima. --- hollywood. --- jamaa fanaka. --- julie dash. --- la rebellion. --- movie theory. --- new black cinema. --- political. --- postwar art. --- rebellion. --- ucla. --- university of california los angeles. --- video artists. --- zeinabu irene davis.
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"The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century--such as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert Burks--this pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film"--Provided by publisher.
Film --- United States --- Motion picture producers and directors --- Cinematographers --- Motion pictures --- Cinematography --- Production and direction --- Special effects. --- Special effects (Cinematography) --- Trick cinematography --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Cameramen, Lighting --- Directors of photography (Cinematographers) --- Lighting cameramen --- Photographers --- Special effects --- History and criticism --- 20th century american culture. --- 20th century film history. --- alfred hitchcock. --- american cinema. --- artists. --- auteur theory. --- billy bitzer. --- cinema and film. --- cinema. --- cinematographers. --- cinematography. --- collaboration. --- color. --- digital cinematography. --- directors. --- dw griffith. --- entertainment industry. --- film studies. --- film. --- filmmaking. --- gregg toland. --- history. --- motion picture photography. --- movie theory. --- oral histories. --- partnership. --- performing arts. --- retrospective. --- robert banks. --- silent era of film. --- trade journals. --- visual style of film. --- william wyler. --- United States of America
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English drama --- 791.471 WELLES --- CDL --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Othello (Motion picture : 1952) --- Tragedy of Othello, the Moor of Venice (Motion picture) --- American cinema films: 'Othello' --- Production, 1949-1950 Diaries --- Welles, Orson
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