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Die Frage nach der Eigenständigkeit des Ästhetischen ist ein Schlüsselproblem in der aktuellen Debatte. Ein wichtiger Referenzpunkt bleibt dabei die "Kritik der Urteilskraft", gilt doch Kant bis heute als einer der entschiedensten Gegner einer Vereinnahmung des Ästhetischen durch Theorie. Mit dem Bild eines freien Spiels der Erkenntnisvermögen macht er einen Vorschlag, der durch seine intuitive Plausibilität besticht. Dieses Buch fragt nach der argumentativen Berechtigung für den Spielbegriff und unternimmt eine Auseinandersetzung mit Kant, die über die Brüche seines Texts nicht hinweggeht. Was das Spiel in der Ästhetik soll, so die These der Interpretation, kann sich erst in einem größeren systematischen Rahmen, unter voller Berücksichtigung der praktizistischen Tendenz in Kants Ansatz klären.
Play (Philosophy) --- Aesthetics, Modern --- Kant, Immanuel, --- Aesthetics --- Kant, Immanuel --- Philosophy, Modern. --- Modern philosophy --- Philosophy --- History --- Aesthetics, Modern - 18th century --- Kant, Immanuel, - 1724-1804 - Kritik der Urteilskraft --- Kant, Immanuel. --- play ‹term›.
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This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979).
General ethics --- Aesthetics --- Kant, Immanuel --- Aesthetics, Modern --- Ethics, Modern --- Free will and determinism. --- Aesthetics, Modern - 18th century. --- Ethics, Modern - 18th century. --- Kant, Immanuel, --- Aesthetics. --- Ethics. --- Contributions in doctrine of free will and determinism. --- Ethics --- Free will and determinism --- Arts and Humanities --- Philosophy
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Kant and the Claims of Taste, published here for the first time in paperback in a revised version, has become, since its initial publication in 1979, the standard commentary on Kant's aesthetic theory. The book offers a detailed account of Kant's views on judgments of taste, aesthetic pleasure, imagination and many other topics. For this new edition, Paul Guyer has provided a new foreword and has added a chapter on Kant's conception of fine art. This re-issue will complement the author's companion volume, Kant and the Experience of Freedom, which places Kant's aesthetics in its historical context and examines the fundamental connection between Kant's aesthetics and his moral theory.
Aesthetics --- Kant, Immanuel --- Aesthetics, Modern --- 1 KANT, IMMANUEL --- Filosofie. Psychologie--KANT, IMMANUEL --- 1 KANT, IMMANUEL Filosofie. Psychologie--KANT, IMMANUEL --- History --- Kant, Immanuel, --- Kant, Emmanuel --- Kant, Emanuel --- Kant, Emanuele --- Aesthetics. --- Kant, I. --- Kānt, ʻAmmānūʼīl, --- Kant, Immanouel, --- Kant, Immanuil, --- Kʻantʻŭ, --- Kant, --- Kant, Emmanuel, --- Ḳanṭ, ʻImanuʼel, --- Kant, E., --- Kant, Emanuel, --- Cantơ, I., --- Kant, Emanuele, --- Kant, Im. --- קאנט --- קאנט, א. --- קאנט, עמנואל --- קאנט, עמנואל, --- קאנט, ע. --- קנט --- קנט, עמנואל --- קנט, עמנואל, --- كانت ، ايمانوئل --- كنت، إمانويل، --- カントイマニユエル, --- Kangde, --- 康德, --- Kanṭ, Īmānwīl, --- كانط، إيمانويل --- Kant, Manuel, --- Aesthetics, Modern - 18th century.
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Aesthetics --- Literature --- anno 1700-1799 --- Art [Rococo ] --- Art rococo --- Franse letterkunde --- Kunst [Rococo-] --- Littérature française --- Rococo literature --- Aesthetics. --- Littérature rococo --- Esthétique --- History and criticism. --- Histoire et critique --- Literary form --- Aesthetics, Modern --- History --- -Rococo literature --- -Literary form --- -Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature, Rococo --- Baroque literature --- European literature --- Modern aesthetics --- History and criticism --- -Aesthetics, Modern --- -History and criticism --- Littérature rococo --- Esthétique --- French literature --- 18th century --- Rococo literature - History and criticism. --- Literary form - History - 18th century. --- Aesthetics, Modern - 18th century. --- LITTERATURE BAROQUE --- LITTERATURE ROCOCO
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Crébillon, Claude-Prosper Jolyot de, --- Criticism and interpretation --- Aesthetics, Modern --- Ethics, Modern --- Crébillon, Claude-Prosper Jolyot de, --- -Ethics, Modern --- -Modern ethics --- Modern aesthetics --- Crebillon, Claude-Prosper Jolyot de --- -Criticism and interpretation --- -Crebillon, Claude-Prosper Jolyot de --- Aesthetics --- History --- Jolyot de Crébillon, Claude-Prosper, --- De Crébillon, Claude-Prosper Jolyot, --- Crébillon, --- Krebiĭon-syn, --- Krebilion, --- Criticism and interpretation. --- Aesthetics, Modern - 18th century --- Ethics, Modern - 18th century --- Crébillon, Claude Prosper --- Crébillon, Claude-Prosper Jolyot de, - 1707-1777 - Criticism and interpretation --- Crébillon, Claude-Prosper Jolyot de, - 1707-1777
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Space and time in literature --- Space and time --- Espace et temps dans la littérature --- Espace et temps --- Diderot, Denis, --- Criticism and interpretation --- Politics and literature --- Philosophy, Modern --- Aesthetics, Modern --- History --- -Philosophy, Modern --- -Politics and literature --- -Literature --- Literature and politics --- Literature --- Modern philosophy --- Modern aesthetics --- Space of more than three dimensions --- Space-time --- Space-time continuum --- Space-times --- Spacetime --- Time and space --- Fourth dimension --- Infinite --- Metaphysics --- Philosophy --- Space sciences --- Time --- Beginning --- Hyperspace --- Relativity (Physics) --- Space and time as a theme in literature --- -Political aspects --- Diderot, Denis --- -Criticism and interpretation --- -History --- -Diderot, Denis --- Espace et temps dans la littérature --- Criticism and interpretation. --- Aesthetics --- Political aspects --- D..., --- Didero, Deni, --- Diderot, --- Diderot, Pantophile, --- Didro, Deni, --- D̲intero, D̲eni, --- דידרו, דני --- דידרו, דני, --- Didero, Deni --- Diderot --- Diderot, Pantophile --- Didro, Deni --- D̲intero, D̲eni --- Dīdiraw --- Dīdirū --- ديدرو --- Politics and literature - France - History - 18th century --- Philosophy, Modern - 18th century --- Aesthetics, Modern - 18th century --- Diderot, Denis, - 1713-1784 - Criticism and interpretation --- Diderot, Denis, - 1713-1784
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Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.
Art and Philosophy --- Aesthetics, Modern --- Visual communication in art --- Art, Renaissance. --- Art, Modern --- 930.85 "15/17" --- 1 "15/17" --- 1 "15/17" Filosofie:--Moderne Tijd --- Filosofie:--Moderne Tijd --- 930.85 "15/17" Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Art, Renaissance --- Renaissance art --- Art --- Aesthetics --- Philosophy and art --- Philosophy --- History. --- History --- Philosophie et art --- Esthétique --- 76:655.5 "15/17" --- 76.049 :1 --- 655.533 --- 655.533 Boekillustratie --- 655.533 Book illustrations. Pictorial matter in books --- Boekillustratie --- Book illustrations. Pictorial matter in books --- Philosophy and psychology of culture --- Painting --- anno 1600-1699 --- anno 1700-1799 --- anno 1500-1599 --- anno 1500-1799 --- philosophy --- visual literacy --- philosophy of art --- pictorial views --- visual aids [education tools] --- visual culture --- MAD-faculty 18 --- kunst en filosofie --- kunstgeschiedenis --- visuele cultuur --- Europa --- Philosophie et art. --- Art and Philosophy - Europe --- Aesthetics, Modern - 17th century --- Aesthetics, Modern - 18th century --- Visual communication in art - Europe - History --- Art, Modern - 18th century
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Integrating Kant's ideas on aesthetics and morality, Dr. Kemal explains how Kant's theories emphasize that art is critical to the development of culture and community goals. He clarifies Kant's often obscure efforts to justify artistic judgements and demonstrates Kant's claim that they have their own necessity. Containing explanations of many difficult terms present in Kant's Critique of Judgment, this study is a valuable guide to understanding Kant's association of beauty and morality.
Art --- Philosophy and psychology of culture --- Aesthetics --- Kant, Immanuel --- Aesthetics, Modern --- Culture --- Philosophy --- History --- Kant, Immanuel, --- Aesthetics. --- 7.01 <43> "17" --- -Culture --- -Cultural sociology --- Sociology of culture --- Civilization --- Modern aesthetics --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e eeuw. Periode 1700-1799 --- -History --- -Social aspects --- -Aesthetics --- -Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e eeuw. Periode 1700-1799 --- -Kant, Immanuel --- 7.01 <43> "17" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e eeuw. Periode 1700-1799 --- Cultural sociology --- Popular culture --- Social aspects --- Kant, Emmanuel --- Kant, Emanuel --- Kant, Emanuele --- Kant, I. --- Kānt, ʻAmmānūʼīl, --- Kant, Immanouel, --- Kant, Immanuil, --- Kʻantʻŭ, --- Kant, --- Kant, Emmanuel, --- Ḳanṭ, ʻImanuʼel, --- Kant, E., --- Kant, Emanuel, --- Cantơ, I., --- Kant, Emanuele, --- Kant, Im. --- קאנט --- קאנט, א. --- קאנט, עמנואל --- קאנט, עמנואל, --- קאנט, ע. --- קנט --- קנט, עמנואל --- קנט, עמנואל, --- كانت ، ايمانوئل --- كنت، إمانويل، --- カントイマニユエル, --- Kangde, --- 康德, --- Kanṭ, Īmānwīl, --- كانط، إيمانويل --- Kant, Manuel, --- Aesthetics, Modern - 18th century. --- Culture - Philosophy - History - 18th century. --- Kant, Immanuel, - 1724-1804 - Aesthetics. --- Kant, Immanuel, - 1724-1804
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