Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Mystics --- Baker, Augustine, --- Persons --- Baker, David, --- Baker, Augustin, --- Mystics - England --- Baker, Augustine, - 1575-1641

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sully, de, Maximilien de Béthune --- Statesmen --- Biography --- Sully, Maximilien de Béthune, --- Hommes d'Etat --- Biographies --- Sully, Maximilien de Béthune, --- France --- History --- Politics and government --- Histoire --- Politique et gouvernement --- Statesmen - France - Biography --- Sully, Maximilien de Béthune, - duc de, - 1559-1641

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Long overshadowed by the brilliance of their close friend, Anthony van Dyck, Lucas and Cornelis de Wael, active as artists and dealers in Antwerp, Genoa and Rome, have largely been ignored in Flemish art historical literature. No monograph on them has appeared since 1925. This book aims to rectify this situation by giving a global overview of their wide-ranging pursuits. However, before assessing their personal histories it first examines the historical context, particularly with respect to the 17th-century art market in these three cities, with special attention given to its structure in Genoa, so far neglected in surveys of the Italian markets. A fresh appraisal of information from archival and other sources in each city has been undertaken to give a revealing up-to-date insight into their lives, trading activities in goods ranging from art works to second-hand clothing and hides, as well as their extensive network of friends and clients stretching from the Northern Netherlands to Sicily, including their close business association with the prominent Flemish art dealer Matthijs Musson and the Moretus family, owners of the Plantin-Moretus publishing house. Their own contribution to the art world is not neglected, with a full discussion of their works and an accompanying catalogue raisonné, which, in Cornelis de Wael’s case, includes his extensive oeuvre of paintings, drawings and prints. In addition, the De Wael brothers’ crucial function as hosts to Dutch and Flemish artists in both Genoa and Rome, with Van Dyck being the most famous, is also considered, while Cornelis de Wael’s not inconsiderable role in making Rembrandt’s prints known in both cities in his capacity as an art dealer is brought into focus. Despite the relative obscurity of his works till now, the sometimes unexpected influence of these on other artists from as far apart as the Northern Netherlands and Spain is also given careful attention.

Van Dyck, Antoon, --- Nederlandse kunstenaars in het buitenland --- art market --- catalogues raisonnés --- Wael, de, Cornelis --- Wael, de, Lucas --- Genoa --- Rome --- Nederlandse kunstenaars in Italië --- Van Dyck, Antoon, - 1599-1641

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dyck, van, Anthony --- Peinture --- Schilderkunst --- Van Dyck, Antoine --- Van Dyck, Antoon --- Painters --- Biography --- Van Dyck, Anthony, --- 75 VAN DYCK, ANTOON --- Academic collection --- 7.071 --- Schilderkunst--VAN DYCK, ANTOON --- 75 VAN DYCK, ANTOON Schilderkunst--VAN DYCK, ANTOON --- painters [artists] --- Art --- Painting --- schilderkunst --- barok --- Van Dyck, Anthony --- Catalogs --- van Dyck, Anthony --- Painters - Belgium - Biography --- Van Dyck, Anthony, - Sir, - 1599-1641

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Featuring essays by major international scholars, this Companion combines analysis of themes crucial to Renaissance tragedy with the interpretation of canonical and frequently taught texts. Part I introduces key topics, such as religion, revenge, and the family, and discusses modern performance traditions on stage and screen. Bridging this section with Part II is a chapter which engages with Shakespeare. It tackles Shakespeare's generic distinctiveness and how our familiarity with Shakespearean tragedy affects our appreciation of the tragedies of his contemporaries. Individual essays in Part II introduce and contribute to important critical conversations about specific tragedies. Topics include The Revenger's Tragedy and the theatrics of original sin, Arden of Faversham and the preternatural, and The Duchess of Malfi and the erotics of literary form. Providing fresh readings of key texts, the Companion is an essential guide for all students of Renaissance tragedy.

English drama (Tragedy) --- English literature --- Drama --- anno 1600-1699 --- anno 1500-1599 --- English drama --- Renaissance --- History and criticism. --- Drama. --- Engelska tragedier --- Englisch. --- English drama (Tragedy). --- English drama. --- Literature. --- Renaissance. --- Tragödie --- Tragödie. --- Early modern and Elizabethan. --- History and criticism --- Tragedy --- 1500-1699. --- Geschichte 1560-1641. --- England. --- English --- English Literature --- Languages & Literatures