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Architecture --- anno 1200-1499 --- 723.5 --- Arts Architecture Medieval Gothic (1200 - 1300) --- Architecture, Gothic --- Church architecture
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History of France --- anno 1200-1299 --- Late middeleeuwen. --- Geschichte 1200-1300. --- France --- Frankreich. --- Histoire --- History --- Nobility --- Cities and towns --- Nobility - France - History --- Cities and towns - France - History --- FRANCE --- HISTOIRE --- 13E SIECLE
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Lexicology. Semantics --- Historical linguistics --- Grammar --- anno 1200-1299 --- Linguistics --- Semiotics --- Linguistique --- Sémiotique --- History --- Histoire --- History. --- -Semiotics --- -Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Linguistic science --- Science of language --- Language and languages --- Grammatica. --- Semantiek. --- Theorieën. --- Sémantique --- Actes de parole. --- Langage et langues --- Philosophie du langage. --- Sémiotique. --- Grammaire comparée et générale --- Geschichte --- Histoire. --- Origines. --- 1200-1300 --- Kilwardby, Robert, --- Bacon, Roger, --- Critique et interprétation. --- -History --- 1200-1300. --- Sémiotique --- Linguistics - History. --- Semiotics - History.
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Les cycles arthuriens du XIIIe siècle sont des ensembles au statut singulier, composés de romans autonomes mais pourtant interconnectés, construisant ensemble des univers de fiction cohérents. Ils produisent un réseau que le lecteur peut explorer à sa guise, de manière partielle ou complète, ordonnée ou désordonnée, en un parcours sans cesse renouvelé. C'est ce réseau inter-romanesque, dans les textes et leurs manuscrits, qui est l'objet de la présente étude : les romans cycliques, loin de développer leur sens en autarcie, vivent de la mise en lien de leurs récits et construisent ensemble, par le biais de la lecture organisatrice, des mondes narratifs multipolaires.
Fiction --- Old French literature --- anno 1200-1299 --- Altfranzösisch --- Romans de la table ronde --- Geschichte 1200-1300 --- Romans de la table ronde. --- Altfranzösisch. --- œaRoman médiévalœx12e siècle --- œaCycles (littérature) --- Arthurian romances --- Cycles (Literature) --- Cycles (littérature) --- Grail --- Roman médiéval --- History and criticism --- Legends --- 12e siècle --- Lancelot --- Romances --- Lancelot (Prose cycle)
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Architecture --- anno 1200-1499 --- Belgium --- Architecture religieuse --- Belgique --- België --- Religieuze bouwkunst --- Architecture, Gothic --- Architecture gothique --- Chantier --- Bâtiment public --- Habitat --- Analyse urbaine --- Art gothique --- Couleur-architecture --- Gothique --- Histoire de l'architecture --- Patrimoine architectural --- 13e siècle --- 14e siècle --- 15e siècle --- Couleur en architecture --- -720.9493 --- 723.5 --- Gothic architecture --- Christian antiquities --- Church architecture --- Arts Architecture Belgium --- Arts Architecture Medieval Gothic (1200 - 1300) --- 720.9493 --- Architecture, Gothic - Belgium.
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In Creating Cistercian Nuns, Anne E. Lester addresses a central issue in the history of the medieval church: the role of women in the rise of the religious reform movement of the thirteenth century. Focusing on the county of Champagne in France, Lester reconstructs the history of the women's religious movement and its institutionalization within the Cistercian order.The common picture of the early Cistercian order is that it was unreceptive to religious women. Male Cistercian leaders often avoided institutional oversight of communities of nuns, preferring instead to cultivate informal relationships of spiritual advice and guidance with religious women. As a result, scholars believed that women who wished to live a life of service and poverty were more likely to join one of the other reforming orders rather than the Cistercians. As Lester shows, however, this picture is deeply flawed. Between 1220 and 1240 the Cistercian order incorporated small independent communities of religious women in unprecedented numbers. Moreover, the order not only accommodated women but also responded to their interpretations of apostolic piety, even as it defined and determined what constituted Cistercian nuns in terms of dress, privileges, and liturgical practice. Lester reconstructs the lived experiences of these women, integrating their ideals and practices into the broader religious and social developments of the thirteenth century-including the crusade movement, penitential piety, the care of lepers, and the reform agenda of the Fourth Lateran Council. The book closes by addressing the reasons for the subsequent decline of Cistercian convents in the fourteenth century. Based on extensive analysis of unpublished archives, Creating Cistercian Nuns will force scholars to revise their understanding of the women's religious movement as it unfolded during the thirteenth century.
Christian religious orders --- Cistercians --- anno 500-1499 --- Champagne-Ardennes --- Cistercian nuns --- Monastic and religious life of women --- Cisterciennes --- Vie religieuse et monastique féminine --- History --- Histoire --- Champagne-Ardenne (France) --- Religious life and customs --- Vie religieuse --- -Monastic and religious life of women --- -271.12-055.2 --- Monastic life --- Monasticism and religious orders for women --- Spiritual life --- Nuns --- -History --- -Cisterciënserinnen --- Christianity --- -Religious life and customs. --- Geschichte 1200-1300. --- Religious life and customs. --- 271.12-055.2 Cisterciënserinnen --- Cisterciënserinnen --- Vie religieuse et monastique féminine --- anno 1200-1299 --- France --- 271.12-055.2 --- Champagne-Ardenne, France --- Champagne (France : Province) --- Grand Est (France) --- Land ownership --- Relationships --- Religion --- Religious communities --- Members of congregations --- Spirituality --- Book
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First comprehensive survey of how kinship rules were discussed and applied in medieval England. Two separate legal jurisdictions concerned with family relations held sway in England during the high middle ages: canon law and common law. In thirteenth- and fourteenth-century Europe, kinship rules dominated the lives of laymenand laywomen. They determined whom they might marry (decided in the canon law courts) and they determined from whom they might inherit (decided in the common law courts). This book seeks to uncover the association between the two, exploring the ways in which the two legal systems shared ideas about family relationship, where the one jurisdiction - the common law - was concerned about ties of consanguinity and where the other - canon law - was concerned toadd to the kinship mix of affinity. It also demonstrates how the theories of kinship were practically applied in the courtrooms of medieval England.
Kinship (Law) --- Canon law --- Common law --- Parenté (Droit) --- Droit canonique --- History --- Histoire --- Kinship --- Canon law. --- Common law. --- Kinship (Law). --- Verwandtschaft. --- Gesetz. --- Verwandtschaft --- Rechtsprechung --- To 1500. --- Geschichte 1200-1300. --- Great Britain --- England. --- 13th century. --- To 1500 --- Parenté (Droit) --- Domestic relations --- Anglo-American law --- Law, Anglo-American --- Customary law --- Public law (Canon law) --- Law --- Ecclesiastical law --- Rescripts, Papal --- Catholic Church --- Fiction --- Canon Law. --- Common Law. --- Family Relations. --- Law and Kinship. --- Legal Jurisdictions. --- Legal Practices. --- Medieval Society. --- Thirteenth-Century England. --- canon law. --- common law. --- courtrooms. --- family relations. --- inheritance. --- kinship rules. --- laymen. --- laywomen. --- marriage. --- medieval England.
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decorative arts --- Applied arts. Arts and crafts --- Museum Boymans-van Beuningen --- anno 1100-1199 --- anno 1200-1799 --- toegepaste kunst --- Collectiecatalogus --- Toegepaste kunst. Kunstambachten --- Museum Boymans-van Beuningen. Afdeling Kunstnijverheid en Vormgeving [Rotterdam] --- zebra --- keramiek --- glas (materiaal) --- tafelgerei --- tin --- aardewerk --- steengoed --- porselein --- kandelaars --- gebruiksvoorwerpen --- 1150 - 1800 --- 1100 - 1200 --- 1200 - 1300 --- 1300 - 1400 --- 1400 - 1500 --- 1500 - 1600 --- 1600 - 1700 --- 1700 - 1800 --- middeleeuwen --- renaissance --- Collectiecatalogus. --- Toegepaste kunst. Kunstambachten. --- Toegepaste kunst. --- Museum Boymans-van Beuningen. Afdeling Kunstnijverheid en Vormgeving [Rotterdam]. --- anno 1100-1199. --- anno 1200-1799. --- Decorative arts --- Implements, utensils, etc --- Gadgets --- Household utensils --- Utensils --- Vessels (Utensils) --- Furniture --- Tools --- Applied arts --- Art industries and trade --- Art --- Handicraft --- Catalogs --- Museum Boymans-Van Beuningen. --- Museum Boijmans Van Beuningen (Rotterdam, Netherlands). --- Museum Boymans-Van Beuningen --- Catalogs. --- decorative arts [discipline] --- Céramique --- Europe --- Histoire --- tafelgerei (objectcategorie) (ok) --- 12de eeuw --- 13de eeuw --- 14de eeuw --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- middeleeuws --- Histoire.
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« On ne naît pas homme, on le devient ». La formule de Simone de Beauvoir détournée par les historiennes et les historiens des masculinités peut également s’appliquer à la période médiévale à travers l’éducation. Au sein du discours clérical du XIIIe siècle, la masculinité laïque, loin d’être innée, est en effet envisagée comme un apprentissage autant pour les garçons et les adolescents que pour les adultes – pères de famille et maris. Cette identité de genre constitue un statut qui s’acquiert au prix de nombreux efforts sur soi-même, par un long processus de transformation intérieure. Élaboré dans les commentaires bibliques, un idéal de masculinité incarné par Adam se dessine également et exerce une grande influence sur le comportement masculin prescrit dans les textes pédagogiques. Le discours normatif ainsi produit participe de la différenciation des sexes. Il constitue un moyen privilégié de forger l’identité sexuée et un terreau fertile d’exploration historique. Dans une perspective d’histoire culturelle et sociale, cet ouvrage s’intéresse à la manière dont la masculinité est construite au sein d’un corpus de sources du XIIIe siècle principalement composé par des frères mendiants. Il interroge un domaine de recherche au développement récent, en plein essor depuis les années 1990-2000, qui reste toutefois encore peu exploité pour la période médiévale, en particulier dans le milieu francophone. Ayant rendu les hommes visibles en tant qu’êtres sexués, l’étude des masculinités s’avère pourtant complémentaire de l’histoire des femmes et indispensable pour appréhender les sociétés médiévales dans le dialogue entre les genres qui y prend place.
Erziehung. --- Geschlechterrolle. --- Geschlechtsidentität. --- Männlichkeit. --- Geschichte 1200-1300. --- Frankreich. --- Masculinity --- Church history --- Men --- Education, Medieval --- History --- Social conditions --- History. --- Éducation des garçons --- 27 "04/14" --- 316.371 --- 261.6 --- 271.025 --- 930.85 "04/14" --- 930.85 "04/14" Cultuurgeschiedenis. Kultuurgeschiedenis--Middeleeuwen --- Cultuurgeschiedenis. Kultuurgeschiedenis--Middeleeuwen --- 271.025 Bedelorden --- Bedelorden --- 261.6 De Kerk en de cultuur: christelijke beschaving; Kerk en vooruitgang; Kerk en wereld --- De Kerk en de cultuur: christelijke beschaving; Kerk en vooruitgang; Kerk en wereld --- 316.371 Gender --- Gender --- 27 "04/14" Histoire de l'Eglise--Middeleeuwen --- 27 "04/14" Kerkgeschiedenis--Middeleeuwen --- Histoire de l'Eglise--Middeleeuwen --- Kerkgeschiedenis--Middeleeuwen --- Boys --- Masculinité --- Education --- Christian church history --- History of civilization --- anno 1200-1299 --- Éducation des garçons --- Masculinité
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town halls --- Public buildings --- Gothic [Medieval] --- History of Belgium and Luxembourg --- Leuven, Stadhuis --- Art styles --- Architecture --- Art --- city halls --- anno 1200-1499 --- Louvain --- Bouwkunst --- Brabant flamand --- Catalogues d'expositions --- Kunst --- Monumenten --- Monuments --- Tentoonstellingscatalogi --- Vlaams-Brabant --- Stadhuis (Leuven) --- Brabantse gotiek --- Leuven --- 949.32 LEUVEN --- 7.033.5 --- 725.13 --- Architecture, Gothic --- -Art, Gothic --- -Decoration and ornament, Architectural --- Academic collection --- #BIBC:02.43 ALAMIRE --- Architectuur ; België ; Gotiek ; Leuven ; stadhuis --- Brabantse Gotiek --- (069) --- 720.94933 --- 723.5 --- Architectural decoration and ornament --- Stonework, Decorative --- Architectural design --- Exterior walls --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Gothic architecture --- Christian antiquities --- Church architecture --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Gotiek. Laat-Middeleeuwse kunst --- Gebouwen van lokale besturen. Provinciehuizen. Stadhuizen. Gemeentehuizen. Raadhuizen --- Openbare gebouwen ; gemeentehuizen --- (Musea. Collecties) --- Arts Architecture Belgium Brabant --- Arts Architecture Medieval Gothic (1200 - 1300) --- Decoration and ornament --- Stadhuis (Louvain, Belgium) --- -History --- Louvain (Belgium) --- -Buildings, structures, etc --- Exhibitions --- Art, Gothic --- Decoration and ornament, Architectural --- History --- Buildings, structures, etc. --- 725.13 Gebouwen van lokale besturen. Provinciehuizen. Stadhuizen. Gemeentehuizen. Raadhuizen --- 7.033.5 Gotiek. Laat-Middeleeuwse kunst --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Buildings, structures, etc --- -Löwen (Belgium) --- Li︠u︡ven (Belgium) --- Leuven (Belgium) --- Lovanio (Belgium) --- Lovaina (Belgium) --- Löwen (Belgium) --- Town-hall --- Belgium --- Kunststijlen --- Openbare gebouwen --- Architectuur --- Geschiedenis van België en Luxemburg --- stadhuizen --- dorpshuizen --- gotiek --- Architectuur--België--Gotiek--Leuven--stadhuis --- 718.4 --- Gemeentehuis--Leuven --- Openbare gebouwen--gemeentehuizen --- Geschiedenis van België: hertogdom Brabant--provincie Brabant--(reg./lok.)--LEUVEN --- Leuven. --- architectuur, België --- Brabantine Gothic --- Duits expressionisme --- verzameling Ahlers AG (Herford) --- Beckmann, Max. --- Schmidt-Rottluff, Karl. --- Macke, August. --- Kirchner, Ernst Ludwig. --- Becker-Modersohn, Paula. --- Nolde, Emil. --- Kandinsky, Wassily. --- Jawlensky, Alexej von. --- Marc, Franz. --- Münter, Gabriele. --- 20ste eeuw. --- Duitsland.
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