Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Walker, Alice

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Morrison, Toni --- Condé, Maryse --- Schwarz-Bart, Simone --- Walker, Alice

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Walker, Alice --- African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Zwarte Amerikanen in de literatuur --- African Americans in literature. --- Women and literature --- History --- Walker, Alice, --- Walker, A. --- Leventhal, Alice Walker, --- וואקר, אליס, --- アリスウォーカー, --- Criticism and interpretation. --- Criticism and interpretation --- United States --- 20th century --- Walker, Alice, 1944 --- -Criticism and interpretation

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments.

English literature --- Thematology --- anno 1900-1999 --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Verhaal (Retoriek) --- English fiction --- Feminism and literature --- Women authors --- History and criticism. --- History --- History and criticism --- 20th century --- Rhys, Jean --- Technique --- Lessing, Doris May --- Walker, Alice --- Atwood, Margaret Eleanor --- Atwood, Margaret, --- Lessing, Doris, --- Walker, Alice, --- Technique. --- Williams, Ella Gwendolen Rees --- Rees Williams, Ella Gwendolen --- Literature: history & criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Fiction --- American literature --- anno 1900-1999 --- African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Zwarte Amerikanen in de literatuur --- American fiction --- African American authors --- History and criticism --- 20th century --- Douglass, Frederick --- Ellison, Ralph Waldo --- Criticism and interpretation --- Gaines, Ernest J. --- Hurston, Zora Neale --- Toomer, Jean --- Walker, Alice --- Walker, Alice, 1944 --- -Criticism and interpretation