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Painting --- Thematology --- Dutch literature --- Painters --- CDL --- 75.01 --- Artists --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- History
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Comparative religion --- Iconography --- Antiquity --- Mythology, Classical, in art --- Painting --- -Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Early works to 1800 --- Mythology, Classical, in art. --- -Early works to 1800
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Art --- Vaduz, Sammlungen des regierenden Fürsten von Liechtenstein --- Liechtenstein [Prinsen van] --- verzameling Liechtenstein --- Liechtenstein (koningshuis) --- Painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Catalogs --- Liechtenstein, House of --- Art collections --- Catalogs. --- Liechtenstein (koningshuis).
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Painting --- Aesthetics --- Wollheim, Richard --- Esthetica --- Esthétique --- -Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Aesthetics. --- Philosophy. --- -Philosophy --- Radio broadcasting Aesthetics
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Rudolf Arnheim explores the creative process through the sketches executed by Picasso for his mural Guernica. The drawings and paintings shown herein, as well as the photographs of the stages of the final painting, represent the complete visual record of the creative stages of a major work of art.
Picasso, Pablo --- Painting --- 75.07 --- Picasso, Pablo 1881-1973 (°Malaga, Spanje) --- Schilderkunst ; 20ste eeuw ; Pablo Picasso ; Guernica --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Criticism and interpretation --- Schilderkunst ; schilders A-Z --- Picasso, Pablo,
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Redefining Eclecticism in Early Modern Bolognese Painting. Ideology, Practice, and Criticism focuses on the unique nature of early modern Bolognese painting that found its expression in stylistic diversity. The flourishing of different stylistic approaches in the Mannerist paintings of the previous generation evolved, at the turn the seventeenth century, in the work of the Bolognese painters into an approach best described as eclecticism, characterized by the combination of two or more styles in a single work of art. Eclectism was a major innovation and major contribution to the history of art. But it then also became a critical term that suffered much negative press. The book therefore also traces the role of ecclecticism as a concept in the evolution of criticism and scholarship about the Bolognese school of painting over 250 years, showing how the dramatically vacillating attitudes towards this concept shaped the historical view of the Bolognese painters, ultimately having a tremendous dampening impact on our understanding of seventeenth-century art.
Painting --- eclecticism --- anno 1500-1599 --- anno 1600-1699 --- Bologna --- Painting, Italian --- Painting, Modern. --- Modern painting --- Paintings, Modern --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Italian painting --- History. --- Eclecticism, selective imitation, Paleotti, Carracci, Malvasia. --- eclecticism [artistic concept] --- Bologna, school van
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"The majority of the papers in this volume were presented at the CATS international technical art history conference in June 2019 titled Mobility Creates Masters - Discovering Artists' Grounds 1550-1700, which explored the introduction of, and change to, the coloured ground layers in European paintings form the Early Modern period. The title of the conference stemmed from the desire to instigate new research projects within the topic of the influence of artists' mobility on material choices and techniques related to the preparation of paintings. As well as contributions presented at the conference, this volume includes additional papers from recent research exploring the same topic. The volume begins with several studies on the documentation of grounds. The contributions are then arranged according to the country in which the painter was active, from southern Europe moving northwards. The lavishly illustrated contributions in this volume deal with the above questions and shed light on different methods of preparing painting supports, the purpose of preparatory layers, materials used in different countries and influence of shifts in fashion or availability of materials on ground layers."--Page 4 of cover
Painting --- painting and painting techniques --- easel paintings [paintings by form] --- anno 1500-1799 --- Europe --- Painting, European --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- European painting --- Conservation and restoration --- Technique --- History --- kunsthistorisch onderzoek
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Bacon, Francis --- Painting --- Peinture --- Psychological aspects. --- Aspect psychologique --- Bacon, Francis, --- Peintre --- Psychology --- 75 BACON, FRANCIS (1909-1992) --- -Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Schilderkunst--BACON, FRANCIS (1909-1992) --- Psychology. --- 75 BACON, FRANCIS (1909-1992) Schilderkunst--BACON, FRANCIS (1909-1992) --- -Schilderkunst--BACON, FRANCIS (1909-1992) --- Oil painting --- Painting - Psychology --- Bacon, Francis, - 1909-1992 --- 75.07 --- Bacon, Francis 1909-1992 (°Dublin, Ierland) --- Schilderkunst ; Expressionisme ; Nieuwe Figuratie --- Schilderkunst ; 20ste eeuw ; Francis Bacon --- Schilderkunst ; schilders A-Z --- Arts
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art market --- Art --- Painting --- Economic relations. Trade --- History of civilization --- anno 1500-1799 --- anno 1400-1499 --- Europe --- Painting, European --- Peinture européenne --- Marketing --- History. --- Commercialisation --- Histoire --- 7.075 <493> --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers--België --- History --- 7.075 <493> Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers--België --- Peinture européenne --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Marketing&delete& --- Painting - Europe - Marketing - History
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Painting --- Peinture --- Dictionaries --- French --- Dictionnaires français --- -Sous la direction de Michel Laclotte ; assisté de Jean-Pierre Cuzin --- kunst --- schilderkunst --- kunstgeschiedenis --- naslagwerk --- woordenboek --- encyclopedie --- WORDT NIET UITGELEEND --- 75 --- Sous la direction de Michel Laclotte ; assisté de Jean-Pierre Cuzin --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- -French --- French. --- Dictionnaires français --- Painting - Dictionaries - French --- -Dictionaries --- PEINTURE --- DICTIONNAIRES
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